Archive for category 52 ways to say I love you
Six of Spades: The Barely Finished Story
Spoiler Alert: If you haven’t read of watched The Neverending Story, and you intend to, you might want to wait until afterwards before reading this.
He just imagined that in front of him, there was a giant requirement to do what he had committed himself to do. Taylor ran from the insipid story ideas that came to him, squatting in trashy distractions until he thought the ideas had left. But as soon as he stopped distracting himself, they came back. He had 18 hours to write something, and this would have to be it. He still ran, until the interruption of a pleasant procrastinatory conversation with a friend gave him a door, and he ran inside.
On the shelf was a DVD of the movie ‘The Neverending Story’. A story of a boy who saves Fantasia, the world of human fantasy, right when people were beginning to lose their hope, to forget their dreams. What if Fantasia were being destroyed again? What if that’s why there were no good story ideas left? If only he could get to Fantasia, and get a child to give the Childlike Empress a new name, he would be able to restore his hope and the wealth of fantastic story ideas he’d once had. He poured himself a frozen lemonade with vodka and sat down with his laptop to write.
He just imagined that in front of him, there was a giant Apollo White Room, where he could prepare to enter his craft and travel to unknown worlds. He’d had the training, read a summary of the book, watched the movie, and he knew exactly what he had to do. He would journey to the Moonchild.
It would be easier for him than for Atreyu. He just had to keep his chin up as he crossed the deadly Swamps of Sadness, keep his grip when speaking to Morla, find a luckdragon, keep his self-esteem up as he walked through the Sphinx gate, keep his cool as he saw his true reflection in the mirror of true selves, feign surprise when the Southern Oracle told him the Empress needed a new name, and hope he’d written the story well enough to capture a child’s attention.
Taylor stopped to take a sip of his drink, check his email, and try to forget how unlikely it was that a child would read his story and give Empress Moonchild the new name she needed. He’d cross that bridge when he came to it.
Ahead of him, the Nothing had already devoured the landscape. To the left and right was more nothingness. Behind him, he could see the Ivory Tower glowing in the distance. Andy, his Andalusian horse, had no problem galloping over the featureless landscape. When they arrived at the Ivory Tower, Taylor approached the bearded man.
“I’m sorry. But this is not the time and the place for adults. Adults do not have the imagination required for this quest. I must ask you to leave.”
“If you don’t want me here, you shouldn’t have sent for me.” Taylor had his lines memorized.
“It was not you we sent for,” said the man. “We wanted Taylor.”
“I am Taylor,” he said.
“Not Taylor the worn-out adult! Taylor the child!”
That is not what they’d said to Atreyu. “I’m the only Taylor you’ve got,” said Taylor. “I’m old enough to know what to do. But if you want, I’ll go back and write advertising copy.” Taylor turned away and pretended to leave.
“No, wait, come back, please,” said the man. Taylor turned back.
“If you really are the Taylor we sent for, you would be willing to go on a quest?”
“Yes, of course.” This was the script Taylor was used to. “What kind of a quest?”
The man gave the usual spiel about finding a cure for the Empress, to save Fantasia. It would be very dangerous and important, and he had to go alone, weaponless. Taylor feigned bravery as he accepted the challenge, knowing that having already seen the movie, he would be in no real danger. He did not need to feign awe as he was given Auryn, the amulet which would guide and protect him.
Taylor rode off into the sunset, knowing that the creature of darkness which would be tracking him down would be an easy kill. After riding for hours, they stopped and decided it was time to eat.
Taylor looked up from his laptop, suddenly aware that his stomach was growling. He topped up his frozen lemonade and made some toast. “Not too much,” he said after the first few bites. “We still have a long way to go.”
Taylor and Andy had searched the Silver Mountains, the Desert of Discarded Drafts, the Crystal Heads and the Sadness Swamp without success. He saw there was only one chance left. To find Melpolia, the ancient muse, whose home was in the deadly Forests of Disbelief.
Taylor led his horse off a cliff, and into the treetops which appeared ahead of them and disappeared behind them as they walked. Everyone knew that whoever stopped believing in the forest would fall to the bottom of the ravine. Taylor kept himself aloft by describing the feeling of branches underfoot to himself as he went, but the horse soon began to fall. “Andy! Can’t you feel the branches poking into your hooves? Can’t you hear the twigs cracking? Andy, please!”
As the horse fell into the void, Taylor could see just how impossible the forest was. He fell, but instinctively reached out and grabbed a branch that his muscles still knew was there. Of course it was there. If he could write it well enough, it was there. Taylor climbed back to the top and ran with his eyes closed, letting out shrieks of delight as he realised what a marvelous reality he had created. When he got bored with that, he just imagined that in front of him there was a giant red tabby, and then he collided with something soft.
Taylor rolled his chair back from his laptop and sighed loudly. This was a ridiculous idea. A giant cat? A giant cat was the best he could think of as a muse? Well, it would have to do. It was dark out. He was running out of time.
The wind seemed to sigh as Taylor looked up at Melpolia the giant red tabby.
“Oh, no. Not an adult,” the cat hissed. “Adults are no fun.”
Taylor sniffled a little, remembering his cat allergy. “Look, if you would just help me in my quest to save the Childlike Empress… I have a deadline, you know.” He grabbed Melpolia’s fur as the treetop beneath him threatened to give way.
“Oh, we know the Empress is sick, but it doesn’t matter.” Melpolia turned away and started licking itself.
Taylor sneezed violently, and fell a metre or so when he forgot to believe. He climbed back up.
“Do you even care?” Taylor remembered this line from the movie.
“You don’t really care whether or not I care,” said Melpolia.
Taylor started to protest, but realised Melpolia was right. He didn’t care. He just wanted to get through the story, get some readers, and save Fantasia so he would have ideas to write other stories and keep food on the table.
Food. Taylor finished a piece of toast. Why wouldn’t the characters ever just do what he wanted them to? He only had eleven hours left. He took a last gulp of frozen lemonade and slammed the cup down angrily on the table. Fine. If he wasn’t going to save the Empress, he may as well have fun.
Taylor sneezed again, and his tree swayed with him. “You know how I can help save the Empress, don’t you?”
“Not that it matters, but yes,” said Melpolia while it licked its left side.
“It does matter!” screamed Taylor. “If I don’t save her, the Childlike Empress will die, and I always wanted to meet her!”
“It’s really not important. I have some preening to do, you know.” insisted Melpolia.
“If you don’t tell me, Fantasia will disappear, right when I’m starting to enjoy it!” yelled Taylor.
“Oh, alright,” said the giant red tabby. “The truth is, I don’t know. Maybe you could ask the Southern Oracle…”
“Right, 10 000 miles away?” Taylor had forgotten that from the movie. The only point of going to see Melpolia was attracting a luckdragon to take him to the Southern Oracle.
“Yes, as it happens.”
“Great. You wouldn’t happen to know where I could find a luckdragon, would you?”
“A what? Luckdragons don’t exist. They were just made up for a book.”
Taylor started to fall. Melpolia found a patch of fur near its right front paw that hadn’t been preened for a while, and went to work on it.
The falling sure felt real. Taylor closed his eyes and waited to hit the ground.
Taylor poured himself another frozen lemonade, without vodka this time, the way he’d always loved it as a kid. He’d had so much of it one summer that his friends had started calling him Frozen Lemonade. They still did, sometimes, but it embarrassed him more now. He’d started adding vodka in his mid-twenties. The vodka made it taste terrible, but what self-respecting adult drinks virgin frozen lemonade?
Taylor woke up next to some kind of giant goat. “Are you a luckdragon?”
“Goodness, no. I’m a deus ex machamois.”
Taylor giggled. “A deus ex machamois? And let me guess, you can fly, and you caught me when I fell from the nonexistent treetops?”
“That’s right. A giant flying squirrel would have made more sense, but I guess you panicked. Panic is sometimes good for creativity.”
“You mean… I just made you up to save my life? And you’re really here?”
Taylor could picture it in his head. A giant chamois, flailing through the air, always looking for footholds in the clouds. Eat your heart out, Rudolph! He laughed so hard he almost peed himself. On the way back from the toilet, he spotted the bag of sour miniature easter egg candies he’d bought for his nephews, and opened it. Forget the waistline; a little sugar once in a while couldn’t harm him.
“I’m here, alright. You passed out before I even caught you; you’re not used to landing on giant flying goats any more. My name’s Rudolph.”
Taylor laughed. “So… how far away is the Southern Oracle?”
“Why, it’s just around the corner!”
Taylor grinned. ”Do I have to go visit that gnome couple and drink eye of newt to make me healthy, now?”
“Only if you want to.”
Taylor secretly wanted to know what the potion would taste like. He found the gnomes’ home, where Urgl hurried to make him a healing potion. “This one will do you good. It has eye of newt in it. And wing of cat, hair of tortoise, face of gnat, eyelash of porpoise.”
Taylor gulped it down in delighted disgust, feeling the eyes slide down his throat and the wings try to flap their way back up, chewing the eyelashes so they wouldn’t tickle.
“This one’s eye of newt,” said Taylor as he put a sour egg into his mouth. He grimaced as the sour taste electrified his tongue.
Then it was Engywook the scientist’s turn to tell him about the Sphinx Gate he would have to pass. “The sphinxes’ eyes stay closed until someone who does not feel his own worth tries to pass by. They can see straight into your heart.”
Taylor did not stay to watch a hesitant traveller get shot by the Sphinxes’ eyes. “Thanks for the newt eyes!” he yelled as he ran down to the gate.
Taylor approached the Sphinx gate with confidence.
Taylor couldn’t think of anything good enough to write. All his ideas seemed stupid again. He decided to write as quickly as he could whatever came to his head, whether he liked it or not.
Taylor ran between the sphinxes as he saw the eyes beginning to open. The sphinx eyes fired a blue laser of self-doubt at him, but he could jump over and under the laser beams like a character in a bad science fiction movie. He leapt over the last one and rolled along the ground giggling on the other side, almost wanting to go back for another go. There were plenty of other roll marks in the sand. He wondered if anyone was really confident enough to keep the eyes closed, or if the survivors were just the ones who ran through anyway.
And now for the mirror of true selves. When he started the quest, he would have been afraid to look at it, but he wasn’t afraid any more. The mirror showed him as a young boy, enthusiastically writing into his notebook. And then a middle-aged man, typing into his laptop just as excitedly.
Finally, he arrived at the Southern Oracle. As expected, it told him that in order to save Fantasia, the Empress needed to be given a new name by a human child.
Taylor swore and wished he’d put more vodka in his frozen lemonade. He’d forgotten to think of a solution to the ‘human child’ problem. In the movie, the human child is the reader of the book, but who would ever read this one? He hadn’t even made the deadline. He made some more toast and settled down to write an unhappy ending.
Taylor rode Rudolph back in the direction he’d come, trying to enjoy the ride even though he knew he’d failed in his quest. Fragments of Fantasia floated around the void like stars. They flew toward the brightest: the Ivory Tower.
The Childlike Empress was beautiful. She reminded Taylor of his first crush.
“I have failed you, Empress.”
“No. You haven’t. You brought him with you.”
“Who?”
“The child. The one who can save us all.”
“No I didn’t. Nobody is going to publish this. No child is going to read this.”
“Yes, you did,” said the Empress with conviction. ”He has suffered with you. He went through everything you went through. And now, he has come here. With you. He is very close. Listening to every word we say.”
Taylor could barely believe what he was writing. He popped another sour egg into his mouth.
“Where is he? If he’s so close, why doesn’t he arrive?” A piece of ivory fell from the ceiling and narrowly missed Taylor’s head.
“He doesn’t realise he’s already a part of the story.”
“But it’s just me!” Taylor protested. “I know I’m in the story. I know I’m writing the story. I know no kid is reading this story.”
“The child began to share your adventure as soon as you let him. As soon as you started believing the story.”
“But there’s nobody here but me!” Taylor said.
He was right.
Taylor almost choked on a sour egg. “No way!” he said aloud.
“He’s been a part of you all along, but you slowly stopped listening to him, when you thought you had to keep you feet on the ground. He’s still inside you. You just need to let him call out my new name. He has already chosen it.”
“This isn’t real. I’m just writing this. This isn’t real.” said Taylor under his breath. He could make them say something else if he wanted. He could make the Empress look up a name in a baby name book herself.
“What will happen if he doesn’t appear?”
“Then our world will disappear, and so will I,” said Empress Moonchild.
“How could he let that happen?”
“He doesn’t understand that he’s the one that has the power to stop it. He simply can’t imagine that something he’s writing can be so important.”
“Maybe he doesn’t know what he has to do!”
No baby name book. The characters wouldn’t let him. But he didn’t know what to write next. “What do I have to do?” Taylor wondered aloud.
“He has to give me a new name. He just has to call it out,” said the Empress.
All Taylor called out was “But it’s only a story. It’s not real!”
“Taylor! Why don’t you do what you dream, Taylor? Why don’t you live the fantasy life you created?”
“But I can’t, I have to keep my feet on the ground! I’m a grown man!” Taylor was already yelling loud enough for his neighbours to think he was a nutcase. What harm would there be in yelling a name as well?
“Call my name! Taylor, please! Save us!”
Taylor was confused. “Me? My horse died, I almost died falling off trees, I swallowed porpose eyelashes, and I could have just come straight here and given you a name myself?”
“Not you. The Taylor who’s writing the story. You needed to go on the adventure so he could find the child in him.”
“Alright! I’ll do it! I’ll save you. I will do what I dream!” Taylor grabbed his cup and held it up in the air triumphantly. “Frozen Lemonade!” he screamed.
And then it was dark. “Really? A power cut, now?!” he said in frustration, wondering when he’d last saved his writing. Taylor jumped as a beautiful voice responded.
“In the beginning, it is always dark.”
“What the…”
Taylor saw a tiny glow, and watched it grow to reveal the face of the Childlike Empress. “Seriously? You can’t tell me this was all real! I was just making excuses for my lack of ideas! There is no Fantasia.”
Taylor felt the floor beneath him tremble. It was not the floor of his apartment.
“Not any more,” said the empress. “But now that you have named me Frozen Lemonade, you can begin to rebuild.”
“Wait, I have to rebuild?
Frozen Lemonade showed Taylor the glowing object she’d been holding. A pencil. “Give me your hand.”
Taylor held out his hand, and Frozen Lemonade placed the pencil between his fingers. “Now what are you going to write about?”
“I don’t know.”
“Then there will be no Fantasia any more.”
“How much can I write with one pencil?”
“As much as you want. You don’t even need to use this pencil. The more you write, the more magnificent Fantasia will become.”
“Really?”
“Try it.”
So he started writing. He barely noticed when he was transported back to his apartment and the pencil became a glowing laptop screen. He and his laptop had many other amazing adventures, but they are other stories.
Four of Spades: What Jane Knew
Posted by Angela Brett in 52 ways to say I love you, Alcatraz Rules and Regulations, Hunde der Welt, Writing Cards and Letters on April 1, 2012
Jane knew she wasn’t supposed to feed chocolate to the lizard. That’s why she did it. She knew Mrs. Beagle always gave a chocolate to whoever got the best score in the maths quiz. That’s why she studied. She knew Mrs. Beagle always left straight after school on Wednesdays. That’s why she chose that day to sneak back into the classroom where the class lizard was kept.
What Jane did not know was what would happen to the lizard when it ate the chocolate.
Jane also did not know that Mrs. Beagle had left her keys behind. That’s why she jumped and dropped the lizard when Mrs. Beagle opened the classroom door. Jane did not know where the lizard went when she dropped it. That’s why she was surprised when it bit her on the ankle a few minutes later, while she was writing out ‘I will not feed chocolate to the lizard’ 100 times on the blackboard. Jane did not know that the chocolate lizard bite would make whatever she wrote come true. That’s why she kept writing. She did not know why she was writing it, since she had never fed chocolate to the lizard, and she wouldn’t, even though she wanted to. That’s why she stopped writing. Jane did not know what to do next. That’s why she started writing a story on the blackboard:
Once upon a time, there was a girl named Jane who knew everything and didn’t need to go to school.
And Jane knew everything. That’s why she wrote that some cake would appear. Jane knew that everything she wrote would come true, and stay true until the bite from the chocolate-fed lizard healed an hour later. That’s why she was worried. She knew that she would have to feed more chocolate to the lizard and let it bite her again when that happened. That’s one of the reasons she wrote that a lot of chocolate appeared. But she knew that she could not feed chocolate to the lizard after writing that she wouldn’t. That’s why she lived out her wildest dreams until the spell wore out just before Mrs. Beagle returned.
Mrs. Beagle still knew what Jane had done. That’s why she came to make sure she’d completed her punishment, even though she’d rather have gone to her mathematics society meeting. Mrs. Beagle did not know what the chocolate-fed-lizard bite had done. That’s why she was surprised by the faint smell of ponies and chocolate cake that disappeared just quickly enough to make her wonder whether she’d ever smelt it. Mrs. Beagle did not know that Jane wanted to feed the lizard again. That’s why she dismissed the girl and left.
Jane knew that Mrs. Beagle would write a disciplinary report detailing everything she’d done. That’s why she put the lizard in Mrs. Beagle’s bag, with her chocolates.
*
Mrs. Beagle knew that something was up when she saw what happened as she wrote about Jane feeding chocolate to the lizard. That’s why she wrote that Gödel’s Incompleteness Theorem could be disproven.
Three of Spades: mp<3
Posted by Angela Brett in 52 ways to say I love you, Writing Cards and Letters on March 25, 2012
Note: The whole time I was writing this, I was rapping it in my head in the voice of Devo Spice, or maybe Luke Ski. Feel free to do the same. I guess I can’t really blame them for it, though.
Are you the kind of person with a song in your heart?
Well, how about a thousand? This is state of the art!
Only Auricle will do, that’s A-U-R-I-C-L-E,
bringing hearts and ears together with the m-p-less-than-three.
With Langendorff technology to keep alive each atrium
and keep the heart cells pumping that potassium and natrium,
Introducing Beat Box, it’s a heart drive full of fun,
a briefcase full of rabbit hearts, a song in every one.
Well, I’m that kind of person, and so when I saw that ad,
I wanted that new Beat Box really really really bad!
but I didn’t have the money and I didn’t have the doe,
so I waited for the copycats to give it a go.
The Tucson Diagnostics artificial heart looked nice,
but how could processed tofu go for such a meaty price?
The chicken hearts were cheap, and beats per minute were comparable,
but animal rights groups said the battery life was terrible.
Well how about this earthworm with its five aortic arches?
It fits straight into the ear and plays imperial death marches.
My hacker friend said he could make a second one for free,
so we pooled our cash to get him one and he made one for me.
At the twenty-somethingth segment he proceeded to hack,
and we waited three long weeks for both the halves to grow back.
I loaded mine with compost and I put it in my ear
heard the music starting up as it climbed into my cochlea.
After that it wouldn’t budge and the controls were disconnected,
and every twenty seconds it screamed ‘Copy protected!’
Well I really should have paid to get an Auricle instead,
’cause now my earworm’s in a loop and I’ve a song stuck in my head.
Well I really should have paid to get an Auricle instead,
’cause now my earworm’s in a loop and I’ve a Copy protected! head.
Well I really should have paid to get an Auricle instead,
’cause now my earworm’s Copy protected! I’ve a song stuck in my head.
Ace of spades: It’s not a (real) heart
Posted by Angela Brett in 52 ways to say I love you, Flowers and Animals, St James's Gate, Writing Cards and Letters on March 11, 2012
I told you I wouldn’t just be writing this time. Here’s a music video for Jonathan Coulton’s Dissolve, using footage from my unboxing of the level 4 bundle for the album Artificial Heart, which this song is on, and some from JoCo Cruise Crazy and the things I did in Florida before that. I really hope you like it.
Long before I received the package in the mail, I heard that simply opening the box was quite an experience. I carefully avoided reading about what exactly was in the mysterious box, and decided to turn my unboxing into a music video for this song about a mysterious box. As it turned out, a lyric from the song was on the lid of the box. Clearly somebody had to create this video. Maybe somebody else has already done it; I still haven’t watched anyone else’s unboxing videos. If you want to understand what I’m doing, search for level 4 unboxing videos online. Some of them probably include the instructions we’re following.
I eventually received the box just four days before I flew to Florida to visit Universal, Kennedy Space Center, my very first standalone Paul and Storm show, and of course, JoCo Cruise Crazy 2, so I used some footage of those things in the last part of the video. Victory in the warm sun!
If I’d thought about it, I’d have started on the ace of hearts this week instead of the ace of spades. But a spade looks a lot like a heart when upside down, and there were a few other references to hearts on my aces of spades. It’s not a real heart, but it is a real artificial heart.
I filmed this using my new camera, a Canon PowerShot S100, which shoots in full HD and autofocusses while filming. My favourite moment is when I open the box and the camera automatically focusses on the lid of the box, then focusses back on me just as I start smiling. That was quite a lovely fluke. There’s also some nice changes of focus wile the nostalgia device moves around. Everything in this video was shot only once with no rehearsal, while I was opening my level 4 box, or in Florida, or on JoCo Cruise Crazy. This is new for me; usually I spend far too long getting the footage exactly right. There is a small mistake on the calendar part; I did not do the KSC Close-Up tour two days in a row. I also left in another clip which I think I intended to replace by something else, but if I don’t tell you which it is it’s not bad enough that you’ll notice it.
In case you’re wondering, this video contains 11 ‘dissolve’ transitions, but the transitions that occur when Jonathan sings ‘dissolve’ are actually ‘fade to white’ transitions. Also, the yellow country you can see when he sings ‘here’ of ‘If you need me, I’ll be anywhere but here’ is Jamaica. That’s on a big globe at Geneva airport which I filmed as I was on my way to fly to Orlando.
Ace of Diamonds: Fork and Tongs, the play
Posted by Angela Brett in 52 ways to say I love you, Writing Cards and Letters on March 9, 2009
No new writing this week, just a video and mp3 of my reading a love poem I wrote previously. What can I say? I was only following instructions. I chose this one because it’s more finished than the love poem I wrote last week, I’ve already read it for an audience, and I have all the props required.
I didn’t particularly want to put it on YouTube, since it’s my first video featuring me and I’m kind of self-conscious about it, but I couldn’t find a decent host for it elsewhere. So you’ll just have to suffer through it.
There might be a more novel ace of diamonds next week; one of the cards is perfect for a final Thing. In any case, there will be a second joker, and then this adventure will be over. It won’t be my last adventure, though. Among other things, I’ll probably continue making recordings of Things. Let me know if there are any Things in particular that you’d like recordings of, or any of the Things-with-tunes that you’d like to sing if I sent you the tune I had in mind. There are a few Things I don’t think my robot choir can do justice to. To make it easier for people to follow them, I’m setting up a podcast for them and any similar audio I might produce in the future. It’s not up yet due to various technical problems with the host I planned to use, but I hope to get it working eventually.
Two of Diamonds: Chemistry
Posted by Angela Brett in 52 ways to say I love you, Writing Cards and Letters on March 2, 2009
I’m really glad to meet ya,
you seem just right to me.
You’ve oestrogenic features,
and facial symmetry
and even just the scent of you’s
a whiff of possibility,
it shows without a centrifuge
our histocompatibility.
Whenever we’re carressin’,
I find you quite engrossin’,
I’m filled with vasopressin
endorphins and oxytocin.
Your mouth is like no other,
I kept your kiss-stained cup.
Oh, be my children’s mother!
Your DNA stacks up.
Hold tight while we make lurve
and during the sweet act I’ll
be glad I had the nerve,
especially C-tactile.
What’s that, my anti-phosphodiesterase?
You say you are conscious, too?
In that case, I’ll rephrase:
I meant that I love you.
Eight of Diamonds: The Village of Silver
Posted by Angela Brett in 52 ways to say I love you, Bäume, Birds of Canada, Cadbury Heritage Collection, CERN, Dinosaurier, Discover Ontario, Fische, Flowers and Animals, Holland, Hunde der Welt, Intriguing Development, Ireland, Johnny English, Katzen der Welt, Kräuter, Lyon, Mont Blanc, Paris, Pferde & Ponys, Pilze, Reptilien, Schmetterlinge, St James's Gate, Switzerland, The Best of Switzerland, Tierwelt Europas, Venezia, Wasservögel, Wildflowers of Canada, Wildvögel, Writing Cards and Letters on January 19, 2009
Although many stories end up coming full circle, the first step is always finding a few good lines to lead into it. The steps are too steep for me to climb, I will wait and watch.
All the best pictures have canoes in them. As the boat left the wharf, they did not know that they would soon be the first victims of the biggest eruption in history. They used the clock tower to localise themselves in time and space. The people did not know that the tower would soon fall. It was big.
The butterfly said, “Some creatures are bigger than they have any right to be. The problem with rankings is that the first and second always crowd out the third. I am not going to react to that in the way you expect.”
The butterfly does not know what you have called him, he just lives.
The frog said, “I know a man who collects frogs. Hair brushed back to impress you, he has addled your brains, you no can no longer call yourselves human.
Why do you keep calling me a bull? I don’t wear armour and spikes to threaten you, but to protect myself. Standing on the stump of what was my home, I can’t help but wonder if there is any more of a future for those who destroyed it. After all their adventures, one diamond is still missing.”
A line of spikes separated the riches from the untamed sea. Many colours, reaching to the sky. Each stalk is topped with a permanent snowball. Scientists rushed to tend to the glowing backbone. The crowd rejoiced as they saw their work fall away.
Their neighbour was richer than they thought. A giant living diamond thrashed its way forward through the sea. A single female to perpetuate the genes of a thousand men.
And a gold-crazed fool said, “This is no more possible than a flower growing from another flower. I sent e-kisses over the internet before my first real kiss. I have two pillows, but there is no room for another in this bed.”
The trick in gathering treasure is to leave room for more. They got on like two flowers in a pod.
A village of silver, covered in white snow, one lasts and the other is precious.
Rearranging the components of your point does not make it any sharper.
Jack of Diamonds: Papagaj and Rakas
Posted by Angela Brett in 52 ways to say I love you, Writing Cards and Letters on December 29, 2008
Once upon a perch, there was a parrot named Papagaj. Papagaj was smarter than parrots are today. He could understand concepts that escape even humans.
Papagaj’s cage had many toys; perches, ladders, bells, and more. But the best toy by far was a bare rectangle of steel that reflected the most pretty parrot that Papagaj had ever seen. Papagaj called the parrot Rakas, and they adored each other. He loved to learn words, to amaze Rakas. The lovely Rakas always repeated the same words back. Rakas was the perfect parrot.
But Papagaj never knew enough words to express how he really felt about Rakas. Every day he would learn more words, every day he would teach them to Rakas, but every day he grew more frustrated that the words were not adequate to convey the love he felt. Just as Papagaj whacked the bars of the cage wherever he flew, he was hampered by lack of language whenever he attempted to express a thought. As the days went by, the thoughts themselves became harder to remember.
At dawn one day, as Papagaj cooed sadly to Rakas, a spectacular creature appeared. The creature was small enough to fly between the bars of the cage, but had a powerful sparkle that extended as far as Papagaj’s most puffed-out feathers could. The two thus appeared as large as each other.
“You wish for more words” came the thought. Papagaj could not hear the creature speak, but felt the message, unobstructed by flawed language. “I am the Kaantaaja. I can give you a new life, with different words. Come with me.”
Papagaj had barely resolved to do so when the Kaantaaja’s glow engulfed the cage.
*
When Papagaj opened his eyes again, he was in a different cage. It was a bit bigger than the first one. His perches remained, but the other toys had changed. There were swings, and ropes, and other things he had never seen. But as before, the best toy was the mirror, now hanging from shiny chains. Papagaj rushed toward Rakas and began to speak with much excitement.
Papagaj found that he knew different words from before. He was ecstatic to have the chance to say things that he had never said before. But soon he discovered that the words he knew before were gone, and, as before, many other ideas that he had never had words for. He was just as restricted as before when trying to express his emotions.
That evening, the Kaantaaja came back. “Are you happy with your new language?” it asked.
The answer ‘no’ entered Papagaj’s head without much consideration.
“I can’t keep granting your wishes forever,” said the Kaantaaja. “But I will move you to a new cage.” And with that, the Kaantaaja’s radiance once again permeated the cage.
*
When the light dispersed, Papagaj was in a pretty silver cage, a little smaller than the first, stuffed with perches, ladders, bells and swings. Rakas was reflected in a gleaming metal rectangle, attached with a jingling chain.
Papagaj revelled in the new language he knew, and shared with Rakas many things which he hadn’t yet shared. But again he was restricted, again his limits made him sidestep the things that needed saying. By dusk, he was screeching in anger at his clumsiness.
The Kaantaaja reappeared as he shrieked. “Please, do not misuse my gift of language so! Do you want to speak, or don’t you?”
Papagaj’s shriek ended the instant Kaantaaja’s query entered his head. His answer was a clear yes, with the caveat that he needed a new language.
Immediately, Kaantaaja’s light filled the cage.
*
When the light died down, Papagaj was in his biggest cage yet. There were all sorts of toys and places to perch and climb. He flew around a little, enjoying the space, before locating his mirror. Rakas looked happier than before.
They chattered all day, about so many things which had escaped them before. But still Papagaj found that there was still one essential emotion that he could not express. And as the day turned into night, he found more and more ideas for which the words escaped him. When the light was dim enough that he could no longer see Rakas, he kept talking to himself in the dark, trying to find a way to say what he needed to tell her, so that he could say it the next day. He repeated important words to himself, hoping not to forget them if he were put in a new cage with a new language.
But all this effort only made him more aware of how hopeless his situation was, and the moment he realised that the new words could not possibly be sufficient, Kaantaaja appeared again.
“You want to move,” said Kaantaaja silently.
Papagaj’s defeated yes caused another burst of Kaantaaja’s light.
*
Papagaj could hardly swing without colliding with rusty bars or a tiny food bowl, which hung in front of him, partially hiding his mirror. Papagaj hit at his bowl, not hungry, just wanting to look at Rakas without such an inhibition. It was obvious that his words, in this stifling micro-aviary, could not possibly do.
Papagaj sat dumb and unmoving for many hours, just looking at his ravishing bird, who was looking at him quizzically. By and by, Papagaj had a go at talking. It was a slow and awkward walk around untold limitations, which Rakas could mimid without so much as trying. Irritation, both at his own laborious toil and at Rakas’s natural parroting, soon took control of him. It was usually so gratifying to tutor Rakas on words, to applaud Rakas for copying him without fault. But with such difficulty in finding his own words, Papagaj was unfit to instruct, or to bask in Rakas’s flair for what was taught. Papagaj soon found it hard not only to talk highly of, but also to think highly of Rakas.
At last, Kaantaaja’s arrival brought comfort, with a great flash of light.
*
When the light cleared, Papagaj was in a much larger cage. But he could see that it was not as large as one of his previous cages, and he knew that once again his new language would not be adequate. He swung in silence until the Kaantaaja came, hoping to return to the richest language he had known, which he was sure he would be satisfied with.
“Do you want to go back to where you were before?” asked the Kaantaaja.
“I do,” he answered.
Kaantaaja’s glow filled the cage once more.
*
And he was back. He wasn’t back where he wanted, but in the smaller, silver cage. He remembered what had happened the last time, and realised that if he tried talking, he’d just end up frustrated again. He sat all day in silence.
The Kaantaaja didn’t even ask what he wanted. It was unnecessary. The flash filled him with dread-tinged expectancy.
*
The new cage was bigger than the last, not the biggest he’d been in. It had all of the toys he had loved. Again, he knew new words. And he resolved to speak, no matter how ineffectively. Alas, he had nobody to speak to. There was no mirror in his new home.
“Oh, Rakas… what a fool I have been!” he called in vain from the centre of the cage. “I can express my love in so many ways already, why did I always need more? Now, the most important thing is missing! I don’t need words, all I need is…”
With that, the Kaantaaja appeared once again and spread its shimmering light.
*
“Raaaaaaarrrkas!” Papagaj’s awkward caw sparks a grand fracas as Papagaj darts at a sassafras branch at a park. Hawks and jackdaws swarm, and chant “Rakas, rakas, rakas!” as smart as watchstraps.
Papagaj’s rasp attracts a star as fast and as sharp as Rakas. Papagaj, rapt, starts a stark paragraph. Rakas gasps at Papagaj’s haphazard grammar, and scrams.
Angst saps Papagaj, and Papagaj’s smarts pass. Papagaj and a standard madam hatch spawn as daft as gnats, and want that; an awkward caw dwarfs a swan’s charm.
King of Diamonds: Anniversary cards
Posted by Angela Brett in 52 ways to say I love you, Writing Cards and Letters on December 15, 2008
The following are variations of ‘Roses are red‘ based on the songs Jonathan Coulton wrote for his Thing a Week.
Eyeballs are red,
water is blue.
Arm’s gone to hell
and so will you.
2. My Monkey
Monkey saw red,
monkey feels blue.
Bananas are yummy,
but monkey loves you.
3. W’s Duty
Let’s do our duty
to red, white, and blue.
If you do a duty
then I’ll do a poo.
4. Shop Vac
Picket fence white,
flower beds purple.
Shop vac sucks nicely,
just like the suburb’ll.
JC likes big butts,
as if he were black;
hope they were covered
before baby got back.
Violets are red,
roses are blue.
That’s clearly crazy
and so are you.
You’re not pure white,
and I’m not that green.
This can’t continue
the way that it’s been.
Jane’s wearing orange,
Joan’s wearing slate,
soon they’ll face off
and then separate.
Roses are red,
violets are blue.
She’s well deflowered,
but our love was true.
25′s square,
64 cubic.
A mashup of both
released intertubic.
Some bite like redbacks
protecting their greenbacks.
Your present this Christmas
is taking the scene back.
Lobsters are red.
Once they were brown.
Don’t doubt this knowledge
when Hodgman’s around.
13. Drive
Fast cars red
Mine infrared
drive like sexy
not get dead
14. Flickr
Red Green and Blue,
or CMYK,
These pixels are free,
CC-BY-SA.
15. Resolutions
Reasoning’s solid,
guidance is clear.
These tips will bring you
An excellent year.
16. You Could Be Her
Pretzels are brown
beer is brown too.
Someone will love them,
will it be you?
17. I Will
Sugar- and heartbeats
covered in honey,
this song is sweet;
no need to be funny.
18. Dance, Soterios Johnson, Dance.
Strobe lights are green,
with reds and with blues.
When they turn off,
you’ll bring us the news.
19. So Far So Good
Roses are red,
(so far, so good)
didn’t quite last
as long as they could.
20. Curl
Dreaming of gold,
for red, white and blue,
wake from dream early,
make it come true.
Bots’ eyes are red,
Soylent is green.
Our Christmas crackers
are full of protein.
or:
Snow’s hooloovoo,
snowrocks are orange.
Our family is trapped
[MESSAGE REDACTED]
22. Take Care of Me
Roses are red,
water is blue.
Separate beside me
waiting for you.
Stories aren’t read
of days people blew.
George made it count,
and so can you.
Lavender’s purple,
mint flowers white.
Big city men
won’t treat you right.
25. Stroller Town
Stop when it’s red,
go when it’s green.
I’ve got the fastest
pram on the scene.
26. Re: Your Brains
Matters are grey,
Irises blue.
Rathole the eyes-scream,
a dinner is you.
27. Madelaine
Roses are red,
Violets are blue.
Which do you want?
It’s up to you.
28. When You Go
Roses are red
chrysanthemums white.
Flowers have withered
and nothing is right.
29. Code Monkey
Fritos are yellow
so’s Mountain Dew.
Code Monkey like them,
but mostly like you.
30. The Presidents
A whole lot of whites,
some red and some blue,
it’s time for a change
now Obama’s there too.
Most lovers’ roses are red,
French tulips are coloured like crème.
I don’t really care who she is,
as long as she has a long stem.
I’ll wait for our golden,
I’ll wait for our silver.
When she gets them both
I’ll no longer think ill of ‘er.
33. Tom Cruise Crazy
Violet are reds,
rose are blues.
Messed up and crazy,
it’s just like Tom Cruise.
Roses are red,
Raincoats are blue.
Rain-covered streets,
Jane covered you.
Roses are yellow
wine is rosé.
Think you won’t need me?
No way, Jose.
36. Not About You
Roses are red,
violets are blue,
dumped on your doorstep
’cause they’re not for you.
Young boys like toys,
old boys like drums.
Rock and roll boys
should love their mums.
Let’s show our true colours
without much ado.
Beer would be sweet,
while drinking with you.
39. Pizza Day
Maybe you’re friendless,
maybe you’re blue.
Remember, it’s Friday,
there’s pizza for you!
40. Skymall
Roses are red,
violets are blue.
These gold-dipped roses
last longer than you!
41. Seahorse
She’s getting tail,
he’s getting screwed.
Since he’s a seahorse
he’s stuck with the brood.
42. Creepy Doll
Eye is ruined,
mouth is pretty.
You should have stayed
in your big city.
43. Under The Pines
Roses are red,
suet is white.
I hope you remember
our big hairy night.
Roses are red,
violets are blue.
I know you won’t like them.
Big bad world two.
45. Mr. Fancy Pants
Your pants are rainbows,
his pants are brown.
You know that your pants
never gonna let you down.
Girls dress in pink,
Boys dress in blue.
Conceding defeat,
but all for you.
47. I’m Your Moon
Some friends are rare,
some moons are blue.
You’re here for me,
and I’m here for you.
48. The Big Boom
Something goes boom,
car alarms scream
all of these noises
are worse than they seem.
49. Make You Cry
Roses are red,
bought them for you.
Revenge is sweet:
I brought thorns too.
50. Pull the String
Roses are red,
violets are blue.
One single aphid
would eat through you.
51. Summer’s Over
Leaves turn to red,
trees’ turn to grieve,
watching them fall,
watching you leave.
52. We Will Rock You/We Are the Champions
Rose to the challenge,
vibe fifty-two.
Clap for JC
if he has rocked you.

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