Posts Tagged performance
Last year my friend Phil from SkyStudio Wien called me up out of the blue to ask if I wanted to record some poetry, so I did! I went in for another session later in the year, and that time I was more prepared — I gathered up everything I could find that I thought was good and made some kind of sense without too much explanation. We ended up with 39 poems recorded, so in order to bring the total up to 42, I added Why I Perform At Open Mics (previously released on Bandcamp as a single) and a few songs recorded in studios with Joey Marianer. It comes in at just under an hour — some of the tracks are very short #NanoRhymo poems. It’s called Wake Up Gasping.
A lot of these poems have been previously published on this blog in some form, but some haven’t. I included some poems I wrote before I started this blog (the oldest, Shooting Star, being from around 1996) and some I’d written more recently but which I’d only performed with sound effects (Negative Return, sometimes followed by Down while the noise was still trailing off) or just always thought would work better spoken than read (A Couple of Problems.)
The title comes from a line in A Skirmish [With My Least-Favourite Body Part] which I always thought would be a great name for a hard-hitting collection of powerful, emotional poetry. I do not think that’s what this is, but at least with 42 tracks, it looks like I was holding my breath for a while and finally let everything out.
The cover art is by Joseph Camann of The Camannwordsmith Patreon. I started out without much idea of what I wanted on the cover, which was great because his art is mostly abstract, but after looking through some of his existing art for ideas I thought of having the lost astronaut from Down floating through a colourful space-y background. Joseph has a lot going on: music, stories, paintings, poems (sometimes read to puppies), reaction videos, even wearable art, in case you’d like something like this album cover but on a dress.
Some of my tracks have unusual characters in the titles, and I’m happy to report that Bandcamp did not have problems with any of them.
In other news, about 48 hours from now, I’m doing a 50-minute poetry show over Zoom as part of the ‘Shadow Cruise’ of the virtual JoCo Cruise 2021. It will include some poems from the album, but also (thanks to screensharing) some which require or are enhanced by visual aids or additional explanations. I will also be singing a few songs, and reading one poem especially written for the event. Feel free to join — there’s no signup, ticket, or even pants required! As with most JoCo Cruise events I’ve been to over the years, I will post a recording of it on my YouTube channel later if you can’t make it.
Check out the rest of the cruise schedule, and the cruise Discord, too… this year’s cruise is obviously quite different from the usual one in many ways, but still hopefully similar in enough ways that you’ll get a feel for how much it influences my life. One important way it’s different is that it’s completely free and you don’t even have to get out of bed for it, let alone go to an airport and cruise port.
You should also see me participating for the eleventh year in a row in the Fancy Pants Parade. For a while, I was the only person to have submitted a video, but I encouraged some friends to (including some clients of Chromatic Verse Wearable Art, by the same person who designed my album cover) so that I wouldn’t just win by default. Now I can win by crushing the hopes and dreams of my friends! Later, I will post a short making-of video about the pants I appear in.
After MathsJam, Joey Marianer came back with me to Vienna, and we performed at Open Phil, as we do. We didn’t perform on radio this time, but Joey did record something at Skystudio (another Phil production!) which I’ll blog about when it comes out. Anyway, we started with I Love Your Body, the one that I actually sing in. The first verse is a poem I wrote about not treating someone’s body like a piece of meat (which Joey set to music) and the second verse is a poem I wrote about treating someone’s body like a piece of meat (which Joey set to music).
Then Joey sang a freshly-written Hallelujah which is largely irrelevant to people on the internet in January, so I won’t embed it here. I then recited my mathematical love poem ≥3, while Joey just sat there awkwardly, because we really don’t have any more duets:
We finished the evening with Joey’s musical rendition of my poem They Might Not Be Giants, while I stood there awkwardly, because I’m good at that:
Joey was reading from the copy of Chalkdust on the music stand, and got a couple of words wrong, perhaps because of the relation between distance and print size, but you can read the original words and hear Joey singing them elsewhere. I still need to add closed captions to these videos, but until I do, the words to the poems and songs are in the video descriptions and at some of the links in this post.
My next ‘things I forgot to blog about’ post will be about the NanoRhymo (a tiny rhyming poem every day, not to be confused with NaNoWriMo) which I made a halfhearted attempt at last November, but picked up again in January. I’m currently still posting them daily on my Twitter, but I’ll collect them all here, as I did with the previous NanoRhymo and GloPoWriMo.
I’ve been going to JoCo Cruise since it started in 2011, and this year I finally had the nerve and organisation (okay, so actually Phil organised it) to take part in running a shadow event. What with this and MarsCon, apparently 2019 is my year for getting on stage at events I’ve long frequented.
There are many official celebrity guests on JoCo Cruise, but anyone can request a space and time to host their own events, whether concerts, crafting workshops, jam sessions, locksports seminars, hydrating face mask parties, PGP signing parties, space dog slideshows, scotch or foreign snack tastings, meetups of people who are various flavours of non-heteronormative, religious, merfolk, impaired, purple-haired, or scientists, or just a session of yelling at the moon. All of these things are real events that happened this year. This ‘shadow’ cruise, as it’s called, took up 292 of the 605 hours of programming.
My little corner of that was Angela Brett & Phil Conrad with Friends, later referred to as the ‘Hastily Assembled Entertainment Taco’, after the official event ‘Hastily Assembled Entertainment Burrito‘. The friends involved included Randy Parcel on vocals, Ryan Nathan on drums, Joey Marianer on vocals and ukulele, and Jeff Kahan on oboe. You can see the full show in the YouTube playlist below, or read on as I self-indulgently embed the specific parts I had a hand in, along with a few others from the open mic night.
A few weeks ago Alfred Ladylike was a featured act at a special edition of Open Phil, an open mic I perform at regularly. She heard me perform my poem/rap ‘Why I Perform at Open Mics‘. Last week she performed in Vienna again, and we spent an evening at my place with a bottle of wine and a collection of fart noises (a combination I fartily recommend) producing this recording of it:
Feel free to download it! If there is interest, I could also put up a karaoke track so you can perform it at your own open mics. The backing track is Galaxy by Free Rap Beats | Hip-Hop Instrumentals. Sound effects are all from freesound.org, by IFartInUrGeneralDirection and others.
It will be featured on The FuMP Sideshow tomorrow. If you like funny songs, raps and occasional sketches, I recommend subscribing to The FuMP (a podcast which publishes a couple of free comedy songs every week) and The FuMP Sideshow (more of the same, but generally by more amateur-level comedy songwriters, like me. Given that this one was produced by an actual professional, perhaps I could have submitted it to the main FuMP, but I’m not that sure of my sh💩t yet.)
I thought about adding a donation button (mainly because WordPress told me I could) but I have some decent freelance work right now so I’d feel weird about asking for donations. Maybe buy something if you really want to encourage me. And if you really like this track’s production value, head to Alfred Ladylike’s or her band Donut Heart’s bandcamp, and throw a dollar in her general direction.
I’ve been performing at a lot of open mics in Vienna and wherever else I happen to be, so I wrote a poem about why I do it. Here’s a video of my performance of it at the open mic on JoCo Cruise 2017, with some special pandering to The Doubleclicks, who hosted the open mic, and some accidental offense to BatSteve, who was right in front of me, probably taking photos.
Check out the rest of my footage of the open mic too.
Here are the words:
If there’s one thing that’s lauded in the internet age,
it’s if I want to be applauded I don’t need to go on stage.
I could write shit in my bedroom, gathering tweets and shares and likes,
but despite it I still head to gatherings known as open mics.
Because fuck it, our creations need a community
and luck is preparation meeting opportunity,
so when The Doubleclicks or Weird Al Yankovic come to town
and every good opening act mysteriously comes down
with a synthetic disease to which I have immunity,
I’ll be ready to please, dropping rhymes with impunity.
‘Cause I’m a Master of Rhyme;
I’ve got a Masters degree
and my thesis was a rhyming dictionary,
so I’ll be rapping my rants
and you’ll be clapping your hands
and flapping your panties
that you happily planned
to throw at fabulous bands
and I’ll be nabbing their fans
while they are crapping their pants
In real life I’m a hacker and I’m super science knowledge-y:
linguistics and mathematics and some microbiology
but I admit that in the latter I have lax methodology,
and for that I say no matter; I present my apology:
if your bladder had a splatter, don’t be mad; I tried urology.
So back to the point — my plan is all about practice.
The knack to seem much better than any surviving opening act is.
And that may sound unfettered and conniving but the fact is
they lack my well-honed stagecraft and immunoglobulin factors.
perfecting my art
and projecting my heart
While collecting the hard-earned
affection that’s marred
by those correctly called “artists”
rejecting my protective injection,
electing collective infection — ejecting a shart.
And maybe I’m a chump who’s not much better than you,
but I’ll be number one while you’re going number two.
I digress; I’m an open mic nerd; I require us
to weary of hearing Free Bird, Miley Cyrus.
When merely a chord or a word can rewire us
and everyone’s here to be heard and inspire us
then I’ll engineer a deferred norovirus.
So now you understand why I’m facing my fears.
I’m bracing to be panned while embracing my peers
so I’ve no stage fright when the big stars are here.
There’ll be no cage fight, the choice will be clear,
because I write each night I can guarantee ya
that my shite’s not trite, or second tier,
and the light’s so bright I can barely see ya,
and I’ll be the only artist without diarrhoea.
Everything in my poem is true, except for the microbiology stuff. I really did make a rhyming dictionary for my Masters thesis. It’s already better than any other rhyming dictionary I’ve used, but I’m working on more improvements to it before promoting it more widely.
Ironically, and unrelated to any norovirus experiments I deny doing, I actually had a short bout of diarrhoea a week ago, and am now nursing an injured foot because I fainted and woke up on the toilet floor. If you’ve been reading my blog for a while, you’ll know I’m no stranger to waking up injured on the toilet floor — I wrote a poem called A Skirmish [With My Least-Favourite Body Part] about the previous time that happened. And now, coincidentally, you can buy a pdf of a poster of that poem! It has the poem looking like it’s written in blood, and a schematic of the offending body part in the background. I originally made the poster a while ago as a goodbye present for a friend who likes that poem, but since it was better value to print more than one, I put one up on the wall of my toilet, and sold/swapped a few to other people, who seemed to really like it.
I decided it would be cool to put it up as a pay-what-you-like download for Menstrual Hygiene Day on May 28, but after overshooting that deadline researching sites where you can do that sort of thing, I instead ended up opening an Etsy store. There you can download the poster as two pdfs, one optimised for A4 and one for US Letter format, and print however many copies you like, just as long as you don’t make money from them or remove the credits (it’s BY-NC-SA). It’s not pay-as-you-like, because Etsy doesn’t do that sort of thing, but I think the price is fair — cheaper than many simpler downloadable posters on Etsy. It’s all vector-based so should print nicely in larger sizes as well. I’d love to see this on toilet walls all over the place.
If people are interested I’ll also add an option to buy printouts of it; the printouts themselves would be cheaper than the download but would probably work out more expensive with postage, and you’d only have however many you bought without the option of printing more.
I’ve been meaning to offer a way to buy They Might Be Giants posters directly from me, so I also added those to the store. The postage from Austria is really high for most parts of the world, so if you’re in, say, the USA, you’re probably better off getting a poster from Zazzle, but if you’re in Europe, you’ll get a better quality poster (I don’t recall the exact paper specifications but I think the ones I have are on 300gsm paper. It’s really nice) at a lower price from me through Etsy. I also make more profit that way. Most of the money you give Zazzle goes to Zazzle, while most of the money you pay via Etsy goes to me.
While you’re buying menstruation- and science-related poetry, check out my friend Chella’s Etsy shop, where you can get some zines about menstruation and space, one of which (not the space one) has a lot of cool menstrual poetry in it. Also, even more importantly, sign her petition to keep branding out of menstruation education. Or at least read it and do what you can to improve menstruation education in your part of the world; Chella put a lot of work into the petition and it’s quite interesting.
April 28 is Great Poetry Reading Day, so I’m going to share some videos of myself reciting my poetry for an audience. It isn’t reading, but it is poetry! Back in February, Johanna Van Tan asked me if I’d like to recite some poetry at her Sing, Talk, Feel event, along with Matylda Q and Stephanie Ora. The performance was two days before I flew off to JoCo Cruise, so I had a lot of other things to do, but, as you’ll hear in the second poem, this sort of opportunity is exactly what I’ve been preparing for. So I said yes, wrote a script to randomly generate a coherent setlist, ran the script enough times to get a setlist I wanted, and in whatever time was left after that, practised.
I recorded it, because it’s my first show and that’s quite a milestone. Besides, I record everything. I hope that some day I will be good enough that I’ll look back on this and cringe, but for now I’m pleasantly surprised by how well it went and how easily I can watch it without being self-conscious. Johanna improvised piano music behind my poems, which added a lot.
I think I did really well on my segues during this performance, and I love that Johanna played music through them, but that made it hard to find good points to split the recording without leaving comments that pertain to the wrong poem. I would recommend watching the whole playlist to get the full effect. There are links in the individual video descriptions with more information about each poem. Thanks to Thomas for pressing the button on my camera at the right time.
I wore an astronaut flight suit (bought from Kennedy Space Center, with patches from ESOC and a cosmonaut exhibition at London Science Museum added), because they say you should dress for the job you want, not the job you have. In future I plan to have all my props in various pockets of the suit, so I don’t have to bend down and get things out of bags and so on.
A week or so later, I performed a couple of poems as part of the ‘A Bunch of Monkeys Read Some Stuff’ event on JoCo Cruise. Here’s a playlist of the whole event, and here’s my part:
I also performed at the open mic on the cruise, but I haven’t uploaded my video of that yet; I record all of the shows I am allowed to on the cruise, and for the most part, upload them in order. I’m currently up to the afternoon of the fifth day. Subscribe to my YouTube channel if you want to keep up with my latest JoCo Cruise, poetry, or other videos. Once I’m done with the cruise videos and have checked with the other performers, I’ll also upload the video I have of the rest of the Sing, Talk, Feel event.