Posts Tagged Joey Marianer

We did a Christmas


I’m visiting Joey Marianer for Christmas, so we sang a slowed-down cover of a Worm Quartet song, as Joey is wont to do.

Worm Quartet is also known as Timothy F. Crist, so we wished everyone a merry Timothy F. Cristmas at the end. I hope you had one of those, whatever it means. I don’t see why anyone wouldn’t celebrate such a talented comedy musician.

I did actually try some of that eggnog (‘milk that have a alcohol and then we put a egg’ except that this one didn’t have a alcohol.) The few times I’ve had eggnog before, I’ve thought that the alcohol ruined what could have been a very nice drink, so I was excited to try some non-alcoholic eggnog. Not only that, but I tried it mixed with orange soda, as recommended on the Judge John Hodgman podcast. I really like it both ways! It’s also good with orange juice.

In unrelated news, we went to the MathsJam Annual Gathering, where Joey gave a talk on the true prisoner’s dilemma, and at MathsJam Jam we sang Symmetry and Seven Bridges (of Königsberg) Road. Ben Sparks taught everyone the harmonies for the Eagles version of Seven Bridges Road to sing Seven Bridges (of Königsberg) Road, and it was fantastic.

We didn’t sing This Tiling Never Repeats, because nobody (not even me) knew the music well enough. But on the Saturday of MathsJam, Joey and I wore Cirque du So What ‘I Want TILE!’ shirts, and I did in fact come away with a few handfuls of 3D-printed spectre aperiodic monotiles. Surprisingly, there were no aperiodic monotile shaped baked goods in the MathsJam BakeOff.

A whole lot of plastic tiles, all in the same complex, curvy shape, tiled together. They fit together in a way that doesn't allow the pattern to repeat.

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This Tiling Never Repeats (Split Enz parody)


I mentioned in a previous post that I was working on a parody of History Never Repeats, by Split Enz, about the aperiodic monotiles that have been found recently. I’ve finished it, so here are the lyrics:

This tiling never repeats
Unending plane the kite and dart complete
We wish to show we can improve
We may assume, there’s always more to prove
It was the best we used to know
From David Smith, a savage blow
Penrose is great, but now we sing
A monotile beats his tiling!
This tiling never repeats
But some might say, reflected tiles are cheats
We wish to show we can improve
We may assume, there’s always more to prove
You say we’ve all been played for fools
We can’t reflect, if that’s the rule
Better to work than make dispute
They made a change and now it’s moot
This tiling never repeats
There’s not a need the Spectre doesn’t meet
And there’s a way to make more and more
Leading us to a space we can explore
This tiling never repeats, this tiling never repeats
Infinite shapes, just turn the dials
Aperiodic monotiles
Pick one and all the plane is spanned  
We think at last we understand
This tiling never repeats
A manifold with manifold defeats
And there’s a way to make more and more
Leading us to a space we can explore
Never repeats!
Never repeats!
Never repeats!

This joins Symmetry and Seven Bridges (of Königsberg) Road in Joey’s and my submissions for this year’s MathsJamJam. Joey Marianer (yes, the one that I’ve somehow ended up married to!) also sang (and sent for inclusion in the Jam) Polygon Pam, a parody of The Beatles’ Polythene Pam written by Chella Quint:

I look forward to seeing Joey at MathsJam (and then Chella afterwards) and singing them together! I also look forward to eating some aperiodic monotile confections which will inevitably be baked for the MathsJam BakeOff.

I mentioned in a different post that Joey had been working on some cover songs which I was excited to share. The one I was most excited about is a slow cover of Entire Dog by Worm Quartet. It lasts almost twice as long as the rather frenetic original, and Joey initially sang it this way completely off-the-cuff one day over FaceTime. After a few slight revisions, I declared it was so good it should be stolen and used on Glee. But Joey kept singing it to me and making it even better.

If you think Joey made a mistake with some SI prefixes, read the video description. To really tie the post together, here’s a slow cover of a frenetic Worm Quartet song that also mentions math — and other kinds of multiplication… let’s just say it’s NSFW — Tired Of Not:

Both of these songs are on Worm Quartet’s new album, Carpe Tedium, which I highly recommend. Joey has been practising genre-benring covers of several more tracks from it, too.

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The “The Captain’s Wife’s Lament” Lament, and Seven Bridges (of Königsberg) Road


About a week ago, me hearty Joey Marianer recorded three songs (two of which I wrote) while I slept! I meant to post about them on Talk Like a Pirate Day, but ended up not being home all day. Nonetheless, I’ll start with the pirate shanty. This might not make much sense to you if you’re not familiar with Paul and Storm; it’s a parody of one of their songs, about the lengthy live performances of another of their songs, which would be less than three minutes if they had a few other singers keeping them in line.

Storm DiCostanzo, please sing, and sing faster!
You’re not going to get any younger, you know.
Hey, Paul Sabourin, we’re growing impatient,
And you’ve still got most of the song left to go,
so come on Storm, spit it out.

I curse the day that these guys ever wrote this —
a joke about seamen that’s not hard to get.
How could I know that their seed would get into
my hair and my craw and two thirds of the set

Now three lines in, and I arrr with the masses,
Dejected, excited, and counting to pi.
And I have to admit, if you’d ask to continue
my bladder says ‘no’ but my mouth says ‘aye-aye!’

Why does every new verse of your song
Keep taking you so goddamn long?

Storm DiCostanzo, please sing, and sing faster!
Enough with the jokes that we don’t understand.
I need to pee and it’s no longer funny.
Yes, that’s your R Kelly goddamn cover band.
So come on Paul, spit it out.

Eighty-six seconds for all Lehrer’s Elements,
One Week’s three minutes and Yesterday’s two.
Cohen wrote hundreds of draft Hallelujahs
but won’t subject crowds to much more than a few.
You’re not our bitches, you’re not the CD,
and we don’t mean to tell you you do your job wrong,
but please bear in mind, in the time that you’ve had
Mister Boggia churned out thirty-five Beatles songs. [actually 25]
And if you keep singing so slow,
you’ll hold up the closing band’s show!

[extract from Nobody Loves You Like Me, by Paul and Storm’s usual closing band, Jonathan Coulton]
Here at the bar who cares what I do
I’m all alone but I’m drinking for two
Drowning the man that I used to be
Nobody loves you like me

Hey, Paul Sabourin, please sing, and sing faster,
though we won’t stop arrring till long past the show.
Crap out the verses, and Storm, while he’s at it,
your G-string is tuned half a Boggia too low.
So come, yes come…

Hey Paul and Storm, please just sing, and sing faster
Don’t hold back your seamen, please spit it all out.

Mister Boggia is Jim Boggia, who is known not only for his original songs and Beatles covers, but also for having perfect pitch and being very good at tuning. The ‘Boggia’ mentioned at the end is a unit of measurement defined on JoCo Cruise 2015 as “the smallest unit of tuning perceptible only to Jim Boggia”.

The other song of mine that Joey sang is Seven Bridges (of Königsberg) Road, which I mentioned in my last post:

Joey sang it based on Steve Young’s original version, rather than the Jonathan Coulton, Paul and Storm, and Sara Watkins version that I’m familiar with. Joey is wearing a T-shirt printed with the cover of my poetry album Wake Up Gasping. The album cover is by CamannWordsmith, who makes several of the major art food groups.

The other song Joey recorded that night was a parody of ‘You’ll be back’ from the musical Hamilton, from the perspective of GlaDOS from the game Portal. It was written by Brian Young, whom I knew from the olden days of the JoCo forums (which I am surprised to see are still up), and we both know from the JoCo Cruise.

The wardrobe and impetus to learn the tune was provided by our friend Chella Quint (who is usually more into menarche than monarchy) for an unrelated project which will forever be a mystery to you, but you should check out her work on menstruation (which should not be a mystery) because it’s bloody good.

That’s all for now, but Joey is working on some incredible cover versions of songs which I look forward to sharing.

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A few mathematical numbers


My last post had Joey Marianer (to whom I was flabbergasted to be married) singing some lyrics I wrote, and mentioned that we would soon be at the MathsJam Annual Gathering, and that I’d uploaded all my JoCo Cruise footage for that year. Well, in my aperiodic compiling of blog entries, I have reached a familiar local pattern. Joey (to whom I am still gobsmacked to be married) has sung more lyrics I wrote, we are once again planning to go to the MathsJam Annual Gathering, and I have uploaded all my JoCo Cruise footage for 2023.

A Cake of Sets

At my first MathsJam Annual Gathering, I gave a talk involving one poem I wrote and several that I found. At the 2019 Gathering, Joey and I participated in the competition competition with a Hallelujah competition. At last year’s Gathering, we added some set theory to the Bakeoff with this (cheese(cheesecake)cake) Venn diagram:

An edible Venn diagram consisting of most of a circle of cheese on the left, most of a circle of chocolate cake on the right, with a lens shape of cheesecake where they intersect.

It was mentioned in this excellent summary TikTok by Ayliean!

We assembled it on-site from store-bought cheese, cake, and cheesecake. What with travelling internationally to MathsJam, it would have been impractical to (cheesemake(cheesebake)bake) it ourselves.

A Set of Songs

At this year’s MathsJam, we will add to the set list of the MathsJam Jam.

Symmetry

To start with, we noted an existing theme of symmetric relations in the lyrics of The Beatles’ song ‘All You Need is Love’ and made it explicit. Here’s Joey singing our parody, Symmetry:

Here are the lyrics:

Symmetry!
Symmetry!
Symmetry!

There’s nothing that is x that x is not
No ex where you’re not an ex they’ve got
The symmetry says that the relation goes both ways
It’s easy!

If you’re my sibling, I’m your sibling too
You’re married to me and I to you
Each of these relations is the same as its converse
It’s easy!

x relates to y
x relates to y
x relates to y, why? ’cause y relates to x

If one real number’s greater than the other
Or maybe I’m your son and you’re my mother
Such relations exist, but symmetric ones top our list
They’re easier

When x relates to y
x relates to y
x relates to y and y relates to x

x relates to y
x relates to y
x relates to y, why? ’cause y relates to x

Seven Bridges (of Königsberg) Road

I’ve also written a first draft of a parody of the Steve Young song ‘Seven Bridges Road‘ about the Seven Bridges of Königsberg. Joey hasn’t sung this one, but I intend to enter it into the MathsJam Jam songbook (where there is already a parody of ‘Lola’ about the same topic.) Here are the lyrics:

There are rivers in Königsberg
Cross them as you go
Don’t forget one and don’t you repeat
On the Seven Bridges Road
Now each land mass must have odd or even
Bridges to and fro
Arrive but don’t leave in the same way
And Euler’s work did show
Sometimes there’s an odd one out
How to turn from there and go?
No way for a path with these few rules
Down the Seven Bridges Road
There are rivers in Königsberg
And if ever you decide you should go
There is a way by backtracking only
Down the Seven Bridges Road

Note, this is purely based on the way Jonathan Coulton and Paul and Storm sing Seven Bridges Road when they’re not pretending to be tone-deaf. If other artists sing it differently, the prosody might not work out as well.

This Tiling Never Repeats (in progress)

I’m also working on a parody of History Never Repeats by Split Enz called This Tiling Never Repeats, about the recently discovered aperiodic monotiles, which I am sure will be a big feature of this year’s MathsJam. I expect there to be at least three sets of aperiodic monotile cookies entered in the Bakeoff. I’ve only just started with this parody, but figured I’d mention it in case anyone wants to give me ideas for it, encourage me to finish it, or even write their own. I don’t mind who writes it as long as it exists and is sung at MathsJam.

A Song of Cakes

This section title is just for completeness, and because I needed something to separate the last song from the outro. I know too many songs about cakes to pick one.

As many people contemplate the value of X, I’ve created an account at what is obviously the best-named Mastodon server, Mathstodon. Feel free to follow me there! I don’t know yet how frequently I will post on it and/or my Twitter profile, but at least now you know where to find me if you’re on those networks.

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Joey sang some more parody lyrics I wrote, and another Hallelujah


Joey Marianer (to whom, and I cannot stress this enough, I am 💖married❣️) was asked to sing some computer-related songs at a company all-hands meeting, and chose The Bad Coder’s Favourite Things (one of several parodies I’ve written of ‘My Favourite Things’) as one of them. It’s the third one, after Joey’s own ‘Inbox Zero’ (a new addition to our growing list of Hallelujah parodies) and Les Barker’s ‘Reinstalling Windows’ (a parody of ‘When I’m Cleaning Windows’.)

Enjoy!

In other news, we’ll be at MathsJam Annual Gathering in November, which will be a hybrid in-person (in the UK) and virtual event this year. If you like maths, or if you think you don’t like maths but want to find out why people do, or even if you just like parody songs about maths, and the time zone and/or location work for you, I highly recommend joining.

Also, surprise! I thought I’d uploaded all my JoCo Cruise 2022 footage, but I’d somehow missed the Monday concert, with Jim Boggia and Paul and Storm. You can watch it as a single video or a playlist of songs. This means I’ve uploaded more than 22 hours from that cruise, all-up.

And, double surprise (which I of course remembered a minute after publishing this post) Joseph Camann made a musical version of my performance of ‘The Duel‘ on JoCo (virtual) Cruise 2021. I love it!

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We got married (to each other) and then did cute couple things on a boat!


Remember that time that Joey Marianer and I got engaged (to each other)? Well, a while after that, we also got married, as is typical for engaged couples. It was just a small ceremony in a courthouse, followed by a small gathering with two large cheesecakes. Here’s a very short video synopsis of the wedding:

I just edited the closed captions, and noticed that YouTube’s autocaptions thought the judge said, ‘congratulations youtube and you guys get a blog it’s okay’ when in fact he said, ‘Congratulations, you two. And you guys can applaud; it’s okay!’ Anyway, that video has been gathering congratulations on YouTube for a while, so now you guys get a blog about it.

Then we ate cheesecake with a few friends, and Joey did this:

If you don’t understand what just happened, here’s a video that will explain it.

A few days and two negative COVID tests later, we boarded the JoCo Cruise. On cosplay day we cosplayed each other:

Two photos side by side. The left one is labelled 'everyday' and shows me wearing a pink gingham skirt, a black T-shirt with a picture of Steve Wozniak in the rainbow Apple logo colours, an Apple logo necklace, and a blue custom mask, while Joey is wearing peach-coloured board shorts, a white T-shirt showing palm trees in a sunset, and a white mask. The right photo is labelled 'cosplay day' and has Joey wearing the pink skirt, the Steve Wozniak T-shirt in a larger size, the necklace, and the blue mask, and me wearing pink board shorts, the white palm tree shirt, and a white mask.
What we wore the day before cosplay day vs. what we wore on cosplay day. Joey didn’t wear a wig because the masks are uncomfortable enough. The long-time fans know that long hair and a tiara is canon for Joey cosplay.

This was mainly to facilitate changing into our pants for the Fancy Pants Parade. I haven’t found a video that shows us in the parade itself, but here’s one of us practising last year, when we thought the cruise might be virtual again so we’d need a video:

Then two days later, all decked out for formal night, we did a show, which was also quite geared towards things we could only do while physically together. I structured the setlist to tell the story of how our relationship developed through collaborating on songs.

If you prefer, there’s also a playlist of individual pieces. I even made a playlist of the videos mentioned in the show, complete with the comments in which I might have been flirting with Joey. Some of the poems and songs are on my album, one is on our album of SpinTunes entries, some are on the playlist of Hallelujahs, but three of them have never been published anywhere before.

I’ve wanted to do a poetry show on the cruise for a while, but was always afraid of having to miss out on other events that were scheduled at the same time as it. I did a show on the 2021 virtual cruise where that wasn’t so much of a concern, and people seemed to like it, so an in-person sequel seemed like a good idea. Only, with Joey’s help, it was not merely a poetry show, but also a musical show!

My fears were somewhat realised; this show was scheduled opposite the reception for frequent cruisers, which most of the people who know me well enough to attend my show were eligible to go to. But the other thing those people know is that I film every event I’m at (so far I’ve uploaded 12 hours, 48 minutes of video from the 2022 cruise, and I’m only up to Wednesday afternoon), so they could safely miss the show and watch it now! We got through the setlist with a little time to spare, so we even got to attend the reception briefly.

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A successful ploy to increase engagement


Well, in 2021, among other things, I released an iOS app and a poetry album, wrote an article about accessibility, tech edited three articles about iOS development, won my second Fancy Pants Parade, did a poetry show, wrote a macOS app to find words that look or sound like they’re related but aren’t and a script to make etymological family trees, found a job, lost a job, found a job again, and finally buried a job in soft peat for three months and recycled it as firelighters (that last bit is an exaggeration. Burning jobs to keep warm is not advisable.)

Here’s another exciting thing that happened that I didn’t mention on this blog. During a brief lull in the apocalypse, Joey Marianer came to visit, and we got engaged… to each other! We had of course already discussed this previously, and I wasn’t expecting a song and dance to be made about it, but there was nevertheless a song, as follows:

It’s a parody of the “Weird Al” Yankovic original, “Good Enough for Now“. I find metal rings uncomfortable and a bit dangerous, so Joey got me a silicone engagement ring with a ring on it. This is a much cooler idea than the off-the-shelf ring I got Joey which has flowers on it and no explicit mathematical concepts.

The pretense for recording that was that immediately beforehand, we’d sung some words I’d written to a tune that came to Joey in a dream:

Joey happened to be here while my friend Phil got married (a year later than planned) and joined a group of Phil’s vaccinated and tested friends to celebrate in Tenerife. So here we are walking along the beach looking all couple-y.

Angela and Joey holding hands walking in wet sand along the edge of the waves on a beach in Tenerife. We're both wearing pink board shorts and light-coloured T-shirts. In the background are blue skies and apartment buildings.

I’ll eventually put up videos of some things we saw in Tenerife. After we got back from Tenerife but before Joey went home, we recorded a few short videos in which we are exceedingly cute at each other while demonstrating some linguistic concepts. Here we explore the differences in our accents:

And here we demonstrate how personal deixis can change the meaning of a sentence depending on context:

So, plague willing, we’ll get married in February, have multiple wedding-adjacent cake-eating parties in various real and virtual places over the next several years, and at some point during that time I’ll get the appropriate visa so we can move in together and hopefully only get on each other’s c-tactile nerves.

And now for some unrelated things to look forward to on my YouTube channel. The above videos were shot on my iPhone, which was my first experience with 4K HDR. I’m not sure if editing that on my mid-2014 MacBook Pro did the HDR justice.

However, I bought a new camera recently which can do 4K, and also has several other features which will make recording concerts (and indeed, entire cruises full of concerts) easier — no more stopping to get around a 4GB file size limit, or change batteries, or change SD cards. I won’t generally film entire concerts in 4K due to the space requirements and likelihood of the camera overheating and shutting down, but it’s a nice feature to have for other things. I’ve also ordered the new MacBook Pro, which will have a better display for viewing and editing such video.

I planned to film as much as possible of a concert here in Vienna in 4K, just to see how long I could film continuously in 4K if I took all the measures I knew about to prevent overheating. The concert had to be cancelled due to lockdown, so instead, I recorded myself talking about how I got to work at CERN, as a sequel to the video about getting a laptop from Woz and going to a concert with him. I recorded in 4K for 36 minutes nonstop (which is longer than my old camera can record nonstop even in 1080p) before I ran out of things to say, so I’d call that a successful test. When the new MacBook arrives, I’ll edit that video and hopefully put it online before flying away to get married and (insert SARS-CaVeat here) record an entire cruise full of concerts. I hope I remember how to record and process an entire cruise full of concerts after a year off, and don’t make too many mistakes with the new camera.

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Wake Up Gasping — an album!


Last year my friend Phil from SkyStudio Wien called me up out of the blue to ask if I wanted to record some poetry, so I did! I went in for another session later in the year, and that time I was more prepared — I gathered up everything I could find that I thought was good and made some kind of sense without too much explanation. We ended up with 39 poems recorded, so in order to bring the total up to 42, I added Why I Perform At Open Mics (previously released on Bandcamp as a single) and a few songs recorded in studios with Joey Marianer. It comes in at just under an hour — some of the tracks are very short #NanoRhymo poems. It’s called Wake Up Gasping.

A lot of these poems have been previously published on this blog in some form, but some haven’t. I included some poems I wrote before I started this blog (the oldest, Shooting Star, being from around 1996) and some I’d written more recently but which I’d only performed with sound effects (Negative Return, sometimes followed by Down while the noise was still trailing off) or just always thought would work better spoken than read (A Couple of Problems.)

The title comes from a line in A Skirmish [With My Least-Favourite Body Part] which I always thought would be a great name for a hard-hitting collection of powerful, emotional poetry. I do not think that’s what this is, but at least with 42 tracks, it looks like I was holding my breath for a while and finally let everything out.

The cover art is by Joseph Camann of The Camannwordsmith Patreon. I started out without much idea of what I wanted on the cover, which was great because his art is mostly abstract, but after looking through some of his existing art for ideas I thought of having the lost astronaut from Down floating through a colourful space-y background. Joseph has a lot going on: music, stories, paintings, poems (sometimes read to puppies), reaction videos, even wearable art, in case you’d like something like this album cover but on a dress.

Some of my tracks have unusual characters in the titles, and I’m happy to report that Bandcamp did not have problems with any of them.

In other news, about 48 hours from now, I’m doing a 50-minute poetry show over Zoom as part of the ‘Shadow Cruise’ of the virtual JoCo Cruise 2021. It will include some poems from the album, but also (thanks to screensharing) some which require or are enhanced by visual aids or additional explanations. I will also be singing a few songs, and reading one poem especially written for the event. Feel free to join — there’s no signup, ticket, or even pants required! As with most JoCo Cruise events I’ve been to over the years, I will post a recording of it on my YouTube channel later if you can’t make it.

Check out the rest of the cruise schedule, and the cruise Discord, too… this year’s cruise is obviously quite different from the usual one in many ways, but still hopefully similar in enough ways that you’ll get a feel for how much it influences my life. One important way it’s different is that it’s completely free and you don’t even have to get out of bed for it, let alone go to an airport and cruise port.

You should also see me participating for the eleventh year in a row in the Fancy Pants Parade. For a while, I was the only person to have submitted a video, but I encouraged some friends to (including some clients of Chromatic Verse Wearable Art, by the same person who designed my album cover) so that I wouldn’t just win by default. Now I can win by crushing the hopes and dreams of my friends! Later, I will post a short making-of video about the pants I appear in.

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Collaborations: All on My Own (among others)


This year’s MathsJam Annual Gathering was virtual, and rather than singing maths-related parody songs together at the MathsJam Jam, we were encouraged to send videos of ourselves singing them. Sam Hartburn, who has written many lyrics for MathsJam Jam songs, offered to write custom song lyrics for one of the participants. I don’t recall whether this was for the best submission or one chosen at random, but in any case, Joey Marianer got the prize for a cover of Jonathan Coulton’s Mandelbrot Set.

Joey considered giving the prize away, since I already sometimes write lyrics that Joey sings, but instead decided to commission a variation on They Might Not Be Giants, a poem I wrote about science education which Joey set to music. The new version is about someone who has many offers of help to solve a puzzle, but finds satisfaction in solving it on their own.

A while later, TikTok was awash with collaborations on the Wellerman sea shanty, and Daniel Litt wrote a parody of it about elliptic curves. 〈 Berger | Dillon 〉 did a duet with it, and Joey then sang harmony. My only contribution to this one was editing Joey’s video into the others’, since we don’t have TikTok to do it for us. Neither of us knows much about what it’s about, but I bet many of the Wellerman singers don’t know much about the Weller brothers or tonguing either.

We won’t be putting to sea this year, of course, but the 2021 JoCo Cruise is free and virtual, and I am finally going to run a poetry show as a shadow event. Come join us!

I’m excited to discover a more recent viral TikTok is singing a sped-up version of Mike Phirman’s Chicken Monkey Duck! I’m not cool enough to be on TikTok, so I made sure to learn that song before it was cool, just so I wouldn’t surpass my coolness quota. Here’s a playlist of me singing Chicken Monkey Duck, some diagrams I made of the song, and an rtf of it using colours from my personal grapheme–colour synaesthesia, created using an app I wrote a while ago. And for completeness, here’s the Spanish version of it, Pollo Mono Pato, which I think is a bit harder to learn due to all the words having the same number of syllables.

On the subject of Mike Phirman, he’s just released a new album called Activity Books, and it’s great. I’m consistently impressed by how many of his songs do things that songs have rarely or never done before. For instance, Color by Number can probably detect grapheme–colour synaesthesia in young children, by causing them to throw tantrums about the incorrect colour associations. ‘Word Search / Vacuum’ makes me wish there were an alphabet song of the entire International Phonetic Alphabet.

In unrelated news, a while ago I requested a cover of K’s Choice’s song ‘America’ on the CamannWordsmith patreon. That Patreon post has now been made public. The track is also available on the brand new CamannWordsmith Bandcamp page, along with a whole lot of other covers that you can download for free. To bring this back around to relatedness again… CamannWordsmith and I are collaborating on something; watch this space to find out what!

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Who We Are (a.k.a. Wear Your Nametag) – a song


A few weeks before JoCo Cruise 2020, I wrote a song to perform at the open mic. It’s a singalong which I figured everyone could relate to, so I figured people would enjoy it. I came up with the tune myself, and Joey Marianer worked out some ukulele accompaniment. Then we found out there would be no open mic on the cruise, so we performed it at Beth Kinderman’s song circle at MarsCon, though there was a lot of background noise and not much singing along there.

I was signed up to perform in a shadow event called ‘A Bunch of Monkeys Read Some Stuff‘ on the cruise, so I also performed it there, along with some short poems I’d written during NanoRhymo 1 and 2, and Global Poetry Writing Month. Words and tweet links of the specific tiny poems are in the video description.

Later in the cruise, Joey hastily organised an especially unofficial open mic, so we performed it there as well. By that time I was slightly more confident about remembering the words:

Here are the lyrics. They contain much haplology, and work best in an accent without the trap-bath split; I had to change the way I pronounce ‘demand’ to sing it, and I didn’t always keep that change consistent through the rest of the song.

We’re close, and I’m finally here with you.
You don’t look like your avatar.
Until I demand all
your names and your handles,
I probably won’t know who you are.

You’ve changed name and gender
your hair, or your shirt
You took off your glasses
your beard or your skirt
You left for three seconds,
your mouth’s now ajar.
I probably don’t know who you are

I probably don’t know who you are.
I probably don’t know who you are!
Your name and your face too,
I just cannot place you.
I probably don’t know who you are.

You’ve just really killed it at open mic.
Your singalong chorus went. far,
but nobody says so
when you’re off the stage, so
they probably don’t know who you are.

They snubbed you at dinner
they brought the wrong beer
Regaled you with stories
you told them last year.
They won’t share their stateroom
or give back your car
They probably don’t know who you are

They probably don’t know who you are.
They probably don’t know who you are!
Even if someone knows ya,
there’s prosopagnosia —
they probably don’t know who you are.

You once seemed at least somewhat normative
but each year things get more bizarre.
There’s joy and there’s strife while
you’re changing your lifestyle.
You probably don’t know who you are.

I couldn’t write this part;
It wouldn’t be true.
Just think about things
That are changing for you.
It takes time and patience
To tune a guitar
You probably don’t know who you are

You probably don’t know who you are.
You probably don’t know who you are!
You’re constantly growing
new parts for not knowing.
You probably don’t know who you are.

We probably don’t know who we are.
We probably don’t know who we are!
And we don’t know whether
we’ll find out together.
We probably don’t know who we are.

It’s all based on truth. Every JoCo Cruise I spend an action-packed and sleep-deprived week with people who are, to varying degrees, my friends. It’s a cruise where people’s clothes and makeup are often far more memorable than their faces, so I may or may not recognise my new or old friends each time I see them during that week. The subtle difference between formal night and pyjama day attire in the videos above can’t compare to the costume changes some people go through. I spend the rest of the year connected to many of these friends via the internet, where I learn their full names and/or other handles, but (despite the name of one of the websites) not necessarily the faces which go with those names. Then we meet in person again, a year of growth different.

Sometimes they grow a full beard between cruises, and then once I’ve figured out who they are, shave it off during the cruise (you know who you are. I didn’t.) Sometimes they transition, tell me their new name, and I don’t connect that ‘new’ person with the name and face they had previously until weeks after I get home. Sometimes I accidentally tell people their own origin stories.

I perform at many open mics, and often love the performances as they’re happening, but don’t remember exactly what the performers looked like or who did what. When people come up to me afterwards and praise my performance, I want to do the same for them, but am not sure whether or what they performed.

I wrote the ‘I’ and ‘they’ parts with no particular plan to turn it into something serious at the end, but then a ‘you’ section seemed like the obvious continuation. That part is true for me, too — the most predictable thing about my life is that it will keep getting ever more ridiculous. May you all find a Jim Boggia to help tune your metaphorical guitars, and if not, time and patience.

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