Posts Tagged comedy
Recently I had the honour of being a fan juror for the Logan Whitehurst Memorial Awards for Excellence in Comedy Music (Logan Awards for short.) It was great to finally have an important reason to listen to comedy music for several full days, and a response to the eye-rolling of my friends when I mentioned yet another funny song, although deciding which songs to vote for was pretty tough. As a juror I had to listen to or watch all the songs and music videos nominated by the general public, and choose my favourite five nominees in each category. I can’t tell you which ones I voted for, but the finalists (chosen based on the votes of all the jurors, with ties broken by Dr. Demento) have been announced. Since the page on the Logan Awards site doesn’t link to the songs in question, I thought I’d link to them here. In alphabetical order:
Outstanding Parody Song
- The Boobles — Have Natural Es (a parody of The Beatles’ ‘Act Naturally‘)
- Carrie Dahlby feat. Wyngarde — Almost Parent Time (a parody of Mike Reno and Ann Wilson’s ‘Almost Paradise‘)
- Devo Spice (feat. Power Salad) — Snack Bar (a parody of Macklemore’s ‘Thrift Shop‘)
- Kyle Kallgren & Tony Goldmark — Kill the Mouse (a parody of ‘The Mob Song‘ from Disney’s Beauty and the Beast. You might also like to see the video in which it appeared, though that was irrelevant to the judging in this category)
- ‘Weird Al’ Yankovic — Word Crimes (a parody of Robin Thicke’s ‘Blurred Lines‘)
Outstanding Original Comedy Song
- the great Luke Ski — Fake Adult
- Mikey Mason — Last Day at Work
- Mikey Mason — Settle
- Power Salad — Amazon Drone
- Worm Quartet — Fueled by Angst
Outstanding Comedy Music Video
- CBS Follies — Bitch in Business
- Epic Rap Battles of History — Sir Isaac Newton vs. Bill Nye
- Rhett and Link — I’m on Vacation
- ‘Weird Al’ Yankovic — Tacky
- ‘Weird Al’ Yankovic — Word Crimes
Here’s a YouTube playlist of the music video finalists:
The winners will be announced at FuMPFest on 5—7 June in Wheeling, Illinois. If you like funny music and are anywhere near there, I recommend going; it sounds like great fun. Many comedy musicians will be there, including guests of honour The Arrogant Worms. I saw some of the same performers and fans at the MarsCon 2014 dementia track, and it was a blast.
I’d like to give the other nominees a bit of publicity, but it’s difficult to do that without people making inferences about my votes, so here is a YouTube playlist of all the videos nominated in open nominations for the ‘Outstanding Comedy Music Video’ category, sorted in ascending order of views because the ones with the fewest views need the publicity more.
If you’re a Paul and Storm fan, you might be wondering why no songs from their 2014 album Ball Pit are in the finals. Some of their songs were nominated in the open nominations, but they became ineligible for the award when Paul Sabourin joined the jury. In honour of Paul’s noble sacrifice, I present to you a nominated video of this song of theirs which would have made the judging harder for me, if only because of all the freeze-framing to see the details:
If you’d like to hear more comedy music, consider subscribing to The FuMP podcasts, where you can get several comedy songs a week for free. You can find even more funny music on the Mad Music Archive, the Dr. Demento Show, or Songs About Science & Math. Also, check out the Logan Whitehurst website to find out about the awards’ namesake and buy his music.
Remember that poem I wrote about heart-drive based music players, which I said I imagined as a rap? Well, here’s a recording of me ‘rapping’ it (now with new cover art.)
I wore my MC Frontalot glasses while recording it in case they would imbue me with talent. It’s probably still terrible, but I don’t care if you laugh at me or with me, as long as you laugh.
According to The Burning Hell, apart from all the rabbit, chicken, worm or artificial hearts, inside every one of us there also beats the hearts of a mother, a father, a trapper, a cult leader, a comedian, and an amateur rapper. The hearts of a mother and father in me went into cardiac arrest when they saw what parenthood was like (to quote the same song again, where would I find the time to build my compound, my comedy career, my empire of rhyme?) but maybe the hearts of a trapper, cult leader, comedian and amateur rapper still beat in me. In fact, they’re probably quite easy to beat.
It’s pretty light on instrumental stuff, because every time I tried to add something I realised that I’m not very good at making things line up with beats properly, and I was probably making things worse. This is a clear sign that I am a half-assed rapper and should stick to normal poetry, but I’m not going to cudgel my brains about it. Edit, one day later: You know what? I bet you could do better than I could. Here, have a remix kit consisting of all of the parts not already linked from this post or easy to find on the internet, plus a different version of ‘Copy Protected!’. Most of the backing tracks I did use are there more for pun value than anything else: some heart beats, the omnichord track (cheesy panning added by me) and artificial heartbeat sampler track from Jonathan Coulton’s Artificial Heart, the start of Worm Quartet’s I Want To Be Taken Seriously As An Artist (when I start talking about worms) and of course, Devo Spice’s Earworm at the end. My robot choir sang the ‘copy protected!’ part in the Trinoids voice. I would apologise to the artists whose sounds I used in this monstrosity, but when you release music under a Creative Commons license, you have to be prepared to face the consequences. This is also my second song-like-thing in a row containing a Wilhelm scream. Perhaps I should include one in every song; my terrible music screams, so you don’t have to! If Possible Oscar can include Wilhelm screams in songs, so can I.
Am I being too self-deprecating? The ad at the beginning just happened to come out at 30 seconds, which I think is a standard length for an ad, so that was nice. Also, I quite like the ending; the intro of that song happens to loop quite nicely at the right length for my words. I hope you get it stuck in your head.
I set the artist name to Angelastic, because rappers never seem to go by their real names, and the song is quite gelastic. I’ll probably submit it to The FuMP sideshow, because I’ve always wanted to submit something to that, but it was difficult because I don’t normally sing when people can hear me, and most of what my robot choir has sung so far isn’t really suitable. Edit: I submitted it.
One thing I discovered while recording this was that I have great difficulty pronouncing the word ‘earthworm’ quickly without making some kind of weird flap or trill sound between the r and the th. That’ll teach me for pitying the unpronounced r’s enough as a kid to adopt a rhotic accent.