Posts Tagged poem
The Old Dopamine Peddler
Posted by Angela Brett in NaPoWriMo on April 3, 2014
This is inspired by what Hank Green said about picking the right addiction just after singing about Tetris on JoCo Cruise Crazy 4. Appropriately, it can be sung to the Tetris tune (a.k.a. Korobeiniki, meaning Peddlers) though it is modeled more closely on Kobi LaCroix’s ‘The Peddler: A Half-Assed Translation’ than on any other version.
Open your mind and I know you will find that its system’s designed for times of rest.
You must know there are places you go when the throes of adulthood get you stressed.
Tics of our mental relief, incrementally pouring cement in between life’s bricks.
Kicks you spurn, they protect you from burnout, without them we’d turn out lunatics.
Drugs, TV or Tetris fun.
Learn, create, or get this done.
When willpower fails you, addiction assails you, and sometimes it ails you but there’s a way
to decide which addiction will guide you; when will won’t provide, you have a say.
Low-power moments with something to show for them, that’s how a grown-up can function well.
Something easy that won’t just delete, so it slowly accretes your world’s oyster shell.
Flappy Bird will do you wrong.
Add more words to parody song.
Not films of Fluffy, watch How To Make Stuff, and make making the puff you’re addicted to.
When at rest, read of skills that impressed, and you will find the best are afflicted too.
New bricks are falling; you can’t fit it all in; you may drop the ball into yawning gaps.
Do it too much, you won’t get to do much, but don’t over-rue such a paltry lapse.
Climb this twelve-step staircase to
time that will no longer waste you.
Post a creation of procrastination, you’ll find validation to keep you keen.
Reinforce, don’t forget to be awesome, endorse with the force of dopamine.
(Reinforce, don’t forget to be awesome, of course that’s endorsed by the brothers Green.)
A Guide to Understanding the Redefinition of the Sonnet
Posted by Angela Brett in NaPoWriMo on April 1, 2014
The sonnet is a noble little song,
that rambles with loquaciousness of yore.
In times of Twitter, quatrains are hardcore;
an octave and a sestet’s just so long!
And so decree the OED: So long!
The fourteen lines expected heretofore
will henceforth shrink by one per year or more.
TL;DR: yo, Shakes, ur doin’ it wrong!
Like tweets, the turn seems rash and vain and fast,
but nobody would dare to redefine
if all existing verse would break the rule.
So here’s the sanctioned way to fix the past:
just never read beyond the thirteenth line.
(Unless, of course, you’re not an April Fool.)
Ten Minutes A Day (Live on JoCo Cruise Crazy)
Posted by Angela Brett in Holiday Highlights on March 29, 2014
I recited a revised version of Ten Minutes a Day at the JoCo Cruise Crazy 4 open mic, because it’s about how to start doing the things you’re passionate about when you’re not in a position to literally quit your job like all these JoCo cruisers did. I introduced it with some quotes from John Hodgman from this video, which can be seen with more context in the JoCo Cruise Crazy 2 Q&A.
Here are the words I intended to say:
Ten minutes a day:
that’s all you need
to realise your dreams —
not as hard as it seems!
Ten minutes can always be freed.
Ten minutes a day,
a sixth of a clock,
to keep up your writing,
the forced march providing
the force to march through writers’ block.
Ten minutes a day
can’t be denied,
to read through your bookshelf
and castle your rook self,
with culture of kings by your side.
Ten minutes a day,
one day at a time.
To inch past the worst of it,
combat inertia that
nothing excuses, must try if it uses just
ten minutes a day.
Don’t you forget
to learn a new language:
word spread, grammar sandwich.
Ten minutes to keep your tongue wet.
Ten minutes a day,
not big amounts,
to work on your fitness;
don’t tire yourself witless,
but even a small workout counts.
Ten minutes a day,
on or offline
to maintain your friendships;
accept rain, and send drips,
as long as it’s something, it’s fine.
Ten minutes a day —
find it somehow!
Deny social network fun;
finally get work done.
You’ve got all these things to make, it’s really not hard to take
ten minutes a day.
That’s all you do.
To try meditation —
it’s self-re-creation!
You have to take some time for you!
Ten minutes a day;
it doesn’t take long
to tidy a tight space,
put junk in the right place,
and live with things where they belong.
Ten minutes a day;
put down those chores
to teach well your baby;
remember that maybe
its life will be bigger than yours.
Ten minutes a day?
I can do that!
Grab life while I’m alive!
Did all the things, and I’ve
got what I’m leaping for now,
and I’m sleeping for
ten minutes a day.
That’s all I need. [yawn]
Night dreams are boring,
my real dreams are [sound of snoring]
The main change since the last version of this poem is that I replaced ‘if you’ve spread spores’ with ‘put down those chores’ and moved that stanza nearer the conflicting advice to tidy up, because in the end it’s all about conflicting advice. The ‘spores’ line always seemed like grhyme scraped off the bottom of a barrel anyway. Also, people might take offense at my likening parents to fungi (not that there’s anything wrong with fungi), and if they’re going to take offense at my views on reproduction, I’d rather they react to The Family Tradition.
I’d recited an earlier version of this at an open mic in Geneva, which went well: my stated goal for that performance was to make the audience yawn, and I succeeded. But I was nervous that people would think it was over when it wasn’t, so I started the last few lines while people were still laughing too loudly about the previous ones to hear me. It’s a good problem to have, I guess. So my goal on the cruise, aside from getting all the words right (I got six words wrong, but they weren’t the most important ones, and I don’t remember whether ‘sleep dreams’ instead of ‘night dreams’ was a mistake or a premeditated improvement) not hesitating or rushing too much, and not dropping entire lines or displaying as much high rising terminal as I did at the last JCCC open mic, was to wait until the laughter died down before continuing with the last few lines. I succeeded! Achievement unlocked: elementary stagecraft.
My dictionary says that ‘stagecraft’ doesn’t mean what I thought it meant, but I’m sticking with it because ‘stagecraft’ is only two letters away from ‘spacecraft’. It’s a pretty cool thing to have. On the subject of spacecraft, I highly recommend seeing Atlantis on display at Kennedy Space Center; the way they show it to you is great. I’ll put up my video of it later.
While practising the poem, I got pretty self-conscious about the corny/overwrought rhymes, and wondered whether it was worth wading through them to get to the laugh line. Oh well: stagecraft! Jack Conte from Pomplamoose was hosting the open mic, and I think he is made of stagecraft. Hank Green was also hosting, but he made it pretty clear that he is made mostly of quarks. Hank Green, we’re not so different, you and I.
A few people who heard this poem at open mic have told me they were inspired by it, and are making progress on various projects because of it, and that’s great. But when I wrote this it was out of frustration with the idea. It always takes more than ten minutes, and there are always other things to do in the day, and if I try to do more than a few of these ‘ten minute’ things there isn’t enough time for sleep. Maybe I need to be stricter about stopping when the time’s up no matter whether I feel like doing more or am still waiting for my nearly-five-year-old Mac Ayu to let me start. I put in the ‘teach well your baby’ stanza almost as a joke, because I’m amazed that people with children have time and energy to do anything else at all, and yet they are told to spend just that wafer-thin amount of extra time doing each of several conflicting things to raise their children better, as well as all the other things. If you really only have ten minutes a day for a child, consider spending them on contraception.
The spontaneous Mr. Creosote reference in the last paragraph made me think of this extra stanza:
Ten minutes a day:
it’s just wafer-thin!
To add to your total,
create, Creosotal!
Conserve it, but don’t hold it in.
Which is kind of gross and kind of negative, but if you have something you want to create, and you just spew out whatever you can in ten minutes, it’s better than forgetting about it or using up mental energy fretting about forgetting it. If time is your nemesis, fight it with emesis.
I’ll leave you with the much prettier words of Jonathan Coulton and Hank Green: There isn’t time and space to do it all, so pick the right addiction.
When the Posters Become the Post-It
Posted by Angela Brett in Adventures in Affluent Homelessness on November 17, 2013
You rent a room by the week.
You want to make it unique.
How do you make it ‘home’ when changes won’t fly?
Non-permanently! Non-permanently! Non-permanent-L-Y.
(to be sung to the tune of ‘L-Y‘ by Tom Lehrer)
In my continuing quest to get to visit and eventually rent an apartment in Wiener-Neustadt without being sufficiently good at speaking German on the telephone, I am currently in a short-term apartment in a building that is under construction. I actually pay by the month rather than by the week, but… well, my poetic license is in storage in Geneva at the moment [as is my heart], but I assure you I have one. Anyway, in my continuing quest to forget that I’m somewhat homeless in a town with terrible public transport, a couple of weeks ago I travelled around Europe visiting friends and going to concerts by Marian Call and Scott Barkan (who have one more show in London today, which still has room for you) and Bettens (whose tour is over for now.) It was most excellent; I saw Marian at house concerts in Amsterdam and Rotterdam, and also at CERN and my favourite venue on land (not counting places such as CERN which derive most of their awesomeness from things other than being music venues) in Trogen.
For the sake of making the temporary home look more like a home and less like temporary, I planned to pick up some posters that I’d got for free from the esa tent at the CERN open days and left with a friend in Geneva. Unfortunately they only made it halfway back before I accidentally left them in a train station. But no matter! The Marian Call tour is part of her postcard tour, so at each of the concerts I picked up a postcard from a stranger at a previous concert, and wrote one to a different stranger. Since I know many of her fans from JoCo Cruise Crazy, at least one of them wasn’t even from a stranger, and I know that one of the postcards I wrote went to someone I know as well. It’s pretty neat receiving postcards from friends when you don’t have a mailing address. I also had some esa postcards (some of which I donated to the postcard tour) which I got from the same place as the posters.
Back in Wiener-Neustadt, I bought some poster strips to stick the postcards on the walls, and, on impulse, some felts and some Post-It notes of various shapes and colours. When I got home-ish I made this poem on the wall next to my pillow, using the words on two of the postcards and the shapes of the Post-Its:
In case you’re not sure which bits to read, or have trouble reading the small text, it goes like this:
Good morning, Moon,
wake up⇧
The clouds will soon
break up⇧
Take heart♥ from
mottled sky⛅
it’s there➮ you’ve
got to fly.
[spaceship drawn in the style of Marian Call]🚀
The next day I got to thinking about how I should do certain things as often as possible, such as attempt to contact someone about an apartment, write something, or look for a job in a city where I could more easily get an apartment. I could show my progress on this with Post-Its too; an arrow for each thing I should do, pointed down if I still need to do it, and up if I’ve done it. When all the arrows were pointing up, I’d add a heart and then turn them back down again. Eventually I’d have a life bar of all the hearts I’d earned, and also probably an apartment and a billion-dollar book deal I could work on from home. Sounds encouraging, right? But then I figured out how to cheat:
So much for that.
Still in the video game spirit, the next night I made this level of some kind of platformer:
with Le Petit Prince on a rocket-powered asteroid as the protagonist:
If you’re wondering why there are craters on the asteroid, it’s because that’s no asteroid; it’s a Moon space station. I originally just wanted some kind of round character on the arrow, something that wouldn’t need to change if you turned the arrow in a different direction to make it go right or jump. I decided on the Moon, since we already said good morning to it in the original Post-It poem. Of course, the Moon needed a rocket or it’d just orbit. In any case those had better be some pretty thick clouds to hold it up. So I added the rocket, but then it just looked like a ball with a rocket attached. I added craters, and it looked like a ball with circles on it and a rocket attached. Finally I realised the only way to make it look like a celestial body was to put a little prince on it. I think I’ve only read snippets of that story, but I promise I will read the whole thing soon.
The goal in this level is to collect the hearts and reach the exit. The ‘EXIT (TO SPACE)’ heart is over the place you have to push to open the wardrobe door.
The door goes to space.
Space is full of wondrous things.

Space and time are part of the same continuum, so space contains several scenes and characters from the xkcd Time comic.
Space is a place of great serenity, and not-so-great drawings of Serenity. Space makes you realise just how small our world really is. Space is watching you. 
You are watching space.
Space will have more things in it just as soon as I get around to launching them. In the mean time, make up your own stories about what might happen if the assorted spaceships or asteroids or planets meet, and who might live on the lower planet, and what Rosetta has seen from the observatory.
Eight of Hearts: Ten Minutes a Day
Posted by Angela Brett in Alcatraz Rules and Regulations, Writing Cards and Letters on May 26, 2013
Ten minutes a day,
that’s all you need
to realise your dreams —
not as hard as it seems.
Ten minutes can always be freed.
Ten minutes a day,
a sixth of a clock,
to keep up your writing,
its forced march providing
a force to march through writer’s block.
Ten minutes a day
can’t be denied,
to read through your bookshelf
and castle your rook self
with culture of kings by your side.
Ten minutes a day,
one day at a time,
to inch past the worst of it,
combat inertia that
nothing excuses; must try if it uses just
ten minutes a day,
don’t you forget,
to learn a new language:
word spread, grammar sandwich.
Ten minutes to keep your tongue wet.
Ten minutes a day
(if you’ve spread spores)
to teach well your baby;
remember that maybe
its life will be bigger than yours.
Ten minutes a day,
on- or offline,
to maintain your friendships,
accept rain and send drips;
as long as it’s something it’s fine.
Ten minutes a day —
find it somehow.
Forego social network fun,
finally get work done.
You’ve got all these things to make, it’s really not hard to take
ten minutes a day.
That’s all you do
to try meditation
and self re-creation;
you have to take some time for you.
Ten minutes a day —
it doesn’t take long
to tidy a tight space,
put junk in the right place;
and live with things where they belong.
Ten minutes a day,
not big amounts
to work on your fitness;
don’t tire yourself witless,
but even a small workout counts.
Ten minutes a day?
I can do that!
Grab life while I’m alive,
did all the things and I’ve
got what I’m leaping for now, and I’m sleeping for
ten minutes a day.
That’s all I need. [yawn]
Night dreams are boring;
my real dreams are [sound of snoring]
[snoring continues]
This is another one of those poems which has a tune in my head, and I had a hard time reading it without the tune to see if there were any lapses in rhythm the tune was forgiving. I fear I this may have caused me to write a terrible song and mediocre poem instead of a good poem. But I like it anyway. I might have to make a robot choir recording of it. It even has guitar bits after the second line of each stanza, which will be a fun challenge to record using only my MIDI keyboard and my vague suspicion that things called chords are involved.
I’ve been thinking about this one for several weeks, every so often adding something to the list of things that people say we should spend some negligible and underestimated amount of time on every day. It wasn’t really inspired by that card, and I still haven’t even tidied up my cards since the cruise. On the subject of the cruise, and people telling us to write every day, here’s my video recording of the live episode of the Nerdist Writers Panel recorded on JoCo Cruise Crazy 3.
It might be nice if I changed ‘ten minutes’ to either ‘five minutes’ or ‘one hour’ (‘hour’ pronounced as two syllables) so that I could arrange the first twelve stanzas around a clock and put the last one somewhere where there isn’t time for it, but I prefer the sound of ‘ten minutes’. I was thinking of making it zigzag across the page, three stanzas wide, but that would be pretty gratuitous.
I can consistently introduce and read this one in under three minutes, so I might read or recite it at the poetry open mic at ICV Arcade on the 31st. Let’s see if I can memorise it. My goal will be to make the audience yawn, and with that as a goal I don’t think it’s possible to fail. I bet you’re yawning already, so I’ll stop this now.
Addendum:
I changed some of the words. It originally went:
to try social network fun,
or you could get work done.
but who ever advises people to use social networks more? Apart from to maintain your friendships, of course, but conflicting interests is what this poem is about. Also, I used to have ‘for’ instead of ‘but’ about the small workout counting. I’m thinking about ‘a’ to ‘the’ in the fourth line of the second stanza.
Further Addendum: I recited this at open mic, and lots of people said they liked it, and I wish I could have said the same to the other poets there but I am not good enough at absorbing poetry and memorising faces and attaching the two all at the same time. I have some ideas for illustrations which could turn this poem into a small picture book or large comic strip for people who are told they’re too old for Dr. Seuss, and maybe aren’t yet old enough to realise they’re not. It would also be used for a halfhearted slide-show-style music video when I eventually teach my robot choir to sing this. I’m not sure whether I should attempt to draw it myself using stick figures, or commission someone else to do it. I’m starting to think it would be fun to have merch to shill, even if it the profit would be inevitably approaching zero from one side or the other. I have a day job so I can do that if I want. I enjoyed the ego boost when the occasional person would buy my shareware in the late 90s, and I still have the T-shirts and most of the cheques (the payments were processed by a US company, so they actually used cheques, even though it was almost the 21st Century.) But I won’t start on any of that until I’ve finished the King of Hearts.
Synaesthete’s Blues, Immersive Edition
Posted by Angela Brett in Publishing on May 19, 2013
On Thursday I was thinking about interesting things I could do if I made a book of some of my writing and typeset it myself, and one of the things I thought of was running Synaesthete’s Blues (a poem about discovering my ‘S’ fridge magnet was blue, when according to my grapheme → colour synaesthesia it should be orange) through Synaesthetist (an app I wrote to display text in a given synaesthetist’s colours) so that it would be displayed in my colours. This would annoy other grapheme → colour synaesthetes in exactly the manner described in the poem (since their colours are almost certainly different from mine) and would probably be jarring for non-synaesthetes too.
If I did make such a book, it would probably be very expensive and time-consuming to produce, so for now, I will just put a coloured version of Synaesthete’s Blues here. The letters are coloured with the colours I associate with them, and outlined with the colour of the first letter of the word they’re in, because the first letter of a word tends to dominate, and the outline makes it clearer what’s going on and easier to read than simply mixing the colours would — see the post about Synaesthetist for more about that. It’s in bold text, which means the outline is thinner than usual relative to the letters, and makes its effect less true to how I see the words, but it makes the text easier to read, and should make it easier for you to see the colours of the individual letters without them being so dominated by the first letters. The title, URL and my name at the bottom are all done by blending the first letter’s colour in with the others in a fraction that looks just right to me.
Coincidentally, Friday’s xkcd comic was about grapheme → colour synaesthesia. Neat as a tree. In case you’re wondering, I couldn’t see either big number (though they are there.) I have to look at a few graphemes at a time to get colours from them; I can’t see a colour picture just by glancing at it.
A couple of dictionaries tell me that ‘immersive’ applies to electronics which engage several senses apart from sound and vision, whereas ‘immersion’ does have the meaning I’m after but isn’t an adjective. I’m going to stick with calling this immersive until I think of a better idea. You’re immersed (but not embedded) in synaesthesia and the frustration of seeing graphemes in the wrong colours.
Haiku Detector Update
Posted by Angela Brett in Haiku Detector on April 27, 2013
On Monday I posted a quick-and-dirty Haiku Detector Mac application I’d written which finds haiku (in terms of syllable counts and line breaks, not aesthetics) in any given text. Since then I’ve made it less dirty and maybe more quick. It now shows progress when it’s busy looking for haiku in a long text, and gives you a count of the sentences it looked at and the haiku it found. You can also copy all the haiku (Copy All Haiku in the Edit menu) or save them to a file (Save in the File menu.) Here’s where you can download the new version, which should still work on Mac OS X 10.6 and later. And here are a few more haiku I’ve found with it.
There’s only one (not counting a by-line) in the feature articles of the April 27 edition of New Scientist:
Inside a cosy
new gut the eggs hatch and the
cycle continues.
From Flatland: a romance of many dimensions, by Edwin Abbott Abbott:
On the reply to
this question I am ready
to stake everything.“I come,” said he, “to
proclaim that there is a land
of Three Dimensions.”Man, woman, child, thing—
each as a Point to the eye
of a Linelander.This was the Climax,
the Paradise, of my strange
eventful History.
Here are a few more from Flatland which I’m editing this post to add, since I liked them more on the second reading:
Let us begin by
casting back a glance at the
region whence you came.Therefore, pray have done
with this trifling, and let us
return to business.Even if I were
a baby, I could not be
so absurd as that.
From Last Chance to See, by Douglas Adams and Mark Carwardine, which I somehow ended up with a text file of many years ago and eventually got a book of:
I’ve been here for five
days and I’m still waiting for
something to go right.We each went off to
our respective rooms and sat
in our separate heaps.They’re nocturnal birds
and therefore very hard to
find during the day.It looked like a great
horn-plated tin opener
welded to its face.We keep searching for
more females, but we doubt if
there are any more.The very laws of
physics are telling you how
far you are from home.Foreigners are not
allowed to drive in China,
and you can see why.`Just the one left,’ she
said, putting it down on the
ground in front of her.Yet it was hunted
to extinction in little
more than fifty years.And conservation
is very much in tune with
our own survival.
And here’s my own haiku about a particularly amusing passage in that book:
Here Douglas Adams
trudges through his anagram:
Sago mud salad.
Charles Darwin’s most popular work, The Formation of Vegetable Mould Through the Action of Worms with Observations on their Habits, only contained 12 mostly-lacklustre haiku, but I like to think this one is a metaphor:
Worms do not always
eject their castings on the
surface of the ground.
Something about lack of worm castings being only skin-deep.
But most of these don’t mention nature or seasons, as haiku should. So here are some from Sylva, or A Discourse of Forest Trees:
Dieu, and thence rode to
Blois and on to Tours, where he
stayed till the autumn.How graphic, and how
refreshing, is the pithy
point thus neatly scored—
Meteorology, or Weather Explained, by J.G. M’Pherson contains some very poetic-sounding unintentional haiku:
“It’ll pe aither
ferry wat, or mohr rain”—a
poor consolation!“Beware of rain” when
the sheep are restive, rubbing
themselves on tree stumps.The brilliant flame, as
well as the smoky flame, is
a fog-producer.Till ten o’clock the
sun was not seen, and there was
no blue in the sky.But, strange to say, there
is a healing virtue in
breathing different air.There is much pleasure
in verifying such an
interesting problem.
Unfortunately, there are no haiku in Dijkstra’s ‘Go To Statement Considered Harmful‘.
The app still uses a lot of memory if you process a novel or two, and may have trouble saving files in that case; It looks like it’s a bug in the speech synthesis library (or my use of it) or simply a caching strategy that doesn’t work well when the library is used in this rather unusual and intensive way. Anyway, if you ever try to save a file and the Save dialog doesn’t appear, try copying instead, and relaunch the program.
Next I think I’ll experiment with finding the best haiku based on the parts of speech at the ends of lines. But first, I’d better start working on the thing I’ve plan to do for the six of hearts.
If you’ve found any nice unintentional haiku, or if you can’t run Haiku Detector yourself but have ideas for freely-available texts it could be run on, let me know in the comments.
Four of Hearts: Nucleosynthesis (rapidly processed)
Posted by Angela Brett in Periodic Table, Writing Cards and Letters on April 14, 2013
Oft upon a spacetime,
a red star gets the blues
and puffs up like a superstar
with nothing left to fuse.
Pushing hot and heavy,
it finds its stellar rise
affords a new and rapid way
to nucleosynthesise.
Squirts new heavy ions
to interstellar dust
then collapses in and pulls some back
and into stellar crust.
Newly Lilliputian,
compressed by weight of all
our star invites its nearest friends
to join the neutron ball.
Millimetre mountains
on kilometres-round
neutron star where mass of more
than one Earth Sun is bound.
Heart a seething chaos,
skin so smooth and hard,
beneath the skin, too densely packed
to tell each piece apart.
Love-crossed star starts dancing
with friend who heard the call:
another star-crossed lover,
another neutron ball.
They pull each other closer,
spin fast, and by and by,
they kiss in bursts of gamma rays
and heavy nuclei.
Once upon a planet
of star-fused chemistry
some humans sought to learn of how
their atoms came to be:
Made their own large nuclides
used traps to measure mass,
then calculated where they’d fit
in star’s electron gas.
Nuclides so unstable
they fall apart on Earth,
at pressure, they survive in dead
star hotbed’s upper berth:
Isotopes of nickel,
and lots of iron too,
zinc-80 (deeper than we thought)
But no zinc-82.
Once upon a line graph,
those data points could show,
a hint of where and when and how
big elements may grow.
Is it supernovas,
or casanovas’ kiss?
Is it neither? Some of both?
And what else did we miss?
Probed big atoms’ origins,
but all their parents knew:
My daughter works in science labs;
don’t ask me what they do!
Tried to tell the physicists
but all that students knew:
zinc-80 (deeper than they thought)
and no zinc-82.
This is my understanding (as a mere mathematician/code monkey) of the cover story of this month’s CERN Courier. I picked up a copy on Friday evening on the way out of work, and decided I could interview people I know in ISOLDE and write an article about it in 400 words or fewer in order to apply for an editorial trainee scheme at New Scientist magazine, since applications weren’t due until Monday and I needed a writing project for the weekend anyway. Once I’d read the article and enough supporting material to understand it, I realised I probably wouldn’t end up writing the article. I wasn’t sure I really understood the significance of it, I didn’t have access to the original paper from home, and what’s more, the result was a month and a half old, which is far too old, according to New Scientist’s freelancing guidelines. It might work for getting an internship at Old Scientist, but I probably wouldn’t like that because I’m the editor-in-chief at Old Scientist and I’d probably treat my interns poorly.
Anyhow, I decided I’d just appoint myself New Scientist’s, or maybe the CERN Courier’s, unofficial contributing troubadour, and write poems about their feature articles. If Popular Science can have a contributing troubadour, so can New Scientist. So, certain I couldn’t adequately explain ISOLTRAP’s result in 400 words or fewer, I set about writing a poem about it, which came out at 302 words. I tackled it rather longitudinally though; it doesn’t go much into the specifics (or even mention the r-process or ISOLTRAP by name) and occasionally I may sacrifice clarity for rhythm or puns, but I tried to give all the context needed to have some kind of understanding of the final result. This article is probably easier to understand than the CERN Courier one. One of the many interesting things I learnt while researching this is that stars actually get the blues before going supernova.
Two of Hearts: Spazzing Out
Posted by Angela Brett in Lingo Pix, Writing Cards and Letters on March 23, 2013
I shiver with excitement at the coolness of the snow,
while flailing in delight at how the flakes float to and fro.
They say I shake for heating but my body seems to know
the fervor brought by white-on-white of sky and fractal tree,
and tenses itself tight on sight of all that’s cool to me.
My muscles are excited all the time, and so am I,
for music and for science and for humor and for pi[e].
They say my motor cortex might be part the reason why,
that these days they can thwart excitement through rhizotomy,
but when’s the spazzing fangirl vim and when’s it not o’ me?
In summary, my muscles have a tendency to spasm;
it seems to me those muscles can’t contain enthusiasm.
While technically I’m spastic I can say without sarcasm:
it feels like life’s fantastic and my body’s full of squee
so let your hair down (don’t relax) and come spaz out with me!
I am a raging fangirl (of improbably many people and things) with cerebral palsy spastic diplegia, and this is what it feels like. My other superhero secret identity is Hyper Spaz.
I came up with the idea for this several months ago, upon realising that my body was just as full of squee as my mind, though it was going to be a song, with an entirely different structure. I came up with the line ‘My muscles are excited all the time, and so am I’ about three weeks ago and decided to actually write it, with that as the first line, but I’ve just been too busy doing other things (including uploading videos of Jonathan Coulton, Paul and Storm, Mike Phirman, John Roderick, Zoë Keating, John Hodgman and some quitters from JoCo Cruise Crazy 3) and I didn’t spend very much time on it. So here it is, finally. It has an interesting rhyme scheme which I feel like drawing a diagram and investigating the topology of, but I think I’ll save that for later. During those three weeks I happened to find out about selective dorsal rhizotomy, which seems like a pretty neat procedure, though I wonder whether it would have an effect on the young patients’ eventual personalities.
This is the easy part of Thing-A-Week-or-so where the writer’s unblocked and the ideas flow faster than the cards that are supposed to inspire them and the time I have to implement them. I still haven’t put away all the aces of hearts and kings of clubs I got out before the cruise yet, let alone looked through all the twos of hearts, so I just used the first two of hearts I found with a tenuous connection to the topic. I’m glad I’m not a vegetable; I’ve heard their screams.
Jack of Clubs: Don’t slip on the ice
Posted by Angela Brett in 52 ways to say I love you, Writing Cards and Letters on January 27, 2013
Don’t trip on the ice; the pain ain’t numbed because it’s colder.
Find somewhere cosier to dislocate your shoulder.
Trip up on a chair, trip down flights of stairs, trip over a rug.
Don’t trip on the ice but trip on a safe and legal drug.
Don’t fall on the ice; they won’t believe you when it’s melted.
There are more likely ways to end up bruised and welted.
Fall from peaceful bird strike when your plane’s hit by a dove.
Don’t fall on the ice, that’s not very nice, but fall in love.
For you can live with broken bones, but not a broken heart,
and if your heart is ice then you are dead right from the start.
So break yourself in ice-free ways and when you can’t run free,
leave your bones in my safe cage, and leave your heart to me.
Don’t slip on the ice; your body slows down the Zamboni.
If you must lie still, be a hurdle for a pony.
Slip to fill holes in roads, get hurt in a loads-more-useful way.
Don’t slip on the ice but slip on a sweet wee negligee.
Don’t drop through the ice; you’ll wreck the lake-top’s smooth complexion.
Break your own skin to manifest your imperfection.
Drop out of the game, drop into a flame, drop dead flambé.
Don’t drop through the ice, drop into my life, warm me today.
For you can live with broken bones, but not a broken heart,
and if your heart is ice then you are dead right from the start.
So break yourself in ice-free ways and when you can’t run free,
leave your bones in my safe cage, and leave your heart to me.
Don’t trip on the ice but trip on a safe and legal drug
Don’t fall on the ice, that’s not very nice, but fall in love
Don’t slip on the ice but slip on a sweet wee negligee,
Don’t drop through the ice, drop into my life, warm me today.










