Archive for category Scenic New Zealand

King of Spades (Moxy Früvous parody)


This is a parody of King of Spain by Moxy Früvous, written by me and sung by my not-so-top-secret collaborator, whom some of you recognised as Hello, The Future! She was sick for a while, which is why this is a week later than promised. There’s an mp3, but it probably makes more sense with the video.

Here are the lyrics (forgive the spacing; if I could have a superpower, it would be to always be able to make WordPress space lines the way I want):

Once I was the King of Spades              now I’m just a playing card

Oh, how I planted that naked lady          now I’m just a playing card

I’m telling you I was the King of Spades   now I’m just a playing card

And now it takes lady luck to play me

Wan, 2 3 4!

Chicks dug me, spades really suited me

digging up bones from the late Cretaceous or planting downy birch trees

Now I eat humble pie whenever the ace is high

Caught in a flush for a poker cheater, plotting to crush the other guy

Once I was the King of Spades             now I’m just a playing card

A pirate’s deckhand, burying lucre        now I’m just a playing card

I’m telling you I was the King of Spades  now I’m just a playing card

And now my hand sweeps the deck at Euchre

Once this was the King of Spades

Folks would rave, they’d die so I’d dig their grave, the people said:

“King, how are you such a genius?”

“Your mounds are convex”

“and holes are concave!”

Kill chafer grubs so I would have safer shrubs

I’d do yardwork all through the weekend

and dig diamonds to give the lonely hearts clubs

Once I was the King of Spades                             now I’m just a playing card

Old tree falls, new sea walls, you sat back, I’d hack that.   now I’m just a playing card

I’m telling you I was the King of Spades                     now I’m just a playing card

Now the Ace hits me up to save you at blackjack.

Once this was the King of Spades

Ladies and Gentlemen, make your bids for the instrumental bridge!

Now some of you might be wondering how I came to be a playing card

after being a real life king of spades. Should I lay my cards on the table?

(shouting)

Deal me in!

You see late one day, I’d just dug a wishing well

Clearly I had to test it, I’ve pride in the service I sell.

And I thought, well this number’s fun, but I should be in the pictures

Next thing my heads are pounding, I’m upside down,

and I’m too legless for britches.

Ship and flatfish, banquet and cat dish

How I wish I’d never made that wish.

Counter to all intentions, I only have two dimensions.

If you’ve felt you’re bored with the cards life dealt

Remember, real life beats royal flushes

so dig your way to gold rushes!

Once I was the King of Spades                      now I’m just a playing card

I was dealing out gem stones from pyroclastic      now I’m just a playing card

I’m telling you I was the King of Spades           now I’m just a playing card

And now my dealer is Angelastic.

Once this was the King of Spades

It was obvious I should parody this song for the King of Spades. I assumed I’d end up writing a nonsense song describing all the Kings of Spades I have in rhyme, and that it wouldn’t make any sense at all without a video showing the cards. Sort of like Jonathan Coulton’s Flickr. But to make a video, I’d need someone to sing it. Naturally, I thought of Hello, The Future! since she has already written one King of Spain parody, and when I first met her she was wearing a ‘Hello, The Future! is the name of my Moxy Früvous cover band’ T-shirt. Also, I knew she had a fez and had experience wearing a fake moustache. I commissioned her to do it even before I’d written anything. Once the lyrics were written, I sent her my shouting parts, some noises I made with my rainstick (which I am determined to use in everything now) and a plastic box full of kings of spades, and the one line which I realised, to my horror, would only make sense if I sang it myself, and she mixed it all in. It ended up being some kind of story about a real-life spade maven who turns into a playing card, and it might make some kind of sense without the video, but it’s still more fun with it.

One thing I hoped I could make clear in the video was that the ‘naked lady’ line was referring to amaryllis bulbs; I’m not sure how widespread that name is. But alas, amaryllis is out of season here.

One of these days, I should put this and several other things on my podcast. Unfortunately, I chose a podcast hosting platform which is a real hassle to use, so I’ve been lax in adding things to it.

I used cards from several new decks of cards this week. Obi-Wan Kenobi from a Star Wars Heroes & Villains deck I got in Sweden made an appearance (he’s a King of Spades, but was the ‘Wan’ as I shouted ‘1 2 3 4’), as did a Queen of Hearts (in the lonely hearts club) from the Vasa Museum in Stockholm. Also in the lonely hearts club is a King of Spades from a Kama Sutra deck I found while searching for panties to throw at Paul and Storm. Underneath the ship card, you can see some information from a Golden Gate Bridge deck I was given on JoCo Cruise Crazy 2, and somewhere in there is a King of Spades from a pirate deck I bought in Aruba (the same place I got the rainstick) during that cruise.

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Jack of Spades: The Horse Who Was Born as a Boy


Strange things happened; who knows why?
The wingbeat of a butterfly?
The flutter of a software bug
in programs running Earth and Sky?
The will of God, a cosmic ray,
its impact changing DNA?
A whim, a prayer, a faulty plug,
a blunder or a poker play?

Doesn’t matter, it’s occurred:
a change of places most absurd.
A bundle of supposed joy
was startled to be born unfurred;
like bees as birds, and birds as bees,
and hes as hers and hims as shes,
a horse was born as if a boy
and raised in human families.

He voted ‘neigh’ on ‘learn to talk’
and always used his hands to walk
and never to attack a meal
with proper use of knife and fork.
He whinnied for a mother mare,
but human mother, not aware,
assumed his brain would never heal
and placed the boy in foster care.

The horse-boy went from place to place,
exhausting homes at trotting pace
as so-called carers would perceive
a slowpoke of the human race.
They made him food but never kin,
derisive of the horse within,
till one day when he had to leave
a farming couple took him in.

“His heart is good, if not his head,”
his newfound foster parents said.
By day he’d never cease to roam;
by night he spurned his comfy bed.
With love, despite his skittish way
the farmers vowed to let him stay.
At last he’d found a stable home
and slept in there amongst the hay.

Big hearts, big stables, in due course,
the farm took in a crazy horse
and horse-man (for our boy had grown)
was floored by the attractive force.
He saw that she was not a mare,
but human woman stuck in there
And said, in human pheromone,
“Ma’am, you could ride me anywhere.”

They nuzzled, for she liked him too,
more’n any horse or man she knew.
Despite his foreign horsey smarts
he knew what she’d been going through.
They played till they were giddy
up the hills and through the city.
Mixed-up bodies, linked-up hearts
And shared emotions more than pity.

Strange things happen; who knows why?
The wingbeat of a butterfly?
The flutter of a software bug
in programs running Earth and Sky?
Whatever forces took the rein,
this act of horseplay’s not all pain.
It didn’t pull the final plug
and that’s why it may run again.

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Six of Spades: The Barely Finished Story


Spoiler Alert: If you haven’t read of watched The Neverending Story, and you intend to, you might want to wait until afterwards before reading this.

He just imagined that in front of him, there was a giant requirement to do what he had committed himself to do. Taylor ran from the insipid story ideas that came to him, squatting in trashy distractions until he thought the ideas had left. But as soon as he stopped distracting himself, they came back. He had 18 hours to write something, and this would have to be it. He still ran, until the interruption of a pleasant procrastinatory conversation with a friend gave him a door, and he ran inside.

On the shelf was a DVD of the movie ‘The Neverending Story’. A story of a boy who saves Fantasia, the world of human fantasy, right when people were beginning to lose their hope, to forget their dreams. What if Fantasia were being destroyed again? What if that’s why there were no good story ideas left? If only he could get to Fantasia, and get a child to give the Childlike Empress a new name, he would be able to restore his hope and the wealth of fantastic story ideas he’d once had. He poured himself a frozen lemonade with vodka and sat down with his laptop to write.

He just imagined that in front of him, there was a giant Apollo White Room, where he could prepare to enter his craft and travel to unknown worlds. He’d had the training, read a summary of the book, watched the movie, and he knew exactly what he had to do. He would journey to the Moonchild.

It would be easier for him than for Atreyu. He just had to keep his chin up as he crossed the deadly Swamps of Sadness, keep his grip when speaking to Morla, find a luckdragon, keep his self-esteem up as he walked through the Sphinx gate, keep his cool as he saw his true reflection in the mirror of true selves, feign surprise when the Southern Oracle told him the Empress needed a new name, and hope he’d written the story well enough to capture a child’s attention.

Taylor stopped to take a sip of his drink, check his email, and try to forget how unlikely it was that a child would read his story and give Empress Moonchild the new name she needed. He’d cross that bridge when he came to it.

Ahead of him, the Nothing had already devoured the landscape. To the left and right was more nothingness. Behind him, he could see the Ivory Tower glowing in the distance. Andy, his Andalusian horse, had no problem galloping over the featureless landscape. When they arrived at the Ivory Tower, Taylor approached the bearded man.

“I’m sorry. But this is not the time and the place for adults. Adults do not have the imagination required for this quest. I must ask you to leave.”

“If you don’t want me here, you shouldn’t have sent for me.” Taylor had his lines memorized.

“It was not you we sent for,” said the man. “We wanted Taylor.”

“I am Taylor,” he said.

“Not Taylor the worn-out adult! Taylor the child!”

That is not what they’d said to Atreyu. “I’m the only Taylor you’ve got,” said Taylor. “I’m old enough to know what to do. But if you want, I’ll go back and write advertising copy.” Taylor turned away and pretended to leave.

“No, wait, come back, please,” said the man. Taylor turned back.

“If you really are the Taylor we sent for, you would be willing to go on a quest?”

“Yes, of course.” This was the script Taylor was used to. “What kind of a quest?”

The man gave the usual spiel about finding a cure for the Empress, to save Fantasia. It would be very dangerous and important, and he had to go alone, weaponless. Taylor feigned bravery as he accepted the challenge, knowing that having already seen the movie, he would be in no real danger. He did not need to feign awe as he was given Auryn, the amulet which would guide and protect him.

Taylor rode off into the sunset, knowing that the creature of darkness which would be tracking him down would be an easy kill. After riding for hours, they stopped and decided it was time to eat.

Taylor looked up from his laptop, suddenly aware that his stomach was growling. He topped up his frozen lemonade and made some toast. “Not too much,” he said after the first few bites. “We still have a long way to go.”

Taylor and Andy had searched the Silver Mountains, the Desert of Discarded Drafts, the Crystal Heads and the Sadness Swamp without success. He saw there was only one chance left. To find Melpolia, the ancient muse, whose home was in the deadly Forests of Disbelief.

Taylor led his horse off a cliff, and into the treetops which appeared ahead of them and disappeared behind them as they walked. Everyone knew that whoever stopped believing in the forest would fall to the bottom of the ravine. Taylor kept himself aloft by describing the feeling of branches underfoot to himself as he went, but the horse soon began to fall. “Andy! Can’t you feel the branches poking into your hooves? Can’t you hear the twigs cracking? Andy, please!”

As the horse fell into the void, Taylor could see just how impossible the forest was. He fell, but instinctively reached out and grabbed a branch that his muscles still knew was there. Of course it was there. If he could write it well enough, it was there. Taylor climbed back to the top and ran with his eyes closed, letting out shrieks of delight as he realised what a marvelous reality he had created. When he got bored with that, he just imagined that in front of him there was a giant red tabby, and then he collided with something soft.

Taylor rolled his chair back from his laptop and sighed loudly. This was a ridiculous idea. A giant cat? A giant cat was the best he could think of as a muse? Well, it would have to do. It was dark out. He was running out of time.

The wind seemed to sigh as Taylor looked up at Melpolia the giant red tabby.

“Oh, no. Not an adult,” the cat hissed. “Adults are no fun.”

Taylor sniffled a little, remembering his cat allergy. “Look, if you would just help me in my quest to save the Childlike Empress… I have a deadline, you know.” He grabbed Melpolia’s fur as the treetop beneath him threatened to give way.

“Oh, we know the Empress is sick, but it doesn’t matter.” Melpolia turned away and started licking itself.

Taylor sneezed violently, and fell a metre or so when he forgot to believe. He climbed back up.

“Do you even care?” Taylor remembered this line from the movie.

“You don’t really care whether or not I care,” said Melpolia.

Taylor started to protest, but realised Melpolia was right. He didn’t care. He just wanted to get through the story, get some readers, and save Fantasia so he would have ideas to write other stories and keep food on the table.

Food. Taylor finished a piece of toast. Why wouldn’t the characters ever just do what he wanted them to? He only had eleven hours left. He took a last gulp of frozen lemonade and slammed the cup down angrily on the table. Fine. If he wasn’t going to save the Empress, he may as well have fun.

Taylor sneezed again, and his tree swayed with him. “You know how I can help save the Empress, don’t you?”

“Not that it matters, but yes,” said Melpolia while it licked its left side.

“It does matter!” screamed Taylor. “If I don’t save her, the Childlike Empress will die, and I always wanted to meet her!”

“It’s really not important. I have some preening to do, you know.” insisted Melpolia.

“If you don’t tell me, Fantasia will disappear, right when I’m starting to enjoy it!” yelled Taylor.

“Oh, alright,” said the giant red tabby. “The truth is, I don’t know. Maybe you could ask the Southern Oracle…”

“Right, 10 000 miles away?” Taylor had forgotten that from the movie. The only point of going to see Melpolia was attracting a luckdragon to take him to the Southern Oracle.

“Yes, as it happens.”

“Great. You wouldn’t happen to know where I could find a luckdragon, would you?”

“A what? Luckdragons don’t exist. They were just made up for a book.”

Taylor started to fall. Melpolia found a patch of fur near its right front paw that hadn’t been preened for a while, and went to work on it.

The falling sure felt real. Taylor closed his eyes and waited to hit the ground.

Taylor poured himself another frozen lemonade, without vodka this time, the way he’d always loved it as a kid. He’d had so much of it one summer that his friends had started calling him Frozen Lemonade. They still did, sometimes, but it embarrassed him more now. He’d started adding vodka in his mid-twenties. The vodka made it taste terrible, but what self-respecting adult drinks virgin frozen lemonade?

Taylor woke up next to some kind of giant goat. “Are you a luckdragon?”

“Goodness, no. I’m a deus ex machamois.”

Taylor giggled. “A deus ex machamois? And let me guess, you can fly, and you caught me when I fell from the nonexistent treetops?”

“That’s right. A giant flying squirrel would have made more sense, but I guess you panicked. Panic is sometimes good for creativity.”

“You mean… I just made you up to save my life? And you’re really here?”

Taylor could picture it in his head. A giant chamois, flailing through the air, always looking for footholds in the clouds. Eat your heart out, Rudolph! He laughed so hard he almost peed himself. On the way back from the toilet, he spotted the bag of sour miniature easter egg candies he’d bought for his nephews, and opened it. Forget the waistline; a little sugar once in a while couldn’t harm him.

“I’m here, alright. You passed out before I even caught you; you’re not used to landing on giant flying goats any more. My name’s Rudolph.”

Taylor laughed. “So… how far away is the Southern Oracle?”

“Why, it’s just around the corner!”

Taylor grinned. “Do I have to go visit that gnome couple and drink eye of newt to make me healthy, now?”

“Only if you want to.”

Taylor secretly wanted to know what the potion would taste like. He found the gnomes’ home, where Urgl hurried to make him a healing potion. “This one will do you good. It has eye of newt in it. And wing of cat, hair of tortoise, face of gnat, eyelash of porpoise.”

Taylor gulped it down in delighted disgust, feeling the eyes slide down his throat and the wings try to flap their way back up, chewing the eyelashes so they wouldn’t tickle.

“This one’s eye of newt,” said Taylor as he put a sour egg into his mouth. He grimaced as the sour taste electrified his tongue.

Then it was Engywook the scientist’s turn to tell him about the Sphinx Gate he would have to pass. “The sphinxes’ eyes stay closed until someone who does not feel his own worth tries to pass by. They can see straight into your heart.”

Taylor did not stay to watch a hesitant traveller get shot by the Sphinxes’ eyes. “Thanks for the newt eyes!” he yelled as he ran down to the gate.

Taylor approached the Sphinx gate with confidence.

Taylor couldn’t think of anything good enough to write. All his ideas seemed stupid again. He decided to write as quickly as he could whatever came to his head, whether he liked it or not.

Taylor ran between the sphinxes as he saw the eyes beginning to open. The sphinx eyes fired a blue laser of self-doubt at him, but he could jump over and under the laser beams like a character in a bad science fiction movie. He leapt over the last one and rolled along the ground giggling on the other side, almost wanting to go back for another go. There were plenty of other roll marks in the sand. He wondered if anyone was really confident enough to keep the eyes closed, or if the survivors were just the ones who ran through anyway.

And now for the mirror of true selves. When he started the quest, he would have been afraid to look at it, but he wasn’t afraid any more. The mirror showed him as a young boy, enthusiastically writing into his notebook. And then a middle-aged man, typing into his laptop just as excitedly.

Finally, he arrived at the Southern Oracle. As expected, it told him that in order to save Fantasia, the Empress needed to be given a new name by a human child.

Taylor swore and wished he’d put more vodka in his frozen lemonade. He’d forgotten to think of a solution to the ‘human child’ problem. In the movie, the human child is the reader of the book, but who would ever read this one? He hadn’t even made the deadline. He made some more toast and settled down to write an unhappy ending.

Taylor rode Rudolph back in the direction he’d come, trying to enjoy the ride even though he knew he’d failed in his quest. Fragments of Fantasia floated around the void like stars. They flew toward the brightest: the Ivory Tower.

The Childlike Empress was beautiful. She reminded Taylor of his first crush.

“I have failed you, Empress.”

“No. You haven’t. You brought him with you.”

“Who?”

“The child. The one who can save us all.”

“No I didn’t. Nobody is going to publish this. No child is going to read this.”

“Yes, you did,” said the Empress with conviction. “He has suffered with you. He went through everything you went through. And now, he has come here. With you. He is very close. Listening to every word we say.”

Taylor could barely believe what he was writing. He popped another sour egg into his mouth.

“Where is he? If he’s so close, why doesn’t he arrive?” A piece of ivory fell from the ceiling and narrowly missed Taylor’s head.

“He doesn’t realise he’s already a part of the story.”

“But it’s just me!” Taylor protested. “I know I’m in the story. I know I’m writing the story. I know no kid is reading this story.”

“The child began to share your adventure as soon as you let him. As soon as you started believing the story.”

“But there’s nobody here but me!” Taylor said.

He was right.

Taylor almost choked on a sour egg. “No way!” he said aloud.

“He’s been a part of you all along, but you slowly stopped listening to him, when you thought you had to keep you feet on the ground. He’s still inside you. You just need to let him call out my new name. He has already chosen it.”

“This isn’t real. I’m just writing this. This isn’t real.” said Taylor under his breath. He could make them say something else if he wanted. He could make the Empress look up a name in a baby name book herself.

“What will happen if he doesn’t appear?”

“Then our world will disappear, and so will I,” said Empress Moonchild.

“How could he let that happen?”

“He doesn’t understand that he’s the one that has the power to stop it. He simply can’t imagine that something he’s writing can be so important.”

“Maybe he doesn’t know what he has to do!”

No baby name book. The characters wouldn’t let him. But he didn’t know what to write next. “What do I have to do?” Taylor wondered aloud.

“He has to give me a new name. He just has to call it out,” said the Empress.

All Taylor called out was “But it’s only a story. It’s not real!”

“Taylor! Why don’t you do what you dream, Taylor? Why don’t you live the fantasy life you created?”

“But I can’t, I have to keep my feet on the ground! I’m a grown man!” Taylor was already yelling loud enough for his neighbours to think he was a nutcase. What harm would there be in yelling a name as well?

“Call my name! Taylor, please! Save us!”

Taylor was confused. “Me? My horse died, I almost died falling off trees, I swallowed porpose eyelashes, and I could have just come straight here and given you a name myself?”

“Not you. The Taylor who’s writing the story. You needed to go on the adventure so he could find the child in him.”

“Alright! I’ll do it! I’ll save you. I will do what I dream!” Taylor grabbed his cup and held it up in the air triumphantly. “Frozen Lemonade!” he screamed.

And then it was dark. “Really? A power cut, now?!” he said in frustration, wondering when he’d last saved his writing. Taylor jumped as a beautiful voice responded.

“In the beginning, it is always dark.”

“What the…”

Taylor saw a tiny glow, and watched it grow to reveal the face of the Childlike Empress. “Seriously? You can’t tell me this was all real! I was just making excuses for my lack of ideas! There is no Fantasia.”

Taylor felt the floor beneath him tremble. It was not the floor of his apartment.

“Not any more,” said the empress. “But now that you have named me Frozen Lemonade, you can begin to rebuild.”

“Wait, I have to rebuild?

Frozen Lemonade showed Taylor the glowing object she’d been holding. A pencil. “Give me your hand.”

Taylor held out his hand, and Frozen Lemonade placed the pencil between his fingers. “Now what are you going to write about?”

“I don’t know.”

“Then there will be no Fantasia any more.”

“How much can I write with one pencil?”

“As much as you want. You don’t even need to use this pencil. The more you write, the more magnificent Fantasia will become.”

“Really?”

“Try it.”

So he started writing. He barely noticed when he was transported back to his apartment and the pencil became a glowing laptop screen. He and his laptop had many other amazing adventures, but they are other stories.

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Five of Spades: Options


Note: This is a song-like thing. Here is an mp3 of my Mac singing it to approximately the right tune, just so you can get the same tune in your head that I had in mine when I wrote it.

Feel free to make your own recording of it with human vocals and actual music if you wish. I make no claim of being musical, and I probably accidentally copied the tune from something. Sosumi.

If I can’t have this, then I’ll have that
If I can’t have a dog, I’ll have a cat
If I don’t like today there’s always tomorrow
If I can’t be Superman, I’m Bizarro
If I can’t have coffee I’ll have tea
If I can’t have a pool I’ll have the sea
If I can’t have chocolate, I’ll have cakes
If I can’t have cities, I’ll have lakes
But if I can’t have you there are no good fakes
So I’ll be very sad.

Well you can’t always get what you think that you want
But you can get something that’s just as nice
It is not very likely the thing that you crave
Will be the only thing that will suffice

If I can’t have Mars I’ll take the moon
If I can’t be first I’ll be there soon
If I can’t have shuttles, I’ll have Soyuz
If I can’t fly from you I’ll fly for youse
If I can’t have Skylab I’ll have Mir
If I can’t leave Earth then I’ll stay here
If there’s no zigazig I want all your base
If there’s no E.T. I’ll take the human race
But if I can’t have you there’s an empty space
And I’ll be very sad.

Well you can’t always get what you think that you want
But you can always want what you’ve got
It is not very likely the thing that you crave
Will be the only thing to hit the spot

If I can’t have ATLAS there’s CMS
If I can’t find the Higgs I’ll make another guess
If I can’t prove that, I’ll become a believer
If I can’t go to PAX I won’t be a reaver
If I can’t write songs then I’ll still write Things
and if my voice sounds bad my computer sings
If I can’t have Hexley, I’ll have Tux
If I can’t have a princess, I’ll have ducks
But if I can’t have you then that just sucks
And I’ll be very sad

Well you can’t always get what you think that you want
But you can always rehypothesise
It is not very likely the answer you seek
Is the only one that satisfies

If I can’t have some things I’ll have others
If I can’t have sisters I’ll have brothers
If I can’t have rhythm I’ll have rhyme
If I can’t have space then I’ll have time
If I can’t have proof then I’ll have trust
If I can’t make love then I’ll take lust
If I can’t have lovers, I’ll have nudes
And if I can’t have ladies, I’ll have dudes
But I can’t have you so we’ll have feuds
’cause I am very sad

Well you can’t always get with the person you like
but you can always find someone new
It is not very likely the one that you want
Will be the only one that’s meant for you

Well, they say there are plenty more fish in the sea
Though I don’t think they mean that literally
And while I can’t seem to stop the overfishing
I always can be careful what I’m wishing

‘Cause if I can’t be linked then I’ll be free
If I can’t have you there’s another three
And if I can’t have them then I’ll have me
And you’ll be very sad.
But you can deal with that:
Just find another lad.

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