Posts Tagged poems
I’ve been going to JoCo Cruise since it started in 2011, and this year I finally had the nerve and organisation (okay, so actually Phil organised it) to take part in running a shadow event. What with this and MarsCon, apparently 2019 is my year for getting on stage at events I’ve long frequented.
There are many official celebrity guests on JoCo Cruise, but anyone can request a space and time to host their own events, whether concerts, crafting workshops, jam sessions, locksports seminars, hydrating face mask parties, PGP signing parties, space dog slideshows, scotch or foreign snack tastings, meetups of people who are various flavours of non-heteronormative, religious, merfolk, impaired, purple-haired, or scientists, or just a session of yelling at the moon. All of these things are real events that happened this year. This ‘shadow’ cruise, as it’s called, took up 292 of the 605 hours of programming.
My little corner of that was Angela Brett & Phil Conrad with Friends, later referred to as the ‘Hastily Assembled Entertainment Taco’, after the official event ‘Hastily Assembled Entertainment Burrito‘. The friends involved included Randy Parcel on vocals, Ryan Nathan on drums, Joey Marianer on vocals and ukulele, and Jeff Kahan on oboe. You can see the full show in the YouTube playlist below, or read on as I self-indulgently embed the specific parts I had a hand in, along with a few others from the open mic night.
I’ve been going to MarsCon, mainly for the Dementia Track of comedy music concerts, whenever it’s convenient for me to get there before or after the JoCo Cruise. I’m a fan of most of the acts from The FuMP and other sites, and have contributed some of my own creations to The FuMP Sideshow.
This year, I finally had the nerve and the organisation to ask to perform at MarsCon in the two concerts where people not doing a main stage set can perform. In the FuMP Jukebox concert, where artists can each perform one of their original songs, I sang ‘Why I Perform at Open Mics‘, slightly censored as it was a daytime show:
I didn’t have the best breath control, as is often the case (and I was cold, which didn’t help) but I didn’t make any major mistakes, and Devo Spice complimented my rhymes later, so I’m going to count that as a huge success.
Then, during the Dementia Smackdown concert, where each artist covers another artist’s song, I sang the only cover song I know how to do — Chicken Monkey Duck, by Mike Phirman. Mike had kindly provided me with the accompanying video without his vocals, the same one he uses for his performances, so that I could perform it at open mics, so I used that at MarsCon as well.
Perhaps I should work on not staying at the back of the stage next to the exit, but otherwise, I did okay. Since this made me officially a performer in the Dementia Track, I was included in the Dementia Smackdown Wrestling. This is a simulated wrestling match between Dementia Track artists put together by JP Tuesday — my only input was providing a picture to model my avatar after. I won’t reveal how I did — watch it and see!
I also got a snazzy certificate for participating in the Dementia Track, which is currently tucked away safely in my luggage. All in all, it was a great experience.
After that I visited The Biggest Ball of Twine in Minnesota, Kennedy Space Center, and of course, the JoCo Cruise, where the real Mike Phirman was a performer, for the third time — and if you think my performance of Chicken Monkey Duck was impressive, just wait till you see his sets on the cruise! I’ll upload my footage of it, and perhaps recount my other adventures, some time after I get home; I’m currently visiting the San Francisco Bay Area for a few more days.
In unrelated news, taking a job at a too-small-to-not-fail company has once again bitten me in the duck, so I’m looking for work again. If you’re at a reasonably stable company that needs a programmer with mathematics and linguistics training who can also sometimes write and perform weird things, let me know!
November was National Novel Writing Month, which is a global event (‘National’ in this context means ‘More Official Than Other Made-Up Events, I Swear! Also, I Forgot There’s More Than One Nation’) in which people attempt to write 50000 words in a month. This is often abbreviated NaNoWriMo. I decided to go for an easier homophone, NanoRhymo.
Every day, I tweeted a short poem inspired by a rhyme I’d found using the ‘Random‘ button on the rhyming dictionary I made, rhyme.science. I’ve been tweeting interesting rhymes from this for a while, so some days I generated a new random rhyme, other days I looked through the @RhymeScience Twitter feed to find one that inspired me. Try it yourself! You might need to click a few times to get an accurate, interesting rhyme; I’m working on a new version that has fewer incorrect words or pronunciations in it, but don’t have enough spare time right now to get that up and running.
Some of them were fun little ditties, others were more inspired by current events or politics than my writing usually is. I’m not informed enough on most such issues to write on them, but that’s where the rhymes led me, and I have just enough of an informed opinion for a rhyming tweet. There are a few references to sexual assault and one to the Holocaust, so proceed with caution if reading such things is likely to be traumatic for you.
You can see all the NanoRhymos by clicking on the tweet above and reading the whole thread. But for those who prefer reading a blog, here they are. I’m considering continuing to write a NanoRhymo every day until I get bored of it, or until I have enough to publish a poem-a-day calendar. What do you think?
It didn’t seem so wrong —
you wanted to prolong
the perfection of their hearts.
A collection of spare parts
was made when they were cloned.
They’re fêted and unowned,
but I’m a pair, impaired them-prime;
what’s mine is theirs, and theirs to mine.
A Jewish saviour way back
was questioned about payback,
and bade that those with no sin
grab stones and gather close in
to pelt a sinful other,
but then, the saviour’s mother
(whose immaculate conception
had made her an exception)
came forward — oh, Lord!
I would have ended that with ‘came forward, and Lord guffawed’, but I wanted to keep it in one tweet. The short version is probably better.
This guy’s disguise will fool your eyes, but not the FBI’s.
They prize the wise who recognise through lies, despise the spies.
Noise and darkness, stink and heat
Senses strained to find a beat
Shout to strangers lit by neon
Go home, put a DVD on.
Drunken groping long ago
Young can learn it’s wrong, and grow
Admit mistakes and make amends
Ensure the waking nightmare ends
Frantic voters running frightened,
Heavy hearts, but heads enlightened,
Two years on, they’ve seen his bite and
barking mad demeanour heightened.
Doggedly, they’ll put things right and
chase a future slowly brightened.
Don’t believe every Tom, Dick, and Harry;
Thomas’s promises won’t hold true;
Richard’s switch’d leave you hanging;
Trust Henry? Then regret that too.
Day 8, inspired by the rhymes rushes, crushes, and (in non-rhotic accents) ushers:
The wise one rushes,
Telling all their crushes,
Finding out the answers: yes or no?
No, they’ll only blush, or
Yes, follow the usher,
Make some more advances in the back row.
After loving declarations,
you should not yet have relations,
but evaluate the information cynically.
Ask for terms and motivations,
and when provided with citations,
then concur, and place your arms around them clinically.
Some fake care to prime their victim:
soften and enlarge with flattery,
and while most juries don’t convict ‘em,
often they are charged with battery.
See the harrowed and harrassed
Seething horrors of the past
Browse and mull, and be aghast
Thousands, millions, people gassed
This one has a different rhyme scheme in different accents: ABBA with the trap-bath split or AAAA without. It’s probably about the worst way I could have demonstrated the trap-bath split.
Halt, ye marauders,
attacking our borders!
Just following orders —
you can’t come in here!
If we don’t mistreat you,
we’re worried that we, too,
will soon have to flee to
(But they’d give us shelter;
they’d surely do well to!
We’re good folk, just dealt a
harsh blow; we’re sincere!)
We’re all a bit off-kilter now;
we’ve lost a then and built a now,
but later’s what we’ve still to know,
and do we have the will to? No.
If you see a proposition,
apply to it your intuition,
at length, exerting full cognition,
come to trivial fruition,
and restart with a new suspicion,
then you’ll be a mathematician.
Robotic faces, cold, unsmiling,
hypnotic glaze of code compiling,
illuminating status lights
as humans wait for access rights.
Once it’s done, they wake anew —
the robots and their coders too.
Dull the pain with anaesthesia,
hoping for a brief amnesia
of harm sustained while he was frisky
(lapses blamed on too much whiskey)
Clear dark thoughts to fit some leisure:
dull clear thought with too much whiskey.
Day 17 (actually posted on November 18, because when catching up the missed days on November 17, I missed a day, so everything after this is a day late), inspired by the rhyme predestined and unstressed and:
If your plans have not progressed, and
stasis leaves you quite depressed, ind-
eed, you must stick out your chest, and
pray that you’ll be always blessed, and
loaf around, remain unstressed and
wait for that which comes predestined.
If Santa wanted Christmas cheer
to fill the Northern Hemisphere,
he’d send the elves to spread the word
to save yourselves and save the herd:
Inoculate yourselves; get prick’d!
Be those the flu will not afflict!
Sea can weaken a Puerto Rican deacon.
We can be concerned, and we can sneak unspeakin’
or be concertedly connected shriekin’
so s/he can see kin be a freakin’ beacon.
Once upon a time I met Steve Wozniak,
Who bought me a replacement when I lost me Mac
My life got weirder still; I saw a tokamak 🤷🏻♀️
And now I code for iOS to clothe me back
While Android code is handled by a Bosniak
It’s a pretty silly poem, but it is also 100% true (you can read the Wozniak story in even cheesier rhymes, if you like), and how could I ignore it when my random rhyme generator comes up with ‘Wozniak’?
I’m committed to squeezing out a daily poem —
soon committed to a poetry asylum?
But pull enough good water up a xylem
and some day something sweet comes down the phloem.
Day 22, inspired by the rhyme Dulles’s and portcullises, and that time when I had about three hours to change planes in Washington Dulles airport but still only just made it, with an airport staff member running while pushing me in a wheelchair:
A change of planes is always an adventure
and no ride is as perilous as Dulles’s —
with far-off gates and queues there to prevent’ya
you’re sliding under plummeting portcullises.
This one is best read with low rhoticity and yod coalescence, to make adventure rhyme with prevent’ya.
Day 23, inspired by the rhymes routed, disputed, and (in non-rhotic accents) untutored:
In the untutored,
the pronunciation of ‘routed’
can be disputed,
so if you doubted
the pronunciation of ‘routed’
you’ve been outed.
(It depends on where you’re rooted,
so feud no more about it.)
Jeannie, Jeannie, fantoccini
pulled the strings of her bikini,
made a pervy man look up it,
then she moved him like a puppet.
Day 25, inspired by the rhyme unstudied and ruddied, and the first image sent back from Mars by NASA’s InSight lander:
Freckled surface, still and ruddied,
sweeping spaces still unstudied,
far in space is InSight near;
insight can begin right here.
The freckles were actually dust on the lens, though.
A tree would never leave you;
it’s your steadfast, loyal bud.
A tree would never leave you;
it will root for you, come hail or flood.
A tree would never leave you;
it’s as solid as hardwood.
A tree would never leave you,
but Bernard would.
Day 27, inspired by the rhymes ultimata, weight a, and (in non-rhotic accents) eliminator:
The real eliminator
is bearing all the weight a
can have on the enforcer.
Can they just divorce a
person they adore so
much because they made a
gaffe they said would force it?
They saw the violence, and they kneeled,
did not kowtow, and did not yield.
A shout of silence that conceal’d
the loudest power they could wield.
Day 29, inspired by the rhymes miss a, Alissa, and (in non-rhotic accents) kisser:
🙂: “Why would you miss a
girl named Alissa?”
🙃: “She’s a good kisser;
don’t you dismiss her!”
🙂: “But so is Melissa,
why just one Miss, huh?”
🙃: “Not gonna diss ya,
just not down with this, yeah.
I’ll follow my bliss, you
kiss them and I’ll miss ‘lissa.”
Onto magic guild they glommed,
vibes they quivered, nerves they calm’d.
Vicariously thus becharmed,
they came through escapades unharmed.
NaNoWriMo is over, but tune in on Twitter to see if NanoRhymo continues!
I’ve been having a pretty relaxed month, but my life is ridiculous, therefore so far in September I have appeared in a music video, a radio broadcast, and a podcast.
The music video is Molly Lewis’s ‘Pantsuit Sasquatch‘, for which I recorded my feet walking up to a tortoise sculpture on a playground:
The radio broadcast (which you can also listen to online) was episode #9 of the Open Phil Broadcast on Radio Orange. The broadcast mostly features regulars at the Open Phil open mic in Vienna. Each episode features an interview with and performance by two acts; I shared this one with Adrian Lüssing, also known as The Cliff.
It was an honour to be invited to participate in the broadcast, and it was made extra awesome by the fact that it happened while Joey Marianer, who has been setting a lot of my poetry to music, was visiting Vienna, so he participated too. I recited They Might Not Be Giants, then he sang his version of it, then we sang I Love Your Body, with Joey singing the first part and me singing the second part. Yes, me singing. This is about the first time I’ve sung for an audience, and the third time Joey and I had sung that song together, and it went on the radio. I think it went pretty well, though! We performed it again a few days later on the Open Phil stage, and I’ll post video of that once I’ve uploaded it.
The podcast was episode #60 of Wrong, but Useful, a recreational mathematics podcast by @icecolbeveridge (Colin in real life) and @reflectivemaths (Dave in real life). I was invited to be a special guest cohost. I’m not sure I contributed very much, but I once again recited They Might Not Be Giants, because the hosts had heard me perform that at the MathsJam Annual Gathering last year. I have to admit, I had not actually listened to the podcast until I was invited to be on it — podcast listening is something I usually do while commuting, and lately I’ve been noncommutative. However, before episode #60 was recorded, Joey and I listened to episode #59 together, and I’m happy to report that the answer we came up with for the coin-flipping puzzle was correct.
In hindsight, I wish I’d mentioned my linguistics degree while we were chatting about English and poetry and such. I also wish I’d said something about the fact that nobody on episode #59 noticed that the diameter of the Fields medal in millimetres happened to round up to the number of the podcast (that is, 64, not 59. You don’t expect mathematicians to give each podcast episode only a single number do you?)
This reminds me, I need to register for the MathsJam Annual Gathering soon. You should too, if you can get to it. It’s a lot of fun! And who knows? Maybe if you go, you’ll end up co-hosting a podcast.
Well, it’s Global Poetry Writing Month again. I can’t promise to blog a poem every day, but I have a few I prepared earlier. Here’s one called Negative Return, which I wrote in 2015 in order to have an excuse to wear my flight suit on stage. It’s about a Space Shuttle launch, or a breakup, or a breakup in which the person breaking up with you is leaving in a Space Shuttle (my preferred way of breaking up with someone.) It was inspired by something a tour guide at Kennedy Space Center said, which I happened to record audio of.
This particular performance is from the open mic on the 2018 JoCo Cruise, even though on the JoCo Cruise, no excuse is needed to wear a flight suit at any time.
I’ve performed it a few times in Vienna, with slightly different wording, though I’d never actually posted about it here before. Here’s a playlist of the recorded versions of it.
Immediately before me at the open mic, Joey Marianer, who follows me around singing everything I say, sang my parody of Jonathan Coulton’s ‘Glasses’:
I’m still processing, uploading, and getting the performers’ permission to post my video from the rest of the open mic.
I recommend watching the video if you can rather than just reading, as there are some added sound effects, but here are the words to Negative Return:
I’ve been meaning to put a revised version of the poem The Bookshop on a bookmark for a while, but put it aside as I didn’t have the tools to do it the way I wanted. Motivated by the recent Christmas shopping edition of the Open Phil open mic, I finally bought the app I needed, finished the design, and had some printed, so now you can buy them on my Etsy shop. They may be a little late for Jólabókaflóðið, but you were going to read all year anyway, right? These are considerably cheaper to post worldwide than my posters (fun falsehood: posters are call that because they’re more post), and while the postage still costs more than the thing itself in most cases, you can save on postage by ordering more than one at once.
If you’ve ever started casually reading something in a bookshop and then looked up and realised the sun has gone down, you’ll understand the generally timey-wimey nature of books and bookshops shown in this poem. Admittedly, when this happened to me shortly before I wrote the poem, I was in Stockholm on the shortest day of the year, but it can happen on longer days too. The background shows a sky slowly darkening and becoming a sunset as you read through the poem. The reverse of the bookmark has the name of the poem and author, on the same sky as seen facing away from the Sun.
It occurs to me that a customised version of this poem bookmark might be useful to promote an actual bookshop, so if you’d be interested in that, let me know.
Much thanks to my friend Grace Bridges for her advice on the design of the bookmarks; I would recommend her books to use the bookmark on, but they’re mostly on Kindle, so I’ll just recommend them whether you still use physical bookmarks or not. She also has some posters and T-shirts available on Teechip. I am now considering putting some things up on Teechip myself, since it would be better value than either Zazzle or Etsy for getting posters and T-shirts to people around the world. I’ll also publish a book some day. I’m also working on a few videos and apps and version two of the rhyming dictionary I’m not officially publicising (don’t tell anyone I just linked to it! It’s our secret) until I’ve finished version two. But one thing at a time.
April 28 is Great Poetry Reading Day, so I’m going to share some videos of myself reciting my poetry for an audience. It isn’t reading, but it is poetry! Back in February, Johanna Van Tan asked me if I’d like to recite some poetry at her Sing, Talk, Feel event, along with Matylda Q and Stephanie Ora. The performance was two days before I flew off to JoCo Cruise, so I had a lot of other things to do, but, as you’ll hear in the second poem, this sort of opportunity is exactly what I’ve been preparing for. So I said yes, wrote a script to randomly generate a coherent setlist, ran the script enough times to get a setlist I wanted, and in whatever time was left after that, practised.
I recorded it, because it’s my first show and that’s quite a milestone. Besides, I record everything. I hope that some day I will be good enough that I’ll look back on this and cringe, but for now I’m pleasantly surprised by how well it went and how easily I can watch it without being self-conscious. Johanna improvised piano music behind my poems, which added a lot.
I think I did really well on my segues during this performance, and I love that Johanna played music through them, but that made it hard to find good points to split the recording without leaving comments that pertain to the wrong poem. I would recommend watching the whole playlist to get the full effect. There are links in the individual video descriptions with more information about each poem. Thanks to Thomas for pressing the button on my camera at the right time.
I wore an astronaut flight suit (bought from Kennedy Space Center, with patches from ESOC and a cosmonaut exhibition at London Science Museum added), because they say you should dress for the job you want, not the job you have. In future I plan to have all my props in various pockets of the suit, so I don’t have to bend down and get things out of bags and so on.
A week or so later, I performed a couple of poems as part of the ‘A Bunch of Monkeys Read Some Stuff’ event on JoCo Cruise. Here’s a playlist of the whole event, and here’s my part:
I also performed at the open mic on the cruise, but I haven’t uploaded my video of that yet; I record all of the shows I am allowed to on the cruise, and for the most part, upload them in order. I’m currently up to the afternoon of the fifth day. Subscribe to my YouTube channel if you want to keep up with my latest JoCo Cruise, poetry, or other videos. Once I’m done with the cruise videos and have checked with the other performers, I’ll also upload the video I have of the rest of the Sing, Talk, Feel event.
I’ve made a new version of Haiku Detector. The main changes are:
- Performance improvements
- Tweaks to which haiku are identified when punctuation is pronounced differently depending on line breaks and other factors (this includes a workaround for the ‘all numbers pronounced as zero’ bug I found in the speech synthesiser.) In my test data the list of haiku identified is better now.
- Bug fixes.
To celebrate the new release, I fed in the text from the latest New Scientist ‘Collection’ issue, on medical frontiers. The funniest haiku arose when the last sentence of one article joined up with the headline and byline of the next. For example, this looks like the tagline of a movie about an underappreciated superhero, fighting to save anti-vaxxers from diseases of yore:
They will not thank you.
Dan Jones FIGHTING INFECTION
Small shot, big impact
After the opening credits, we see our hero Dan Jones in his lab, and the subtitle announcing his first challenge.
SOURCE: Deathstalker scorpion
His superpowers come, of course, from vaccines:
Some vaccines seem to
provide us with a host of
But not everybody is happy with that:
Several groups have been
trying to develop drugs
that block these signals.
These groups spread propaganda:
Half an hour or
so later, you’ll feel a lot
better. Or will you?
They work around rules:
“Because we use cells,
not field-grown plants, we don’t come
under the same rules.”
And they target humanity by zapping the very microorganisms they’re made up of. Here’s a quote from the evil mastermind:
There are more cells in
your body than there are stars
in the galaxy.
These cells can then be
killed using a laser that
penetrates the skin.
And just when Dan thought he had the solution, the problems compounded to the point of suspension of disbelief, precipitating a crisis. The mastermind had cooked up her own microbial minions:
Those microbes can be
in the environment or
a vaccine syringe.
To make matters worse,
there is a shortage of new
The sequel, which may or may not be a Doctor Who crossover, features a heroine who will live forever:
“Just endless.” Helen
Let’s get physical
Yep, it’s definitely a Doctor Who crossover. Here’s a quote from that movie:
“I’m the doctor. I’m
going to tell you what your
feelings really mean.”
She discovered that time, and specifically time travel, is the best cure for a broken heart:
If we can’t fix hearts
with stem cells there might be an
even better way
As the animal
was slowly warmed, it began
to return to life.
But however clever the TARDIS is, there’s one thing Helen Thomson isn’t sure she can do:
But can we ever
turn the clock back to a world
It turned out, weirdly enough, that the answer was in making sure there was enough shelf space for one’s awards. So she went home to Britain to save the Officers of the British Empire:
On her return home,
she applied those lessons in
So far, two patients
have had OBEs, but neither in
a room with a shelf…
While we’re making sequels, let’s revive an old favourite, which never had any sequels:
The matrix holds a
dazzling array of future
But what is the matrix?
is harvested from human
or pig cadavers.
I guess you have to see it for yourself.
I subjected Haiku Detector to some serious stress-testing with a 29MB text file (that’s 671481 sentences, containing 16810 haiku, of which some are intentional) a few days ago, and kept finding more things that needed fixing or could do with improvement. A few days in a nerdsniped daze later, I have a new version, and some interesting tidbits about the way Mac speech synthesis pronounces things. Here’s some of what I did:
- Tweaked the user interface a bit, partly to improve responsiveness after 10000 or so haiku have been found.
- Made the list of haiku stay scrolled to the bottom so you can see the new ones as they’re found.
- Added a progress bar instead of the spinner that was there before.
- Fixed a memory issue.
- Changed a setting so it should work in Mac OS X 10.6, as I said here it would, but I didn’t have a 10.6 system to test it on, and it turns out it does not run on one. I think 10.7 (Lion) is the lowest version it will run on.
- Added some example text on startup so that it’s easier to know what to do.
- Made it a Developer ID signed application, because now that I have a bit more time to do Mac development (since I don’t have a day job; would you like to hire me?), it was worth signing up to the paid Mac Developer Program again. Once I get an icon for Haiku Detector, I’ll put it on the app store.
- Fixed a few bugs and made a few other changes relating to how syllables are counted, which lines certain punctuation goes on, and which things are counted as haiku.
That last item is more difficult than you’d think, because the Mac speech synthesis engine (which I use to count syllables for Haiku Detector) is very clever, and pronounces words differently depending on context and punctuation. Going through words until the right number of syllables for a given line of the haiku are reached can produce different results depending on which punctuation you keep, and a sentence or group of sentences which is pronounced with 17 syllables as a whole might not have words in it which add up to 17 syllables, or it might, but only if you keep a given punctuation mark at the start of one line or the end of the previous. There are therefore many cases where the speech synthesis says the syllable count of each line is wrong but the sum of the words is correct, or vice versa, and I had to make some decisions on which of those to keep. I’ve made better decisions in this version than the last one, but I may well change things in the next version if it gives better results.
Here are some interesting examples of words which are pronounced differently depending on punctuation or context:
|ooohh||Pronounced with one syllable, as you would expect|
|ooohh.||Pronounced with one syllable, as you would expect|
|ooohh..||Spelled out (Oh oh oh aitch aitch)|
|ooohh…||Pronounced with one syllable, as you would expect|
|H H||Pronounced aitch aitch|
|H H H||Pronounced aitch aitch aitch|
|H H H H H H H H||Pronounced aitch aitch aitch|
|Da-da-de-de-da||Pronounced with five syllables, roughly as you would expect|
|Da-da-de-de-da-||Pronounced dee-ay-dash-di-dash-di-dash-di-dash-di-dash. The dashes are pronounced for anything with hyphens in it that also ends in a hyphen, despite the fact that when splitting Da-da-de-de-da-de-da-de-da-de-da-de-da-da-de-da-da into a haiku, it’s correct punctuation to leave the hyphen at the end of the line:
Though in a different context, where – is a minus sign, and meant to be pronounced, it might need to go at the start of the next line. Greater-than and less-than signs have the same ambiguity, as they are not pronounced when they surround a single word as in an html tag, but are if they are unmatched or surround multiple words separated by spaces. Incidentally, surrounding da-da in angle brackets causes the dash to be pronounced where it otherwise wouldn’t be.
|U.S or u.s||Pronounced you dot es (this way, domain names such as angelastic.com are pronounced correctly.)|
|U.S. or u.s.||Pronounced you es|
|US||Pronounced you es, unless in a capitalised sentence such as ‘TAKE US AWAY’, where it’s pronounced ‘us’|
I also discovered what I’m pretty sure is a bug, and I’ve reported it to Apple. If two carriage returns (not newlines) are followed by any integer, then a dot, then a space, the number is pronounced ‘zero’ no matter what it is. You can try it with this file; download the file, open it in TextEdit, select the entire text of the file, then go to the Edit menu, Speech submenu, and choose ‘Start Speaking’. Quite a few haiku were missed or spuriously found due to that bug, but I happened to find it when trimming out harmless whitespace.
Apart from that bug, it’s all very clever. Note how even without the correct punctuation, it pronounces the ‘dr’s and ‘st’s in this sentence correctly:
the dr who lives on rodeo dr who is better than the dr I met on the st john’s st turnpike
However, it pronounces the second ‘st’ as ‘saint’ in the following:
the dr who lives on rodeo dr who is better than the dr I met in the st john’s st john
This is not just because it knows there is a saint called John; strangely enough, it also gets this one wrong:
the dr who lives on rodeo dr who is better than the dr I met in the st john’s st park
I could play with this all day, or all night, and indeed I have for the last couple of days, but now it’s your turn. Download the new Haiku Detector and paste your favourite novels, theses, holy texts or discussion threads into it.
If you don’t have a Mac, you’ll have to make do with a few more haiku from the New Scientist special issue on the brain which I mentioned in the last post:
Being a baby
is like paying attention
with most of our brain.
But that doesn’t mean
there isn’t a sex difference
in the brain,” he says.
They may even be
a different kind of cell that
just looks similar.
It is easy to
see how the mind and the brain
We like to think of
ourselves as rational and
It didn’t seem to
matter that the content of
these dreams was obtuse.
I’d like to thank the people of the xkcd Time discussion thread for writing so much in so many strange ways, and especially Sciscitor for exporting the entire thread as text. It was the test data set that kept on giving.
The other day I decided to run Haiku Detector over the works of Lewis Carroll, as found on Project Gutenberg. This is what I found. It’s a bit of a mixed bag in terms of how well they work as haiku, to the extent that I can still measure that after reading so many (I will have to try out linguistic tagging and work out some heuristic based on parts of speech beginning and ending lines), but simply as bite-sized samples they give a nice sense of the work. I can’t tell whether they’re made more or less whimsical by being stripped of their context.
‘But it’s no use now,’
thought poor Alice, ‘to pretend
to be two people!
But if I’m not the
same, the next question is, Who
in the world am I?
They all sat down at
once, in a large ring, with the
Mouse in the middle.
But I’d better take
him his fan and gloves—that is,
if I can find them.’
‘I haven’t the least
idea what you’re talking
about,’ said Alice.