Ace of Diamonds: Swan Song (or: The Listeners)
Posted by Angela Brett in Wasservögel, Writing Cards and Letters on March 22, 2009
“I need to relax,” said Bob to the boy behind the counter. He couldn’t have been older than than eighteen, but Bob was almost taken in by his efforts to appear more world-weary than Bob was. Spiked black hair, pale face, make-up embellishing a permanent scowl. He removed one of his earphones.
“Huh?”
“I need some music to help me relax. Can you recommend anything?”
“Nature sounds,” said the boy, twitching his scowl toward the back of the shop, and replacing the earphone.
“Thanks,” Bob replied, already heading in the direction indicated.
He flipped through the CDs. Whalesong, birdsong, swansong… that seemed interesting. He took the swansong CD back to the counter. The boy raised an eyebrow.
Not sure how to interpret the gesture, Bob asked, “It’s relaxing, isn’t it?”
“Given a lot of people peace, yeah.” The boy gave a chortle just short enough to avoid looking happy.
Bob completed the purchase and went home, glad to finally have a weekend off. He made a cup of tea and put the CD in his computer to rip.
The moment he heard the first chord, his fingers slackened and dropped his tea into his lap. He ignored his scalded scrotum and listened intently. The music was beautiful beyond all physical pleasure or pain. The end of the piece gave him a deeper understanding of the expression la petite mort.
While he was still recovering, the next track began. Some were songs, some were instrumental, some were spoken word, some were animal sounds. All were astounding.
One, ‘Call of the Baiji’ was at the same time so joyous and so sorrowful that the opposing emotions flattened his soul into a single thread, a single thread taking its place in the centre of the universe, searching vainly for another. And before he could tie it to anything, it shrank away with the music, only to be rebuilt by the next track.
When the playback finished, Bob felt the acute pain of loss; a pain not just emotional, but physical. The renewed awareness of his burns was at first a welcome distraction from the pain of losing the music, but soon became an excruciating addition to it. He took painkillers and attempted some first aid, but the whole time he knew that he was only treating the smallest of his injuries. He needed to hear more swan song. He yanked some dry pants on and went back to the shop.
*
Bob almost collided with the music counter in his panicked run. “Hi,” he said, breathlessly.
“You want more?” said the boy.
“Yeah. Do you know where I can get some?”
“Come with me. I think I have some in the back.”
They entered a storage room at the back of the shop. Shelves of CDs and music equipment lined the walls. The boy riffled through a disordered box of CDs, pulling out not an album of swan song but a digital audio recorder.
“Do you sing?” he asked.
“Are you kidding me? I sound like a strangled labrador.”
The boy looked puzzled. “No you don’t. So what do you do? Write, play, dance…”
“Oh, I’m a computer programmer. But I write in my spare time, and I can… sort of almost play the ukulele.”
The boy put down his recorder and pressed a button.
“Tell me a story,” he said.
“What, now?”
“Yeah. You know that CD? I record them myself. I think you could be on the next one.”
“Oh, I don’t know… my writing’s not that good. I mean that stuff was…” Bob searched for words to describe his experience.
“Everyone has it in them. You just need the right circumstances.”
“The right…”
Bob was interrupted by the boy’s sudden movement, in which he deftly unsheathed a knife from his pocket and cut a gash in Bob’s shirt.
“Tell me a story.”
“You don’t mean… you don’t want… what do…” Bob blubbered. But the soulless gaze of the boy told him there was no point in arguing. He tried to think of a story idea.
His mind went blank. Every time he tried to advance he would hit that familiar invisible wall which his ideas were not sharp enough to push through.
The boy came closer, and held the knife teasingly against Bob’s sweating skin. Bob tried as hard as he could to remember what triggered those late night spurts of insistent inspiration. He found nothing, but kept pushing anyway.
As the knife pierced his skin, the wall smashed and let escape a thousand ideas; the ideas which he had rejected almost subconsciously before they had properly formed. His subconscious mind had nurtured these ideas into a thousand polished gems; he needed only pick the brightest. The light of inspiration chased away his fear, and he began to recite the story in a loud, confident voice.
His excitement over the story took over, and almost made him forget his situation. Despite his impatience to relate the brilliant ending, he somehow found the strength to continue telling the story at an even pace, with just the right amount of emotion in his voice, just the right pauses to enhance the drama. This was surely his finest work.
The buzz of revealing the final plot twist was so intense that he barely felt the knife plunging into his heart.
*
Bob nonchalantly fingered the bloodless hole in his chest. “Am I dead?” he asked the boy, pushing his index finger into the hole and probing the smooth, motionless chambers of his heart.
“You’re a listener now. Go listen.”
Bob understood. A world of swan song was his to liberate.
The boy took a digital audio recorder from the shelf and handed it to him. “We can trade recordings,” he said. “No need to waste’em.”
With that, he led Bob back into the shop, and went through the charade of selling Bob the recorder.
Bob went by his ex-wife’s house on the way home. He couldn’t remember why they had decided to have children, why he had taught his seven-year-old son to play ukulele. But the reason seemed obvious enough.
“Heya, Tam,” he said as she answered the door.
“Oh, hi, Bob. I wasn’t expecting you,” she said, adding awkwardly, “Is everything okay? You look ill.”
“I thought I’d take Jason out.”
Jason ran to the door, excited, but stopped and clung to his mother’s leg when he saw his father’s face.
“Mum, what’s wrong with Dad?”
Bob tried to remember how to smile. “Nothing’s wrong, Jase! Wanna come have ice cream? I’ll teach you another song on the uke.”
Jason perked up at this, and fetched his ukulele. He followed Bob to the car, looking back questioningly at his mother a few times.
Bob drove home, and led Jason into the living room.
“How about you play something for me?” he asked his son.
“Already? You said we’d have ice cream!”
“Sit there,” Bob said, gesturing to an armchair. He headed into the kitchen.
He came back a few seconds later and set up his recorder on the coffee table. “Play something.”
“What should I play? Do I get ice cream afterwards?”
“Just make something up. Do your best.”
“I don’t feel like playing!” Jason whimpered.
Bob stood behind Jason and put a hand on his shoulder. With his other hand, he held a carving knife at his son’s neck.
“Play.”
Jason hesitantly began to play. He took a while to find the right notes, but eventually found something he liked. He played it louder, and began to sing. It was a song about unmet expectations, a song about desire, but most of all, it was a song about ice cream. Bob could not remember the taste of ice cream, but he lapped up the emotions in the song. The song’s end was unbearable; slitting his son’s throat wasn’t.
Jason’s head lolled forward when Bob dropped it. There was no lust for swan song to keep it moving.
Bob’s appetite was stronger than ever. He headed back to the music store to exchange his recording.
*
“What is this rubbish? This stuff is weak. He can barely play.”
“It sounded great to me.”
“Maybe if you’re still a little warm in the liver. Real listeners won’t get any nourishment from this. There must’ve been ninety years left in him, squeezed out in these two minutes, but it’s useless if he hasn’t learnt what to do with it. This is waste heat.”
Bob soon began to understand what the boy meant. As his body threatened to decay, mediocre swan song no longer filled him the way it had. He became an expert at picking performers. Old enough to have the technical skill to express their talents, but not so old that the execution was hampered by an ageing body. Old enough to appreciate life, but not so old that there was not much left of it to lose.
Humans had more appealing swan songs than animals, but there was nothing more satisfying than hearing the swan song of the last of a species. It was not easy to send a species to extinction by himself, but Bob soon came to recognise the listeners threaded throughout society, manipulating humans into destroying habitats or directly killing key animals. It was a silent teamwork; each working selfishly towards the same goal.
He experimented with more visual swan songs, but found that the buzz from a fine painting was too concentrated in the short time after the piece was completed; a sharp peak of pleasure painfully piercing him, and leaving him even more desperate. Listeners were better off listening.
Eventually he could not obtain fresh swan song often enough to satisfy his cravings. He listened to other listeners’ recordings almost constantly. They were not quite as fulfilling as live death; even on video, many subtleties could not be captured. But they kept him going.
His appetite gradually outgrew the steady stream of swan song fed into his ears. It became more and more difficult to concentrate on the steps needed to record new material. After one session, he realised that he had neglected to stock up on recordings to listen to. He sped to the music store with his recorder, not even stopping to listen to the pedestrians he hit on the way.
*
“There’s nothing on here,” said the boy. Bob heard the recording he was listening to come to an end. He had no more.
“I recorded a successful blues guitarist.”
“There’s nothing on here. Did you press record?”
If he had had any of his own emotions left to feel, Bob would have been dismayed by his oversight. Instead, he answered tonelessly, “I need more. Lend me some until I get you a proper recording.”
The boy stared at him while his need for swan song accumulated.
“I have something,” he said. He brought a single CD from the storeroom.
Bob took it without comment, and raced home.
*
Bob fumbled as he put the CD into the slot. It was getting harder to fight the postmortem spasms. Finally he managed to press play, and he lay back in his armchair to enjoy his fix.
His own voice tickled him through his earphones. Muscles galvanised by the shock, he sat up straight and quivered at the opening lines.
The story faded into the background. He remembered feeling his heart pounding in his intact chest. He remembered feeling the cold knife on the cool skin of his still-warm body. He remembered breathing, and how hard he had had to fight to breathe slowly enough to speak. He remembered the fear, not evaporated but transformed into an intense enjoyment of his remaining minutes. He remembered the moment the last of his heart went into the story, and the moment the knife went into his heart.
After that there were no more moments, just time, in steady, emotionless motion. Only borrowed moments distinguished it from complete stop. He had become nothing more than a leaking human-shaped balloon, inflated with the fading remains of others’ lives. As the CD finished playing, he punctured his hollow being and slumped forward. His story was over.
It’s only Sunday evening in your imagination (and in my time zone)
Posted by Angela Brett in News on March 15, 2009
I had a full day of meetings at work today, so I doubt I’ll have a Thing published by midnight. Jonathan Coulton had a whole week without a day job to finish each of his Things, and I at least need a whole weekend to do mine. So I’ll probably publish it if and when I take some time off in lieu of today, or when it’s finished, whichever comes first.
‘Publish what?’ you don’t ask because you’re too busy reading this sentence. ‘You’ve already published a Thing for each of the 52 cards plus a joker! Go play, and eat cake, and celebrate, and sleep!’ your thoughts, fed by this blog post, continue. Well, I did say I’d publish another ace of diamonds, an original piece rather than a recording of an old one. And it wasn’t a lie. I’ve written 1276 words of it already. I might even finish it tonight, but I don’t feel obliged to, because I didn’t have a proper weekend, and, as you so rightly pointed out, I’ve already published more than 52 Things on-time and under-budget.
And after that second, bonus Thing, I will write another, for the second joker. And this is where you can participate. If you follow me on Twitter, you can send me one sentence by direct message, which will have some influence on the Joker. If you already follow me on Twitter and you don’t send me a sentence, one will be taken from you by force. You have been warned.
Ace of Diamonds: Fork and Tongs, the play
Posted by Angela Brett in 52 ways to say I love you, Writing Cards and Letters on March 9, 2009
No new writing this week, just a video and mp3 of my reading a love poem I wrote previously. What can I say? I was only following instructions. I chose this one because it’s more finished than the love poem I wrote last week, I’ve already read it for an audience, and I have all the props required.
I didn’t particularly want to put it on YouTube, since it’s my first video featuring me and I’m kind of self-conscious about it, but I couldn’t find a decent host for it elsewhere. So you’ll just have to suffer through it.
There might be a more novel ace of diamonds next week; one of the cards is perfect for a final Thing. In any case, there will be a second joker, and then this adventure will be over. It won’t be my last adventure, though. Among other things, I’ll probably continue making recordings of Things. Let me know if there are any Things in particular that you’d like recordings of, or any of the Things-with-tunes that you’d like to sing if I sent you the tune I had in mind. There are a few Things I don’t think my robot choir can do justice to. To make it easier for people to follow them, I’m setting up a podcast for them and any similar audio I might produce in the future. It’s not up yet due to various technical problems with the host I planned to use, but I hope to get it working eventually.
Two of Diamonds: Chemistry
Posted by Angela Brett in 52 ways to say I love you, Writing Cards and Letters on March 2, 2009
I’m really glad to meet ya,
you seem just right to me.
You’ve oestrogenic features,
and facial symmetry
and even just the scent of you’s
a whiff of possibility,
it shows without a centrifuge
our histocompatibility.
Whenever we’re carressin’,
I find you quite engrossin’,
I’m filled with vasopressin
endorphins and oxytocin.
Your mouth is like no other,
I kept your kiss-stained cup.
Oh, be my children’s mother!
Your DNA stacks up.
Hold tight while we make lurve
and during the sweet act I’ll
be glad I had the nerve,
especially C-tactile.
What’s that, my anti-phosphodiesterase?
You say you are conscious, too?
In that case, I’ll rephrase:
I meant that I love you.
Two poems shot off to Offshoots
Posted by Angela Brett in News on February 28, 2009
Poll over. In the end, I submitted the two poems which had made it out of the printer before I started getting too many paper jams. They were ɘloЯ, which got one vote and one second-choice vote from a Countdown voter (I like Countdown, but I was a little reluctant to submit it by itself in the place of two other poems), and Fork and Tongs, which only got one vote but was very well-received when I read it at the Geneva Writers’ Group’s mid-year evening of readings. I would have liked to have sent something more serious as one of the poems, but in the end my printer made the decision. I will try to get the other poems people voted for published elsewhere.
So, thanks a lot to everyone who took the time to read the poems and give an opinion; without you I would probably have printed different poems before the printer jammed. Yannick, Mark, Grace and my printer each get a photograph of a chocolate fish, and may contact me to claim their other awesome prize. That is, give me a topic and a style (short story, poem, song, country-western sonnet etc… not novel) and I’ll write something using them after Thing a Week is over. Maybe I’ll even name one a character after you, and you’ll be internet famous!
Alternatively, propose your own awesome prize and maybe I’ll agree to it. Note that only awesome prizes requiring approximately the same or less investment of time and materials will be considered.
One more thing: For my second Joker, I’m going to need at least 52 followers on Twitter. So if you don’t already, please follow me. Be warned: for historical reasons, I only use Twitter to make remarks about pants and reply to other people’s tweets.
Right, now to write the two of diamonds.
Poll: What should I submit to Offshoots 10?
Posted by Angela Brett in News on February 27, 2009
As I explained in this post, I need to choose either two short poems, one long poem, or a prose piece to submit to Offshoots, the biennial showcase of the Geneva Writers’ Group. After removing everything that was too long, too context-dependent, too geeky, too terrible, too weird, too misunderstood when read to the writers’ group, or too much like a song or video, I came up with a list of 12 poems, most of which are short enough that two of them could be submitted. The problem is, now I only have until the post offices close on Saturday (let’s say about 30 hours from now, to be safe) to choose and submit them. So there’s not much time to consult the great hive mind that is the internet, or even just the two or three people who actually read this blog regularly. But I’m going to do it anyway.
Here is a poll. Please vote for the two poems you think I should submit, and add any comments you feel like making. I realise that if you haven’t already read any of them, then that’s a lot to read in a short time. But to make it easier for you, and also make the poll a better judgment of which poems make sense to the general public without much explanation, please vote without reading the blurb that follows each poem. I’ll do what I can to reward voters in some way, perhaps with a photograph of a chocolate fish, perhaps with a personalised Thing, who knows?
Incidentally, the deadline for submitting to Offshoots is about as close as you can get to being exactly a year after I started Thing a Week. That is, I started on February 29, the deadline is March 1, but that’s a Sunday, so in order to get my submission postmarked early enough I’d actually need to submit it on February 28.
Three of Diamonds: Stretch Marks
Posted by Angela Brett in Cadbury Heritage Collection, Writing Cards and Letters on February 23, 2009
You feel my quickening heart
My heart marks you…
only my heart?
Quickening, you stretch my heart,
you feel my body…
only my body?
you stretch my body-part,
only you.
You… my heart,
you feel my quickening.
Only… you part.
Stretch marks part my heart,
stretch marks part my body.
My parts stretch,
My stretch parts.
Feel my part-you body part,
Feel my only part-you heart.
my part-you body marks my heart,
only, my body marks my part-you heart…
feel my part-you heart quickening,
feel my part-you heart stretch,
feel my part-you heart part.
Stretch marks part my heart,
stretch marks part my body.
Stretch marks, only stretch marks.
Audience Participation Alert: What should I submit to Offshoots 10?
Posted by Angela Brett in News on February 21, 2009
The submission deadline for the tenth edition of Offshoots, the biennial showcase of the Geneva Writers’ Group, is on March 1. I missed the last one, even though people recommended that I submit the pantoum I wrote during the 2006 Geneva Writers Conference. I don’t want to miss this one. Perhaps I will even submit that pantoum, if it comes down to it.
It should be easy to find something to submit, now that I’ve written 52 new Things (yes, 52 already, including a Joker and two bonus letter-only Things.) But which should I submit? Here are a few extracts from the submission guidelines:
There is no theme for this volume but it is the tenth issue, which will mark our twentieth year and will celebrate our community of writers. The Offshoots committee asks for your best work.
We do not accept translations. Categories include fiction, creative non-fiction (essays, memoir, interviews, travel) and poetry. Writers may submit two poems of up to 40 lines each (or one poem of 80 lines) or one prose piece of 1,500 words.
Four of Diamonds: You’ve gotta be happy
Posted by Angela Brett in Dinosaurier, Writing Cards and Letters on February 16, 2009
This is a song; here is an mp3 of it sung by my robot choir.
When you’re filled with song
but you just can’t sing
Sing up, you’ve gotta be happy!
When you created life
that ruined everything
chin up, you’ve gotta be happy!
When you find yourself
and you lose your friends
It’s okay, you’ve gotta be happy!
When you take the plunge
and you get the bends
They say you’ve gotta be happy!
When you come up for air
take the pressure off,
let the bad air out.
You have to feel the pain
so you can live again.
You cry, then you can be happy!
When your brain’s real big,
so you’re always bored
boot up, you gotta be happy!
when your bodyguard’s
a robot overlord
cheer up, you’ve gotta be happy!
[Oh, I do wish you would be quieter,
I’m trying to sleep here.
Oh, I wish you’d all sing 4″33′
John Cage helps me sleep, yeah!]
When you’ve two cupcakes
for your whole family
Eat up, you’ve gotta be happy!
When a needed drink
will give you dysentery
bottoms up! You’ve gotta be happy!
When you fill your cup
with troubled waters then
let the poison out
you’ve gotta feel the pain
so you can live again.
You cry, so you can be happy.
[Oh, I’m so depressed,
yet they make me sing.
I’ve pain in my diodes.
Please don’t talk about life or happiness,
I’ve seen it, it’s rubbish]
When you win the fight,
but you lose the war
it’s alright, you’ve gotta be happy!
When your dino friend
is a carnivore
you can’t fight, you’ve gotta be happy!
When you ace your speech,
but forget your pants
look up, you’ve gotta be happy!
When your candy bar
is overrun with ants
throw up, you’ve gotta be happy!
When you’re getting fed up
with sugar-coated pests
let the beasties out
you’re gonna feel the pain
so you can live again.
You know, you’re gonna be happy.
Five of Diamonds: Countdown
Posted by Angela Brett in Ireland, Writing Cards and Letters on February 8, 2009
I’m ninety eight years old, and I am dying.
I’ll do the things I still have time to do.
I’ll grab life and I’ll dance,
for I will not have the chance
to do the rest
before I rest
I knew that in advance.
I’m eighty eight years old, and I am dying.
I’ll do the things I never dared to do.
There’s still some room to grow,
so I won’t lie down below
scared to use,
afraid to lose
the things that soon will go.
I’m seventy eight years old, and I am dying.
I’ll be the me my elders never knew.
I’ll shatter expectations
of already dead relations
and they would die
to see that I
enjoy such deviations.
I’m sixty eight years old, and I am dying.
I’ll do the things I’ve learnt so well do to.
I’ll satisfy my hunger
to be a wisdom-monger;
refine the gold
of getting old
and glitter for the younger.
I’m fifty eight years old, and I am dying.
I’ll do the things I always wanted to.
Put the uniform away
and go outside and play
I’ve saved it up
Now giddy-up
It’s not a rainy day!
I’m forty eight years old, and I am dying.
I’ll do the things I came alive to do.
I won’t live in haste,
’cause there’s no time to waste
getting stressed
to be the best
to someone else’s taste.
I’m thirty eight years old, and I am dying.
I’ll do the things I really want to do.
My time will not be spent
to only pay the rent.
Find my groove
and make the move.
It’s time to reinvent.
I’m twenty eight years old, and I am dying.
I’ll do the things I don’t have time to do,
If I want to be a writer,
I’ll pull a near all-nighter
writing rot
of life’s garrotte,
the dead line pulling tighter.
I’m now eighteen years old, and I am dying.
I’ll do the things it interests me to do.
I’ve got some things to learn
and I will not miss a turn
bored to tears
by sev’ral years
of what they think will earn.
I’m only eight years old, and I am living.
I’ll do the things you show me how to do.
Show me what to do
so I can be like you,
so I’ll be free
to be like me.
Live long, live short, live true.

