Posts Tagged song

Songs to Learn French to: Grammaire Song, part 2


This is part two in my explanation of the song ‘Grammaire Song’ by Chanson Plus Bifluorée. See the first lesson for the full lyrics and explanation of the first stanza.

Previous lessons in the ‘Song to Learn French To‘ series are Le ours et la hirondelle, part 1 and part 2

The first lesson only covered the first stanza; this one covers the next two.

Adjectif possessif : possession

Do you know all the possessive adjectives in French? They correspond to words like ‘his’ or ‘your’, but unlike ‘his’ and ‘her’, which depend on the gender of the person possessing the thing, French possessive adjectives depend on the gender and number of the actual items being possessed. They can also depend on whether the thing being possessed starts with a vowel (or an h muet) to avoid the hiatus that I mentioned in a previous lesson. The song lists some of the possessive adjectives you should know:

Mes, tes, ses, nos, vos, leurs, mon, tonson

Those are just some of the masculine and plural possessive adjectives; there are several others:

Ma, ta, sa, notre, votre, leur, ta

Actually, we don’t know whether the song says leur or leurs, since they sound the same, but the lyrics I found online had leurs, and that goes with the other plural possessive adjectives listed.

Next the song gives a confusing example which contains a lot of words that sound like possessive adjectives, but aren’t. I’ve put actual possessive adjectives in bold, and words that sound like possessive adjectives underlined, all colour-coded to match the possessive adjectives they sound like, if they appear elsewhere. I’ve tried to use a somewhat colourblind-safe palette, but sorry if you have trouble distinguishing some of the colours.

Exemple facile ; c’est son tonton
qu’est ton maçon, lui qui t’a bâti ta maison

Plurals (or should that be pluraux?)

Un cheval au pluriel c’est chevaux
Mais des batailles font pas des bateaux
Exception faite pour aller aux bals
Danser quels régals dans tous les carnavals

Do you know your French irregular plurals? A lot of French words ending in -al, and a few ending in -ail, be they adjectives (e.g. international), or nouns (e.g. cheval, journal, travail) change to -aux in the masculine plural (e.g. internationaux, chevaux, journaux, travaux). But many words that already end in -au or -eau (tuyau, bateau) also take an -x in the plural (tuyaux, bateaux), so if you only knew the plural forms you might be confused about the singular. Or maybe, like The Arrogant Worms possibly do in their song about Celine Dion (inasmuch as the French at the end of that song is decipherable), you get chevaux (the plural of cheval) confused with cheveux (the plural of cheveu) because they look so similar. Or maybe you don’t. Maybe this is all perfectly simple for you. In that case, don’t worry, there are some exceptions just for you. Some words ending in -al (e.g. balrégalcarneval) just take a regular -s in the plural.

That will do for this lesson. Even though I’d already written most of it, I still didn’t find the time to publish it after a week, as I’d promised. It’s hard to predict how much free time I’ll have when I’m away from home, and I lost some work a browser crash. Tune in next week or so to learn about agreement.

If you want to keep learning between lessons, then first of all, of course, buy the songs I’ve mentioned (or better, the albums they’re on) and listen to them while thinking about what you can learn from them. Also, try duolingo, and feel free to follow me. If you’re already fairly fluent, the regular exercises might be detrimental (as they train you to translate simple sentences rather than simply understanding and responding to them without going via your native language) so I recommend the ‘Immersion‘ section where you read and translate interesting real-world text. If you’re still learning the basics, the exercises are useful, but don’t be afraid to try a bit of translation as well. Start with a topic you already know a lot about — before I was at all confident with reading or translating German, I found German Wikipedia articles related to The Hitchhiker’s Guide to the Galaxy surprisingly easy to read.

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Snack Bar (Black Star parody)


You might recall that I was a fan juror on the Logan Whitehurst Memorial Awards for Excellence in Comedy Music this year. Well, the winners were announced at FuMPFeST, as I watched via video stream. The winner of ‘Outstanding Parody Song’, after a tie with Weird Al Yankovic was broken by Dr. Demento, was Devo Spice (featuring Power Salad) with the song ‘Snack Bar‘. That song is a parody of ‘Thrift Shop‘, by Macklemore & Ryan Lewis, but the first thing I thought of when I saw the title was Radiohead’s ‘Black Star‘. So the day after the awards, I wrote a Black Star parody about the temptingly-convenient yet unhealthy snack bar that I heard was available at FuMPFeST. It’s probably about time I posted it. I haven’t recorded it, because singing isn’t really a thing I do, but here are the words:

 

I have to admit that after con I’m not as fit as what I
think I might’ve been.
I know that the food I eat does not have lots of vitamins.
Look at the plight I’m in.

Look horrified, I mean.
Blame it on the snack bar.
Blame it on the processed food.
Blame it on the multitude of junk at hand.

A snack in mouth, and a snack in hand, I try to understand what I’m eating for.
I know that I am full, but I still treat myself, my self that I am treating poor.
I eat not needing more.
I can’t fight greed anymore.

Blame it on the snack bar.
Blame it on the processed food.
Blame it on the pulchritude of starch and fat.

I get in the line and I just stand about now that food is made for me.
I see it displayed and I just salivate; I want the food pureed for me.
Is it too late for me?
I’ve gotta cut down.

Blame it on the snack bar.
Blame it on the processed food.
Blame it on the pulchritude of junk at hand.

This is killing me
This is killing me

Read the rest of this entry »

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Logan Awards Finalists (with links)


Recently I had the honour of being a fan juror for the Logan Whitehurst Memorial Awards for Excellence in Comedy Music (Logan Awards for short.) It was great to finally have an important reason to listen to comedy music for several full days, and a response to the eye-rolling of my friends when I mentioned yet another funny song, although deciding which songs to vote for was pretty tough. As a juror I had to listen to or watch all the songs and music videos nominated by the general public, and choose my favourite five nominees in each category. I can’t tell you which ones I voted for, but the finalists (chosen based on the votes of all the jurors, with ties broken by Dr. Demento) have been announced. Since the page on the Logan Awards site doesn’t link to the songs in question, I thought I’d link to them here. In alphabetical order:

Outstanding Parody Song

Out­stand­ing Orig­i­nal Com­edy Song

Out­stand­ing Com­edy Music Video

Here’s a YouTube playlist of the music video finalists:

The winners will be announced at FuMPFest on 5—7 June in Wheeling, Illinois. If you like funny music and are anywhere near there, I recommend going; it sounds like great fun. Many comedy musicians will be there, including guests of honour The Arrogant Worms. I saw some of the same performers and fans at the MarsCon 2014 dementia track, and it was a blast.

I’d like to give the other nominees a bit of publicity, but it’s difficult to do that without people making inferences about my votes, so here is a YouTube playlist of all the videos nominated in open nominations for the ‘Outstanding Comedy Music Video’ category, sorted in ascending order of views because the ones with the fewest views need the publicity more.

If you’re a Paul and Storm fan, you might be wondering why no songs from their 2014 album Ball Pit are in the finals. Some of their songs were nominated in the open nominations, but they became ineligible for the award when Paul Sabourin joined the jury. In honour of Paul’s noble sacrifice, I present to you a nominated video of this song of theirs which would have made the judging harder for me, if only because of all the freeze-framing to see the details:

If you’d like to hear more comedy music, consider subscribing to The FuMP podcasts, where you can get several comedy songs a week for free. You can find even more funny music on the Mad Music Archive, the Dr. Demento Show, or Songs About Science & Math. Also, check out the Logan Whitehurst website to find out about the awards’ namesake and buy his music.

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My MacBook (My Monkey parody)


It’s Poetry Writing Month again! I’m not sure if I’ll write a poem every day for the rest of the month, since I’ve recently landed back in Vienna and should be concentrating on looking for a job, but I have one I prepared earlier. Also, I recited the poem I opened last NaPoWriMo with at Open Mic 2.0 on the first of April. The audience seemed confused, so I followed it with a cover of the more self-explanatory Chicken Monkey Duck.

This is a parody of Jonathan Coulton’s ‘My Monkey‘, but since I don’t have a monkey butler named Brian Dennehy, I project feelings onto my MacBook Pro instead. I wrote it a few weeks ago after being away from my Time Capsule for quite a while.

My MacBook gets homesick sometimes.
My MacBook has a lot of things that need to be backed up.
My MacBook lacks power sometimes.
My MacBook’s not the only one that’s starting to act up.

‘Cause every MacBook needs time to thrive
when not all processes are queued live
to wake recharged with a renewed drive.
It doesn’t mean my MacBook doesn’t love you.

[My MacBook Sneuf is new and shiny still, but she’s worn out and she is sorry]
[My MacBook, she loves you. My MacBook loves you very much]
[My MacBook says My MacBook says]
[My MacBook says she’s sorry she’s a MacBook, but she’s got to be a MacBook ’cause she’s so insanely great]

My MacBook gets frazzled sometimes.
My MacBook’s used to Europe and needs sockets to adapt.
My MacBook gets bitter, sometimes.
My MacBook feels cut off when high-speed data use is capped.

And while there’s no pain in her diodes,
and she’s not going to send you STOP codes,
it’s hard to hold back all these uploads.
It doesn’t mean my MacBook doesn’t love you.

[My MacBook Sneuf is new and shiny still, but she’s worn out and she is sorry]
[My MacBook, she loves you. My MacBook loves you very much]
[My MacBook says My MacBook says]
[My MacBook says she’s sorry she’s a MacBook, but she’s got to be a MacBook ’cause she’s so insanely great]

My MacBook feels lacking sometimes.
My MacBook cut herself up so she wouldn’t weigh you down.
My MacBook feels lucky, sometimes.
My MacBook hopes that you will always carry her around.

She says she’ll stay with you for always.
It doesn’t matter what Tim Cook says,
’cause every MacBook model decays
It doesn’t mean my MacBook doesn’t love you.

[My MacBook Sneuf is new and shiny still, but she’s worn out and she is sorry]
[My MacBook, she loves you. My MacBook loves you very much]
[My MacBook says My MacBook says]
[My MacBook says she’s sorry she’s a MacBook, but she’s got to be a MacBook ’cause she’s so insanely great]

It doesn’t mean my MacBook doesn’t love you.

In other news, I have uploaded videos of the first Jonathan Coulton concert on JoCo Cruise 2015, which has pretty bad audio but interesting video during Re: Your Brains, at least. I’ve also uploaded the Adam Sak and Hello, The Future! show, the first jam session, the Patrick Rothfuss and Paul and Storm concert, the Magic: The Gathering match between Jonathan Coulton and Storm DiCostanzo, and the first part of the concert with The Oatmeal in it. More forthcoming.

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Better (Robot-to-Human version)


I’ve been thinking of getting my robot choir (an app I wrote to make my Mac’s speech synthesis sing) to sing Jonathan Coulton covers for a while, but as many of his songs involve robots, singing them with a robot voice forces a change of perspective. I rewrote Better to be from the perspective of a robot whose partner is becoming human, rather than a human whose partner is becoming a robot. Here‘s a rough recording of it using the Trinoids voice and the karaoke file for the song:

Here are the lyrics:

Where did we go?
When was the moment that we came unplugged?
I think I know.
In fact I am sure ’cause I’ve had your chips bugged.

I remember the first big surprise,
the day you came home with your infant-bred eyes.
I looked inside them and lased you a note
but your return signal was smoke.

But it’s not smoke, it’s fire,
and your burning desire
to turn into something
that I don’t require.
You used to be OK
and I liked you that way,
but I don’t think that I like you better.
No I don’t think that I like you better.

Started out small:
some lungs and a heart and your lasers unwired.
Now you’re just six feet tall.
Even when fully charged your organics get tired.
And I’m tired of the evenings I spend
making small talk with your new human friends
and their stupid insistence on blocking my lasers
when they know I know the three laws.

And you climbed the wrong way out
of the uncanny gorge.
You went from bad data
to bad Geordi La Forge.
You used to be OK
and I liked you that way,
but I don’t think that I like you better.
No I don’t think that I like you better.

So that’s how it goes.
Tap my interface once if you still understand.
No data flows.
Wait, are your digits just five on your hand?
I can tell by your insider art
There’s more than a pump in your chimpanzee heart.
I tried to reason, but something’s gone wrong.
Why am I singing a song?

Well, I like to think different, but it’s not quite the same.
If this is a trojan, I know who to blame.
You used to be flawless; now you’re F-ing lawless,
and I don’t think that I like you better.
No I don’t think that I like you better.

Some lines stay close to the original when I perhaps should have struck out and gone with something completely different. If you have any suggestions, let me know; the beauty of robots is I can change the words and make a new recording in seconds.

The tune is based on Spektugalo’s UltraStar file for that song. I had to make some changes to the robot choir to handle the one-beat gaps between notes, and I made a few tweaks to timing after that, which probably messed up more than they fixed. When I started writing this parody, I assumed I had the source tracks of the original song to work with, but it turns out that song is not on JoCo Looks Back, so all I have is the karaoke version with some backing vocals. I’ve turned the volume of my vocals way up, both so they’re easier to understand and to obscure the backing vocals more when the lyrics are not the same. Consider this a demo.

Now that I have the tune done, I’ll probably record the original song and my entitled hipster parody of it soon. Maybe not too soon, though; I have a cruise to go on!

On the subject of cruises, I’ve just had some copies of my They Might Not Be Giants poster printed, and I’ll bring them with me on JoCo Cruise Crazy. If you are going on the cruise (or will just be in the area the night before) and you would like to buy one from me for less than it would cost through Zazzle, let me know and I’ll make sure I bring one for you. I can’t sell them on board the ship due to the cruise line needing a cut, but I can do so at the hotel before the cruise, the cruise port or airport after, or we can work out some kind of trade involving upcharged food or drink on the ship. They are A3 sized (just a tiny bit smaller than 11×17 inches) and printed beautifully on 300gsm silk-coated paper.

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Songs to Learn French to: Le ours et la hirondelle, part 2


Confession bear: J'ai fait semblant de mal parler le français, parce que je suis jaloux des lolcatsA few days ago I posted about the song Le ours et le hirondelle by Jérémie Kisling, and encouraged French learners to try correcting its grammar by adding in all the necessary contractions. I hope some of you tried it. Here is my corrected version. Is it the same as yours? If not, which one of us is wrong, or are both versions valid?

Elle m’hydrate,
mon hirondelle.
Si délicate,
si sûre d’elle.

Quand je la vois, l’homme des cavernes
qui m’habite
trébuche sur sa propre ombre
et tout mes plans s’effritent.

Parfois, je l’épouse en rêve.
Du bout des doigts
je l’enlève.

Mais quand mes mains sont proches des siennes,
mes mains d’ours,
j’ai l’allure d’une baleine,
d’une baleine d’eau douce.

Jusqu’à la
fin des jours,
au creux de ses bras,
je veux faire l’amour.
Oui, je veux l’amour.

J’ai le blues quand elle n’est pas là.
Qu’il est beau le temps des premiers emois!

Mais quand mes mains sont proches des siennes,
mes mains d’ours,
j’ai l’allure d’une baleine,
d’une baleine d’eau douce.

Viens viens, suis moi
Dans l’eau douce,
et ne t’effraie pas
si je t’éclabousse.

« ne t’en fais pas.
Je t’aime comme ça »

I’ll post another song to learn from soon (my own life is a bit unpredictable right now, so I can’t promise you a schedule) but in the mean time, here’s one just for fun:

Your homework, should you choose to accept it, is to learn to sing it. There are versions with subtitles in French and English.

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Recording: Te Harinui


When Europeans colonised New Zealand, they brought not only mammals to drive many of the native birds to extinction, but also their religion to exterminate the native theodiversity. This began with Reverend Samuel Marsden on Christmas Day 1814, and there is a Christmas carol about it called Te Harinui. Since it just turned Christmas day about an hour ago in New Zealand, here‘s a recording of Te Harinui I just made.

It’s sung by the voice Vicki from my robot choir (an app I wrote to make my Mac sing using the built-in speech synthesis.) It has a couple of little glitches, and I couldn’t get it to pronounce the Māori words exactly right, but otherwise, I think this is the best Vicki has ever sounded. Usually I switch to Victoria because Vicki’s singing sounds weird. I made a couple of tweaks to the time allocated to consonants, and I think they helped. I used the music in the New Zealand Folk Song page, with a few small changes to the ‘glad tidings’ line to make it sound more like how I remember it.

You can see the effect of widespread hemispherism in the fact that the song opens by saying it isn’t snowy, as if being snowy were the default state and any deviation from it must be called out.

Now, I must get some good Christmas sleep.

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Hooked onto Philae (Hooked on a Feeling parody)


I wrote this comet landing parody/filk/Philk of ‘Hooked on a Feeling‘ about eight hours ago, and I still like it after sleeping, so here you go:

(If you like the ‘ooga chakas’ of Blue Swede’s version, you can use ‘hook a-chucker’ if you like.)

I can’t stop this Philae
coming down to me.
Earth, you just don’t know yet
what you’ll do to me.

When you touch me
at your landing site
you let Earth know
everything’s all right.

I’m hooked onto Philae.
No, actually, not really.
You’re not harpooned to me.

That’s a sweet as landing*.
Now try it two more times.
Earth folk must be reaching
for another cup o’ wine.

Don’t fall in my coma.
Stay awake for me.
You just keep on sending
your telemetry.

I’ll be your rock
when we’re all alone.
I’m your teacher,
your Rosetta stone.

I’m hooked onto Philae;
No, actually, not really.
You’re not harpooned to me.

I’ll be your rock
when we’re all alone.
I’m your teacher,
your Rosetta stone.

I’m hooked onto Philae;
No, actually, not really.
You’re not harpooned to me.

I’m hooked onto Philae;
well not actually, not really.
You’re not harpooned to me.

I said I’m hooked onto Philae,
but not actually, not really.
It’s not harpooned to me.

If you want to learn more about Philae, I believe the mission control webcast will have a briefing in about three hours. Or you could follow any of the links from the ESA page about it, or from my last post. Really, it’s all over the web; you shouldn’t have any difficulty finding information.

* Sweet as‘ is or other ‘[adjective] as’ expressions are common in New Zealand, meaning ‘[adjective] as anything’ or ‘[adjective] as it could possibly be’. If that doesn’t make sense to you, substitute ‘sweet-ass’ but be sure to put the hyphen in the right place.

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Comet Landing (a Rubber Duckie filk by Chella Quint)


Earlier today Chella Quint mused that she’d like someone to write a filk of ‘Rubber Duckie’ about the Philae lander’s arrival on the rubber-ducky-shaped comet,  67P/Churyumov–Gerasimenko:

But soon enough, she wrote her own, and tweeted it in multiple tweets. I wanted it to be preserved somewhere where it could be read more easily than on Twitter, but since she doesn’t have a blog, she said I could blog it instead. So here it is, Comet Landing by Chella Quint (with help from Sarah on the chorus) to the tune of Sesame Street’s ‘Rubber Duckie‘:

#Cometlanding Number 1
Philae lander’s having fun!
Nice one, ESA we’re awfully fond of you

(woh woh, bee doh!)

#Cometlanding joy of joys
Using ESA’s high tech toys
They’re not working but we’ve got some harpoons it’s true

(doo doo doo doooo, doo doo)

CHORUS:
For a decade we
Waited patiently for you
Comet Sixty Seven P Slash C-G We Adore You
(and Churyumov and Gerasimenko)

Rosetta mission you’re so fine
love the selfies you post online
#Cometlanding we’re awfully fond of you

(repeat chorus)

For a decade we
Waited patiently for you
Comet Sixty Seven P Slash C-G We Adore You
(and Churyumov and Gerasimenko)

Philae Lander lots of luck
Touching down on that rubber duck
Hope Agilkia is awfully fond of
you and that the harpoons form a bond cos
#Cometlanding is awfully hard to do

(doo doo, be doo.)

I wrote my own filk about Philae (Philk?) which I will post soon. Meanwhile, you can find out more about Philae and Rosetta at the ESA livestream site, where there will be a press conference at 2p.m. European time, or how about Phil Plait’s post about it. You could also follow the events of the landing through xkcd 1446. which followed the events of the landing. Or just Google Philae; you don’t even have to search for anything, just click on the doodle.

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Dinosaurs and Meteors (Arrogant Worms Parody)


Yesterday I read an article about quasicrystals in New Scientist (which I am still several issues behind in) in which Paul Steinhardt is quoted as saying:

It turns out with wealthy people there are two subjects they’re interested in: dinosaurs and meteors. We just had to find the meteorite people.

I immediately read the phrase ‘dinosaurs and meteors’ to the tune of ‘Tylenol and Clearasil’ from The Arrogant Worms’ song ‘The Prescription Drugs Song‘, and I put down the article to start writing a parody. This kind of thing happens to me a lot; I’m halfway through writing another parody inspired by a New Scientist headline I read last week.

I had the chorus written in pretty short order, then had to look up the rest of the lyrics to remember how it went. The verses have a lot of pauses for dramatic effect where I expect there to be more unstressed syllables, and it’s all somewhat irregular due to the way the quoted speech is read. Since I didn’t have the song available to listen to at the time, I just added in the syllables in most cases, making the verses sound a bit more like the chorus. Hopefully you understand how it’s meant to be sung, because as usual, I’m probably not going to sing it. Here are the lyrics:

I ended my first quarter, as broke as broke can be.
I wondered if my customers were twice as broke as me.
So I went to a rich man with the stock I hadn’t sold
hoping that he’d pay each worthless trinket’s weight in gold.

He said, “Fellow dirt-poor fellow, the highness of my birth
means I am far above the things that still are made on Earth.”
He pondered for a minute then he said, “I’ll tell you what,
I’ll give you the Earth for these two things I haven’t got.”
He asked for:

Dinosaurs and meteors, not diamond ores or needy orph-
-ans taking police academy course to fight crime dressed as bats,
chromatophores, or Apple stores, extant apex carnivores,
or coffee laced with fungal spores that’s pooped by civet cats.

I ended my second quarter, half-starved and far in debt,
with dust from Hayabusa that I shot a star to get
and amber-cased mosquitos that had dined on dino blood
and went back to the rich man, gave his door a torpid thud.

He said, “Fellow, dirt-poor fellow, this asteroid is dust.
If you can’t provide the meteor right, the rest I cannot trust
I’ll have to grow a dinosaur before you get your pay.”
He had his lawyer shut the door and tell me, “go away!”
I gave him:

Dinosaurs and meteors, not diamond ores or needy orph-
ans taking police academy course to fight crime dressed as bats,
chromatophores, or Apple stores, extant apex carnivores,
or coffee laced with fungal spores that’s pooped by civet cats.

I came back the third quarter, too poor for skin or bone
to ask if he could pay me for the dino he had grown,
but as I sat there chewing the remainder of my shoes
I faintly heard the rich man deliver his bad news.

He said, “Fellow, dirt-poor fellow, oh, I should have known!
My dinos were wiped out by your infernal deep-space stone!
So I have failed in my travail to ‘teach a man to fish’
but worms have turned and I have learned: be careful what I wish
’cause I got:

Dinosaurs and meteors, not diamond ores or needy orph-
ans taking police academy course to fight crime dressed as bats,
chromatophores, or Apple stores, extant apex carnivores,
or coffee laced with fungal spores that’s pooped by civet cats.

Dinosaurs and meteors, not diamond ores or needy orph-
ans taking police academy course to fight crime dressed as bats,
chromatophores, or Apple stores, extant apex carnivores,
or coffee laced with fungal spores that’s pooped by civet cats.”

…and I died and that was that.

Now, you might complain that Hayabusa is an asteroid, not a meteor, but since there’s no way to get a meteor, the rich man should have specified in the first place whether he wanted an asteroid, a meteoroid, or a meteorite. I’m not sure if rich people are particularly interested in chromatophores, but I like the word (and I especially like the rhythm of ‘cephalopod chromatophore‘) so I included it anyway. The other things all seem to be things certain people will pay a lot of money for.

Without planning it, I managed to mention the Arrogant Worms album titles ‘Dirt‘ and ‘Torpid‘ in this song, so I changed the original ‘shooting stone’ to ‘deep-space stone’ in order to mention ‘Space‘. The song this is parodying is on Beige.

On the subject of song parodies, I think I forgot to mention that Glen Raphael recorded a parody of Oasis’s Wonderwall about the van der Waals force, and I contributed some of the lyrics over Twitter.

If you need yet more funny music, James Dempsey has finally released an album of his songs about Cocoa development. I’ve been listening to him since a song he sang at WWDC 2003 was put online. You can see that 2003 Model View Controller song in the background of my music video for A Laptop Like You, at around 2:13, so who knows, perhaps that stealth advertising sent an average of half a viewer his way. Anyway, I saw James Dempsey do another song at WWDC 2004 and asked when he was going to release an album. Last week at NSScotland I even met a conditional Breakpoint (an occasional member of his band) and he said the album was doing really well on the Billboard comedy charts. Anyway, I love the new album and you should listen to if it you’ve ever done software development or if you just like listening to great-sounding funny songs you don’t understand.

Another thing you might want to do if you like geeky comedy is back the Kickstarter for the Full Frontal Nerdity DVD, featuring Helen Arney, Matt Parker and Steve Mould. Oh, and check out my friend Black Pig’s comic, and if you’re in Vienna, come to Open Phil! And I almost forgot, support Arrogant Worm Trevor Strong‘s Patreon. Gosh, there’s really too much cool stuff out there. Don’t worry if there isn’t time and space to do it all.

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