Angela Brett

Mathematician and linguist by training, programmer by trade, physicist by association, writer by neglecting everything else.

Homepage: http://angelastic.com

A Guide to Understanding the Redefinition of the Sonnet


The sonnet is a noble little song,
that rambles with loquaciousness of yore.
In times of Twitter, quatrains are hardcore;
an octave and a sestet’s just so long!
And so decree the OED: So long!
The fourteen lines expected heretofore
will henceforth shrink by one per year or more.
TL;DR: yo, Shakes, ur doin’ it wrong!

Like tweets, the turn seems rash and vain and fast,
but nobody would dare to redefine
if all existing verse would break the rule.
So here’s the sanctioned way to fix the past:
just never read beyond the thirteenth line.
(Unless, of course, you’re not an April Fool.)

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Ten Minutes A Day (Live on JoCo Cruise Crazy)


I recited a revised version of Ten Minutes a Day at the JoCo Cruise Crazy 4 open mic, because it’s about how to start doing the things you’re passionate about when you’re not in a position to literally quit your job like all these JoCo cruisers did. I introduced it with some quotes from John Hodgman from this video, which can be seen with more context in the JoCo Cruise Crazy 2 Q&A.

Here are the words I intended to say:

Ten minutes a day:
that’s all you need
to realise your dreams —
not as hard as it seems!
Ten minutes can always be freed.

Ten minutes a day,
a sixth of a clock,
to keep up your writing,
the forced march providing
the force to march through writers’ block.

Ten minutes a day
can’t be denied,
to read through your bookshelf
and castle your rook self,
with culture of kings by your side.

Ten minutes a day,
one day at a time.
To inch past the worst of it,
combat inertia that
nothing excuses, must try if it uses just

ten minutes a day.
Don’t you forget
to learn a new language:
word spread, grammar sandwich.
Ten minutes to keep your tongue wet.

Ten minutes a day,
not big amounts,
to work on your fitness;
don’t tire yourself witless,
but even a small workout counts.

Ten minutes a day,
on or offline
to maintain your friendships;
accept rain, and send drips,
as long as it’s something, it’s fine.

Ten minutes a day —
find it somehow!
Deny social network fun;
finally get work done.
You’ve got all these things to make, it’s really not hard to take

ten minutes a day.
That’s all you do.
To try meditation —
it’s self-re-creation!
You have to take some time for you!

Ten minutes a day;
it doesn’t take long
to tidy a tight space,
put junk in the right place,
and live with things where they belong.

Ten minutes a day;
put down those chores
to teach well your baby;
remember that maybe
its life will be bigger than yours.

Ten minutes a day?
I can do that!
Grab life while I’m alive!
Did all the things, and I’ve
got what I’m leaping for now,
and I’m sleeping for

ten minutes a day.
That’s all I need. [yawn]
Night dreams are boring,
my real dreams are [sound of snoring]

The main change since the last version of this poem is that I replaced ‘if you’ve spread spores’ with ‘put down those chores’ and moved that stanza nearer the conflicting advice to tidy up, because in the end it’s all about conflicting advice. The ‘spores’ line always seemed like grhyme scraped off the bottom of a barrel anyway. Also, people might take offense at my likening parents to fungi (not that there’s anything wrong with fungi), and if they’re going to take offense at my views on reproduction, I’d rather they react to The Family Tradition.

I’d recited an earlier version of this at an open mic in Geneva, which went well: my stated goal for that performance was to make the audience yawn, and I succeeded. But I was nervous that people would think it was over when it wasn’t, so I started the last few lines while people were still laughing too loudly about the previous ones to hear me. It’s a good problem to have, I guess. So my goal on the cruise, aside from getting all the words right (I got six words wrong, but they weren’t the most important ones, and I don’t remember whether ‘sleep dreams’ instead of ‘night dreams’ was a mistake or a premeditated improvement) not hesitating or rushing too much, and not dropping entire lines or displaying as much high rising terminal as I did at the last JCCC open mic, was to wait until the laughter died down before continuing with the last few lines. I succeeded! Achievement unlocked: elementary stagecraft.

My dictionary says that ‘stagecraft’ doesn’t mean what I thought it meant, but I’m sticking with it because ‘stagecraft’ is only two letters away from ‘spacecraft’. It’s a pretty cool thing to have. On the subject of spacecraft, I highly recommend seeing Atlantis on display at Kennedy Space Center; the way they show it to you is great. I’ll put up my video of it later.

While practising the poem, I got pretty self-conscious about the corny/overwrought rhymes, and wondered whether it was worth wading through them to get to the laugh line. Oh well: stagecraft! Jack Conte from Pomplamoose was hosting the open mic, and I think he is made of stagecraft. Hank Green was also hosting, but he made it pretty clear that he is made mostly of quarks. Hank Green, we’re not so different, you and I.

A few people who heard this poem at open mic have told me they were inspired by it, and are making progress on various projects because of it, and that’s great. But when I wrote this it was out of frustration with the idea. It always takes more than ten minutes, and there are always other things to do in the day, and if I try to do more than a few of these ‘ten minute’ things there isn’t enough time for sleep. Maybe I need to be stricter about stopping when the time’s up no matter whether I feel like doing more or am still waiting for my nearly-five-year-old Mac Ayu to let me start. I put in the ‘teach well your baby’ stanza almost as a joke, because I’m amazed that people with children have time and energy to do anything else at all, and yet they are told to spend just that wafer-thin amount of extra time doing each of several conflicting things to raise their children better, as well as all the other things. If you really only have ten minutes a day for a child, consider spending them on contraception.

The spontaneous Mr. Creosote reference in the last paragraph made me think of this extra stanza:

Ten minutes a day:
it’s just wafer-thin!
To add to your total,
create, Creosotal!
Conserve it, but don’t hold it in.

Which is kind of gross and kind of negative, but if you have something you want to create, and you just spew out whatever you can in ten minutes, it’s better than forgetting about it or using up mental energy fretting about forgetting it. If time is your nemesis, fight it with emesis.

I’ll leave you with the much prettier words of Jonathan Coulton and Hank Green: There isn’t time and space to do it all, so pick the right addiction.

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The One-Eyed Princess


A photo of a cushion which has a picture of a one-eyed woman and a chameleon on it.Once upon a time there was a princess with only one eye. Now, we need two eyes to see depth, so the one-eyed princess could only see people as they looked on the surface, and not how they were in their hearts. Such a handicap would make life difficult for a commoner, but a princess’s only job is to find a handsome prince to marry, and her one eye made her exceptionally good at determining handsomeness, so nobody worried.

The princess was kind-hearted, and she grew to be very kind and pleasant to anyone she thought good-looking enough to be a good person. She was less kind to the plainer-looking people who she assumed were not as good. Being a princess, she didn’t often have to be around people who looked bad. The ugliest people she saw were servants, whom she was allowed to treat poorly.

And so the time came when the princess was expected to marry. Princes voyaged from far and wide to meet the princess at a grand ball. The King and Queen were careful to only give invitations to the very handsomest of princes, lest the princess displease handsome princes by showing how badly she treated the less handsome ones.

The princess’s handmaidens worked tirelessly to prepare the princess to meet her suitors, and were only called names in return. One of them was losing her hair from worry, and the princess treated her all the worse for it. On the eve of the ball, the handmaiden could not bear to continue, and gave the princess a mirror, so that she may groom herself.

For the first time, the princess saw her reflection. She saw the smooth skin where her left eye should be, and how ugly that made her. She saw that she was even more worthless than the ugliest of her servants. She ran out into the rainforest by the castle, crying as much as her single eye could. She threw herself down by a pond, and saw her reflection in it, the smooth skin reddened and swollen with trapped tears. “No handsome prince will ever love someone as ugly as me!” she wailed.

Now, a chameleon walking nearby heard this, and being a smart chameleon, he knew that there were benefits to marrying even an ugly princess. So he changed himself to look like one of the handsome princes he had seen entering the castle.

“Oh!” said the princess as the prince appeared beside her. “You look like a mean old tax collector. Kindly give me my taxes or go away.” So the chameleon went away. The princess looked at her reflection again, and saw that she did not deserve the taxes.

The chameleon waited for a more handsome prince to arrive at the castle, and changed himself to look like him. When he approached the princess, she said, “Hello, there, Sir! You are surely a knight. Do you need a stable girl? For I am clearly not fit to be a princess.”

The chameleon said, “Sorry, Miss. I thought you were my horse,” and went away. The princess cried so much into the pond that the water, and her reflection, became clearer, and the ugly red bulge where her left eye ought to have been grew to the size of a plum. She saw it and knew that she did not deserve to live.

Just as the princess was about to throw herself into the water and drown, the chameleon came back, disguised as the handsomest prince he could find. He held the princess by the waist to keep her from falling in. “Oh, thank you, your Highness! You have saved me!” she said. “But I am not deserving of your kindness.”

“It was simply the right thing to do, ma’am; the pond does not deserve to be so sullied,” replied the chameleon.

The princess agreed. “You are right, of course, your Highness. But is there anything I can do to repay your good deed? Through some accident of birth, I am a princess, so I can give you anything you want.”

The chameleon replied, “As a handsome prince, I already have almost everything I could wish for. But I am a friend of the forest creatures, and my own kingdom does not have such vast rainforests as yours. So I ask that you marry me, and when the time comes for you to take the throne, let me rule as King in your stead.” And that’s exactly what she did. When the chameleon became King, he ordered the people to move to the outskirts of the kingdom, so that the rainforest could grow and give more room for his chameleon family.

The chameleon did not always treat the princess well, but as he was so handsome, she could tell he was a good person who was kinder to her than she deserved. As he had two eyes, the chameleon could tell that the princess was a good person who was kinder to him than he deserved, but he did not always treat her well. And so, they lived happily ever after.

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Queen of Pants: The JoCo Cruise Crazy 4 Ball Pits (In My Pants)


My last post here said that JoCo Cruise Crazy would have a ball pit. Due to hygiene regulations, that ball pit became an imaginary ball pit, but there were still at least two real ball pits on the ship. The one I brought was sewn onto my pants for the annual Fancy Pants parade. Anyone who wanted to get into my ball pit would have to at least buy me dinner first.

I did, however, flash my balls at people occasionally:

Ultimately, giving such a ‘special show’ to the Monarch of the Seas, Queen Courtney, won me a trophy, and the title of Best In Terms of Pants. Here’s the video of the parade from my own camera (expertly wielded by Simcha, who also took his own videos of the cruise), showing my humble beginnings and triumphant return:

And here’s a video from an angle that shows the rest of the parade well. You can almost see that when Jonathan Coulton is walking around humming God Save the Queen, I flash my balls at him and make him laugh a little:

I thought I had some fancy pants, and now I know it’s true. I looked at all the fancy pants and held the trophy high:

I hold the trophy high, while Jonathan Coulton gestures towards my pants

Everybody cheered, but I swear by Coulton’s beard, that everybody had the best pants. For while it may not seem like it from the fact that I was wearing toys bought from a baby store and making jokes about balls, I am mature enough to understand that the key to happiness cannot be in supplanting someone else’s pants. Chances are you’re best in everybody’s pants. There were shiny pants, blinking pants, gumbo pants (I liked them, and he did put a ring in it), squid pants, wrong pants and right pants; you can see some of them up-close in Atom Moore’s gallery.

Some of the balls were less securely attached than others, causing a wardrobe malfunction whereby a few of my balls fell off during the parade. This was fun, because I could throw them to my adoring fans (of which I have none) in the hot tub at the end of the catwalk. It looks like they were thoroughly examined. I’m told the people in the tub chanted ‘ball pit pants!’ to correct Her Majesty’s proclamation of ‘balloon pants’. Off with their heads!

The fancy pants parade was followed immediately by a movie night, which was followed by a concert. As I made my way to the concert, I heard that somebody had already added ball pit pants to the life-sized Lego statue of Jonathan Coulton that brick artist and JoCo Cruise Crazy 4 performer Nathan Sawaya had unveiled earlier in the week and left in the game room to be embellished. I was honoured!

The guy who took that photo got a bit creative with the later shots.

We got special JCCC playing cards in the swag bag. Naturally I was very happy about this. Monkeys, squids, pants and robots, oh, my!Some people wondered how I made the pants, and some did assume I’d used balloons, due to the difficulty of attaching and transporting balls. But they are, in fact, balls. I started with some old jeans that were starting to fall apart. After searching for playpen balls in the toy sections of various stores without success, I finally found some at a store called Babywalz, and bought two hundred. They were for babies, and definitely not the crush-proof kind Randall Munroe recommended for adults. As such, they were made of a quite supple plastic that was easy to get a needle through, so I could sew them on. At first I only attached them with one stitch each, and these were probably the balls that fell off during the parade. We each got a single playpen ball in our swag bags when we boarded the ship, but those ones were harder than mine and wouldn’t have been easy to sew. The swag bags also contained the pants/squid/robot/monkey playing cards that the one pictured comes from; while this post is not technically part of Writing Cards and Letters, I couldn’t resist using such a card. The pants cards were designed by Katie Rice.

I used nearly a hundred balls to cover the front, outer sides, and back lower calves of my pants. I left the other parts ball-free so that I would be able to sit down, and wouldn’t have to splay my legs apart to make room for my balls, as I have little experience in that. On the backs of my legs I sewed some coloured foam circles I found in the craft section of a bookstore… not as many as I’d intended to sew, since I only remembered to do that on the night before flying out.

The balls were not crush-proof, but as Randall Munroe warned us, there still wasn’t really a way to compress them for transport. My pants filled that third of my suitcase that I usually struggle to fill without going over the weight limit. As I continued my vacation to Kennedy Space Center, Chicago (including Fermilab) and MarsCon, I accumulated more and more souvenirs, and my victorious balls got more and more crushed. I still showed the pants to a hot-tub full of dementites at MarsCon, though, and once again threw some balls in for playing.

The tutu was a birthday gift made by my mother; if you like it, and you live in New Zealand, you might be able to get your own. The ‘great tits’ T-shirt (entirely necessary to balance the inevitable ball jokes) was from an ornithological society which has since sold its domain name to a more lucrative enterprise.

The other ball pit was created by Christopher Badell (not pictured), one of my thirteen roommates in the Presidential Suite, and also the official sponsor (in the name of his company, Greater Than Games) of the imaginary ball pit. He brought a few hundred balls to float on the surface of our suite’s private hot tub, which were fun to play with on the only occasion I had spare time to sit in a hot tub. There may be video of that later from another of my roomies (or ‘suities’, I guess.) I added a few spare balls from my pants to that hot tub as well, making a total of three hot tubs graced by my balls.

I’ve been saying this a lot in the last few weeks: my life is ridiculous. And I like it.

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Why Not All of Randall Munroe’s Suggestions Should be Implemented on JoCo Cruise Crazy 4


On JoCo Cruise Crazy 3, xkcd’s Randall Munroe told us all about the ball pit in his apartment, and finished by telling us how much it would cost to fill the entire ship with playpen balls. Somebody in the audience asked if we could have a ball pit in the game room next year. Some time ago, the powers that be announced that there will indeed be a ball pit in an inner cabin on JoCo Cruise Crazy 4. Later it became clear that this was all just a ploy to help Paul and Storm fulfill Kickstarter rewards for their next album, Ball Pit, but I’m not complaining.

Randall Munroe also told us how long we could survive if JoCo Cruise Crazy 4 were filled to the top with meat, and then how long we’d survive if we only had the other cruise passengers (which are conveniently made of meat) to feast on:

I’ve come to realise that this would not be a good idea to implement on JoCo Cruise Crazy 4. That is to say, it has the potential to be more awesome than we realised at the time, but it would considerably disrupt the programmed entertainment.

A few days ago, Randall made some calculations about the number of humans required to sustain a Tyrannosaurus rex. Apparently only half an adult a day. If there were a single T-rex on the cruise, then given the ratio of Sea Monkeys (JoCo Cruise Crazy attendees) to other passengers and crew, a Sea Monkey would have less chance of getting eaten by the King of the Tyrant Lizards than being chosen Monarch of the Seas.

However, assuming Randall was using short scales when he said ‘six hundred billion calories’, if the entire ship were filled to the top with meat, that would be enough to sustain a population of 2.5 million (2 500 000) T-Rexes for the duration of the cruise. And one of them would sleep in the meatball pit.

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When the Posters Become the Post-It


You rent a room by the week.
You want to make it unique.
How do you make it ‘home’ when changes won’t fly?
Non-permanently! Non-permanently! Non-permanent-L-Y.

(to be sung to the tune of ‘L-Y‘ by Tom Lehrer)

In my continuing quest to get to visit and eventually rent an apartment in Wiener-Neustadt without being sufficiently good at speaking German on the telephone, I am currently in a short-term apartment in a building that is under construction. I actually pay by the month rather than by the week, but… well, my poetic license is in storage in Geneva at the moment [as is my heart], but I assure you I have one. Anyway, in my continuing quest to forget that I’m somewhat homeless in a town with terrible public transport, a couple of weeks ago I travelled around Europe visiting friends and going to concerts by Marian Call and Scott Barkan (who have one more show in London today, which still has room for you) and Bettens (whose tour is over for now.) It was most excellent; I saw Marian at house concerts in Amsterdam and Rotterdam, and also at CERN and my favourite venue on land (not counting places such as CERN which derive most of their awesomeness from things other than being music venues) in Trogen.

For the sake of making the temporary home look more like a home and less like temporary, I planned to pick up some posters that I’d got for free from the esa tent at the CERN open days and left with a friend in Geneva. Unfortunately they only made it halfway back before I accidentally left them in a train station. But no matter! The Marian Call tour is part of her postcard tour, so at each of the concerts I picked up a postcard from a stranger at a previous concert, and wrote one to a different stranger. Since I know many of her fans from JoCo Cruise Crazy, at least one of them wasn’t even from a stranger, and I know that one of the postcards I wrote went to someone I know as well. It’s pretty neat receiving postcards from friends when you don’t have a mailing address. I also had some esa postcards (some of which I donated to the postcard tour) which I got from the same place as the posters.

Back in Wiener-Neustadt, I bought some poster strips to stick the postcards on the walls, and, on impulse, some felts and some Post-It notes of various shapes and colours. When I got home-ish I made this poem on the wall next to my pillow, using the words on two of the postcards and the shapes of the Post-Its:

Good morning, Moon, wake up⇧ The clouds will soon break up⇧ Take heart♥ from mottled sky⛅ it's there➮ you've got to fly.

In case you’re not sure which bits to read, or have trouble reading the small text, it goes like this:

Good morning, Moon,
wake up⇧
The clouds will soon
break up⇧
Take heart♥ from
mottled sky⛅
it’s there➮ you’ve
got to fly.

[spaceship drawn in the style of Marian Call]🚀

The next day I got to thinking about how I should do certain things as often as possible, such as attempt to contact someone about an apartment, write something, or look for a job in a city where I could more easily get an apartment. I could show my progress on this with Post-Its too; an arrow for each thing I should do, pointed down if I still need to do it, and up if I’ve done it. When all the arrows were pointing up, I’d add a heart and then turn them back down again. Eventually I’d have a life bar of all the hearts I’d earned, and also probably an apartment and a billion-dollar book deal I could work on from home. Sounds encouraging, right? But then I figured out how to cheat:

Konami code in arrow-shaped Post-Its, with 30 heart Post-Its below

So much for that.

Still in the video game spirit, the next night I made this level of some kind of platformer:

A platformer game in Post-Its, with moving clouds and some hearts to collect

with Le Petit Prince on a rocket-powered asteroid as the protagonist:

LePetitPrince

If you’re wondering why there are craters on the asteroid, it’s because that’s no asteroid; it’s a Moon space station. I originally just wanted some kind of round character on the arrow, something that wouldn’t need to change if you turned the arrow in a different direction to make it go right or jump. I decided on the Moon, since we already said good morning to it in the original Post-It poem. Of course, the Moon needed a rocket or it’d just orbit. In any case those had better be some pretty thick clouds to hold it up. So I added the rocket, but then it just looked like a ball with a rocket attached. I added craters, and it looked like a ball with circles on it and a rocket attached. Finally I realised the only way to make it look like a celestial body was to put a little prince on it. I think I’ve only read snippets of that story, but I promise I will read the whole thing soon.

The goal in this level is to collect the hearts and reach the exit. The ‘EXIT (TO SPACE)’ heart is over the place you have to push to open the wardrobe door.

Exit to Space

The door goes to space.

Space Portal

Space is full of wondrous things.

Spaaaaace

 Space and time are part of the same continuum, so space contains several scenes and characters from the xkcd Time comic.

Lucky

Space is a place of great serenity, and not-so-great drawings of Serenity. Space makes you realise just how small our world really is. Space is watching you. Space close-ups

You are watching space. RosettaSpace will have more things in it just as soon as I get around to launching them. In the mean time, make up your own stories about what might happen if the assorted spaceships or asteroids or planets meet, and who might live on the lower planet, and what Rosetta has seen from the observatory.

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Drabble: I sure appreciate the way you’re working with me.


“I… I th… thought you’d left,” I stammered.

“I came back,” he replied nonchalantly. “It’s not as if I died.” He looked at me accusingly.

“Well, I…”

Such lively eyes staring at me from a deathly face were unnerving. I gave in, and went to get some textbooks.

“Let’s work on something together,” he suggested. “My brain is open.” Indeed it was, but I tried not to look.

Uncertain though I was about the feasibility of living and undead working together, I could not refuse his offer of collaboration. And that’s how I got a late Erdős number of one.

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Hotel Bacon (Michelle Branch parody)


This is to be sung to the tune of Hotel Paper by Michelle Branch.

I like mostly just hotel bacon.
Knowing the leftovers would never be consumed.
Raised, erased, their flesh is too tasty to leave here.
so I try not to eat meat but I do.
But I do.

No need to feed pigs the grain for my breakfast.
Sow means, reap none from the future; it’s theft.
I try to stop but it’s free to get this.
I know tomorrow there’ll be nothing left.

And I wanted to be
living in places I could keep living.
But I want luxury,
so I’ll take this hotel, and all it’s serving.

This turned out to cost more than I bargained for,
and I can’t stay in this place another day.
Forgive me; now that I’m baconless like you, I like you.
I just realised it way too late.

And I wanted to be
Living in places I could keep living.
But I got luxury,
So I took this hotel, and all its servings.
(Maybe this temporary retreat is surrender.)

My life’s mostly just hotel bacon.

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King of Hearts: A Song For Me to Sing With Worm Quartet


King of Hearts with the Shakespearean insult, 'You play the spaniel, and think with wagging your tongue to win me' against a backdrop of a Worm Quartet Songs of the Maniacs posterThis is a parody of ‘A Song For Worm Quartet To Sing With TV’s Kyle‘ by Worm Quartet (featuring TV’s Kyle.) The tune is pretty flexible, but I made this fit with the original tune verse-for-verse so it’s easier to figure out how to read it. Perhaps some day, if Shoebox (the guy from Worm Quartet) agrees, I will record myself singing it just barely audibly above the backing music, but for now your ears are safe.

This is a song, it’s a song I wrote
so I could sing it with Worm Quartet
’cause Worm Quartet does really swell songs
and I wanna do a song with him.

Shoebox:

 

 

 

Me:
Sure, I get it, you won’t sing this.
I’m just not as special as TV’s Kyle,
but I really thought we could do a duet;
should I have asked you first?

Shoebox:

 

 

 

Me:
Well I see I’m not going to make you sing
till I write nonsensically and I grow some sideburns.
I’m going to sit in my parents’ basement
and devour testosterone pills.

Shoebox:

 

 

 

Me:
Okay, Shoebox, why still no words?
Now my sideburns are a planet; you’re orbiting me.
And if you think you’re still better than me,
why don’t you go orbit your mom?

Shoebox:

 

 

 

Me:
There’s no use acting like you can’t breathe.
You don’t need to be conscious for nonsense words
like “chairs crochet nebulae into glum proofs
Of the wax insurance of nines.”

Shoebox:

 

 

 

Me:
Well I think I’m starting to understand:
you’d like to scream along silently.
How about for the next verse of the duet
you keep your pie hole shut.

Shoebox:

 

 

 

Me:
Well that was a *beep*ing terrible act;
you lack pizzazz and you’re out of key.
I’ll just sing all the rest myself,
so be quiet for this bit too.

So now we’ve come to the end of the song
The song I wrote that you refuse to sing
I bet TV’s Kyle, after singing your drivel
Will happily sing this song.

TV’s Kyle:

Me:
Well *beep* it then, I’ll ask John Cage.

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Queen of Hearts: Zombie/Tasty (Cranberries parodies)


What's in your head?This is to be sung to the tune of Zombie by The Cranberries:

Another head exploded,
brethren slow-dead taken.
If you bravely try to save me
you must be mistaken.
‘Cause you see, it’s not me,
it’s just my dead body;
in your head, in your head
is my breakfast.
Glial cells, and neurons,
and neurons, but not eyes.
In your head, in your head, that’s my checklist.

In your head
In your head
Braaaains braaaains braa-aaa-aains…
What’s in your head?
In your head?
Braaaains braaaains braa-aaa-aa-aaa-aaa-nom
You too to voodoo. You too to voodoo. You too to voodoo. You too to voodoo.

Ex-human new one’s breaking
heart is taken over.
And the bravest try to save it;
they must be mistaken.
We have changed recipe
since voodoo in Haiti:
in your head, in your head
is now breakfast.
Glial cells, and neurons,
and neurons, but not eyes.
In your head, in your head, you’ll be feckless.

In your head
In your head
Braaaains braaaains braa-aaa-aains
What’s in your head?
In your head?
Braaaains braaaains braa-aaa-aa-aaa-aaa-om nom nom nom nom nom nom eeeaaarrrraraaaarrgh

[a choreographed sequence of brain-eating and general zombie disintegration follows, with a loud, rhythmic banging from the other side of the door as a would-be saviour tries to break in and save any remaining humans. There is some hesitation after the door-banger manages to get in, as they recognise some of the zombies as former friends. The five quick drum beats are the end are gunshots as the door-banger finally shoots the zombies… in their heads. The final thud is the gunner hitting the floor, killed by too many zombies and too much bravado.]

And because I had the album ‘No Need To Argue’ on cassette tape, and therefore always listened to it in order, I couldn’t help getting the next song, ‘Empty‘ in my head once I finished ‘Zombie’. So here is the next track on The Zomberries’ ‘No Need To Argh, You!’ called ‘Tasty’.

[We start with somebody repeatedly moving their hands to their destroyed head and looking at them in dismay, trying to understand what has happened. After 51 seconds of poignant contemplation, they begin singing to their intact friend.]

Something has left my head and I don’t know where it went to… aah! Aah! Oww!
Somebody’s made me dead and it’s not when I was meant to.

Don’t you see me, don’t you hear me?
Don’t you see me standing here, ahh! Aaahh! Aarrghh!
Why did you get out that gun?
Don’t you know that I’m still in here?

Say a prayer for me;
move my soul on from this zombie.
My identity,
has it been taken?
Why are you shaking?

Help me… no brains now, they’ve turned into chow, let me show you how…
Help me… why the scream? You suddenly seem… you suddenly seem…
Tasty… eehee… heehee… feed me…
Tasty… eehee… heehee… eat ye…

Tasty… eehee… heehee… feed me…
Tasty… eehee… heehee… eat ye…

Tasty… eehee… heehee… feed me…
Tasty… eehee… heehee… eat ye…

Tasty… eehee… heehee… feed me…
Tasty… eehee… heehee… eat ye…

[These repetitions are sung during an encephalophagous ballet sequence, with the protagonist dancing around the victim, elegantly reaching in to grab handfuls of brain in time with the music, imparting angular momentum to the victim in doing so, such that the victim spins while slowly losing strength and crumpling to the floor. A beautiful, symmetrical pattern of blood spatter forms around the spinning victim. Later scholars will hypothesise that the spinning of the victim represents their literal ‘turning’ to zomebieism, but that idea is a load of brainslop.]

If my inner jukebox is accurate, the next track on the album is ‘Everything is dead‘, but we’ll leave that for another day.

Six things in progress, and this is the one I finish? It was about time I posted something, though. Back in the 90s, when people found out about music by listening to the radio, I was pretty obsessed with The Cranberries. When I got onto the internet, I joined fan mailing lists and found out about all their obscure songs. One of my first web pages, which I think is still up, for posterity, was a trading page listing my somewhat-rare singles. I still like the band, and followed what its members did after it split up. I’ve even seen Dolores O’Riordan live once and The Cranberries live a few times, since they were kind enough to get back together after I moved to Europe and started going to concerts. But as mp3s became more prevalent and easier to download and play, the zombie songs I was exposed to were rather different. So I thought The Cranberries’ biggest hit needed to be brought closer to current zombie song canon.

Edit: I forgot to mention, I’m in this awesome geek girl video by The Doubleclicks!

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